Janis Lionel Huber
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Everything posted by Janis Lionel Huber
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Hello Do you know any companies / people who make 16mm or 35mm print-outs from a digital file. I know CPC London, which has great prices, but they need 10 weeks to do it which is too long. Andec and DeJongh I can't afford. Maybe someone in the US? I in the end need a positive print for an art performance, could be directly to positive (like CPC does it). Thanks for the help and best!
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Hello, can the zoom be operated when the 6008 is in manual mode or how can the zoom be operated when light is measured via a sekonic and aperture is set fix? Thanks for the help!
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Super 8 - Beaulieu 4008 ZM4 help
Janis Lionel Huber replied to Ernest Kabashi's topic in General Discussion
hello, I also just got a ZM4. What confuses me: I can't operate the zoom electronically if in Manual mode. Is this normal? Didn't find the answer in the manual (might have missed it). Thanks for the help. -
Can anyone recommend a repair service / person for beaulieu super 8 in Europe?
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Hello I have an experimental music video project which only operates with analogue/optical effects. It was all filmed with digital cameras high iso - so its veeeeery grainy (purposely so, see sample still). Now I would like to perform a final step over: Print it on 16mm (or 35mm film) and then scan it back in 2k or 4k There are three ways I imagine this can happen, tho have no previous experience: - 16mm print out and scan back to digital: quite expensive to do, even for 4min. - 35mm print out and scan back to digital: probably cheaper - though maybe the resolution is too good / the grain no present enough. Then again: Maybe this is just the necessary amount of information/sharpness needed to render the digital grain/artefacts clearly - Use a Bolex or Krasnogorsk and film the digital master from a screen or projector, develop the film and scan back to digital (?): does this give you adequate quality? I'm especially interested in this technique since its the cheapest but also because i imagine the 'sloppiness' of the bolex/krasnogorsk adds a movement that could be quite interesting for e.g. the shots that were filmed on a gimbal. Questions: - has any of you experience with filming from a screen / projector? If yes, I'd appreciate some tips regarding technique. - I guess in all the cases above it would make sense to have a digital master that is rather a little more overexposed than underexposed? - ho do overexposures end up on the film negative/scan back? does it get more organic or does it stay rather digital in its aesthetic? I hope I could express myself understandably. Best Janis
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Hello I work as an artist and with various cameras. So far I have used the Black Pro Mist 82mm 1/4 for a lot of digital work. But the blooming is sometimes just too much / obvious so I'm eager to try out new filtration. I originally wanted to get the Black Frost 1/4 but it wasn't available back then. Now I'm looking at it again as well as the Hollywood Black Magic 1/8 and 1/4. There is a lot of info out there about the latter but I haven't yet seen a comparison between BF and HBM. I don't have the money to buy a whole set (e.g. different filters for different focal length as many suggest). So I'm kinda looking for one to rule them all. I want to use the filter on most of my digital cameras (from iPhone to Blackmagic Design). I film a lot of tele stuff or extreme wide angle - and also a lot of landscape/nature/architecture things without humans Sometimes humans. So I wonder is the HBM the right choice it subjects are not the focus of my work? E.g. will The softening not often be too much because I already get that in the high tele and wide range? So that would lean towards the Black Frost 1/4. Also I can't imagine the difference between the HBM 1/8 and 1/4. I would hope to get some experiences and hope the info above is helpful. Thanks already!
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Angenieux Dogleg Viewfinder - no viewing angles?
Janis Lionel Huber replied to Janis Lionel Huber's topic in 16mm
I see. Makes sense with the swivel and loading. Too bad...makes it rather inconvenient. Do you know / have you headr about a conversion from the long swivel to a shorter one (see attechment)? Would make it much more usable. Thanks for your help. -
Hello I bought a Locam II Highspeed 16mm cam some time ago. Finally I have time to try to make it work. The camera has an Angeniexu 12–120 lens on it with a dogleg viewfinder (see picture atteched). What suprises me though is that i can only see a picture, when the viewfinder ist horizontol like on the picture. Set to a 45 or 90 degree angel (altough it swivels there), I just see black. Is this normal? If yes, this would be quite inconvenient. Thanks for the help. Best regards
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Hello I want to buy a used Sekonic 608 (cine) or 758 (cine). Anybody? Please pm me. Cheers
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Does anybody have the full manual? I just have until page 50. Would be appreciated.
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Hi I just got the locam ii from ebay. To test wether it even works, can I testrun it without a film spool?
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Hello I'm new to the forum, but I've been reading threads for years ? Anyhow: I just got a Redlake Locam II on ebay. I'm not sure wether it works. There are some threads on this forum but not many about this cam. I have the manual. What I couldn't find out: 1) To test wether the camera works at all, can I test run it without any film inside or will this potentially damage the camera? I got the 115V version and will try to run it with a converter (since I am in europe). 2) I saw that some Redlakes have an 'on / off' switch. Mine doesn't - instead it has a metal plate over this part. What does this mean? That when I plug in the camera it will rund immediately? Or that I first will have to build some sort of power switch? I hope there's anyone with a working model Thanks and best