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Showing results for tags '16MM'.
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I am in the market for a full set of super speeds. Please PM me if you are interested in selling or have any good leads or a set.
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I am selling off a large part of my 16mm collection. I've got 2 REX-5 bodies, in perfect working condition and super cosmetic condition. Comes with rewind knob and eyecup. $700 OBO. Am also selling off these lenses, also usable on 4/3 (Four-Thirds) sensor digital cameras. Listed are prices for each. May be open to negotiating. Switar Kern-Paillard H16 RX 10mm f/1.6 - $200 Wollensak Cine Raptar 50mm f/1.5 w/ hood - $200 (3x) Switar Kern-Paillard H16 RX 50mm f/1.4 - $500 Switar Kern-Paillard AR 50mm f/1.4 - $500 Yvar Kern-Paillard AR 75mm f/2.5 - $250 Yvar Kern-Paillard AR 75mm f/2.8 - $200 Inquire about the pieces you're interested in. Will sell separately. Can give discounts for buying a bunch of stuff. **I've also got these few lenses that are quite rare, I'm not really looking to sell them but will consider if the price is really right: *Switar MC 10mm f/1.6 Macro *Bell & Howell/Angenieux 25mm f/.95 *Macro Switar H16 RX 50mm f/1.4 *Angenieux Type S5 50mm f/1.5 *Schneider-Kreuznach makro-tele-xenar 75mm f/2.8 If you're in NYC area, we can meet up, otherwise, Paypal (must have verified address). Let me know if you're interested in anything! I have photos of each piece.
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Greetings, I recently purchased two Sylvania Sun Guns, I mainly shoot on the following: Bolex 5120: Super8mm Bauer C5 XL: Super8mm Krasnogorsk 3: 16mm Canon Scoopic: 16mm The Sylvania models are: The Sun Gun I and II models Is there a safe way to use a diffuser with these bad boys? I am interested in the Sun Gun made by Slyvania that is both a flood and spot light. What can these features offer me?? I know these bad boys can get dangerously hot. Is there a way to take a device that plugs into get power into an outlet and make it plug into a portable battery? Also whats the deal with these things: Cine 60 Sun Guns? How would LED lights effect super8 and 16mm filmmaking? I recently held on for a friend who was shooting with Canon 5D or 7D not sure but it was fun and I enjoyed shifting the temperature and viewing the viewfinder of the camera to see the effects when I shifted the temperature knob. I would like some advice and general input from this community.
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Hi, I have a couple of questions for our next (student) short we will be shooting in the first half of April. At first we wanted to go 16mm (anamorphic), but it's quiet expensive for us. And wide angle anamorphic is a problem with 16mm. We're still thinking about it though. But it's probably going to be the digital way. Now the short is about half and half daylight and nighttime. Probably a bit more at daylight. We're thinking about renting a Red-epic since it's a lot cheaper (than an Alexa). But I'm a bit "scared" for the nighttime shots with the epic. We will be passing neon street lights, in car shots which can get pretty dark, etc. What do you think? Will it be ok? Second question is about post production. We love the (16mm) celluloid organic look, and specially for this film. We were wondering how this is professionally emulated/achieved. Are there a couple of ways? I add professionally since we were thinking about festivals etc. (I read somewhere that adding a random grainy look is okay for youtube videos but not for more serious stuff.) Thanks ahead, -
go to link below for T. Anthony Gharzouzi's Demo reel http://tarekimages.com/reel.html
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Hello and thank you for any help in advance. I shot my first couple of rolls of 16mm yesterday (Vision 2 and Vision 3 500T in a 16mm Arri from the 60s). To help you understand where I'm coming from with this question, I shoot digital regularly and also 35mm film stills, which I develop. Also, all the tools I was working with yesterday are ancient--finicky in the working, but working. My hope for the two different shorts are medium to high contrast with fine grain and lots of saturation. Here's my problem: I need to know whether to tell Fotokem to push the film a stop or two. Both shorts should take place in a darkened apartment with one practical light suggested as the only light source and a moment where I shoot a darkened room with "moonlight" spilling in--a 250 Lowell light with CTB through a set of blinds. As we were getting readings from an ancient Spectra light meter, the reading kept coming up with a 2.0 on the key side and a 1.0 on the dark of my subjects. The camera's lenses would only open up to a 2f. I was told to overexpose by a stop, but I kept taking a reflected reading using my Canon 7D and getting the light that I wanted--same reading but the light looked right. I exposed for the 2.0f through the entire shoot, not overexposing at all. Also, that means the darks are gonna be DARK. But I'm concerned at this point. Plus, I may not be understanding a "dense" negative. In still film processing, you can only expose the negative once. If I didn't expose for details in the darks, then there really isn't an amount of pushing I can do in the developing that is gonna make up for that after I develop my negative. Should I have exposed for the darks, which would have made the scene look like a well lit daytime scene and then pulled back? (These are shots I took with my 7D with the same settings dialed into what I was dialing into the Arriflex. The performances were so good yesterday, I really want this to turn out and I have to give instructions to the lab tomorrow. Any help is much appreciated. Thank you in advance! Best, Monty
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Greetings, Does anyone have a 400ft adapter for the Canon Scoopic 16mm camera? I hear these things are pretty rare. Can one be made?
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Hi, I'm after a Canon Scoopic MS battery, preferably recently recelled, but at least intact. Can anyone help? Thanks in advance, Ed. -
http://tarekimages.com/reel.html short demo reel in link above thanks, T.
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I'm the DP on a short, and our exterior scenes will be shot this Saturday in rural Quebec. The temperature is supposed to be around -20C (-4F). I hear cameras don't do very well in the extreme cold, what precautions can I take? What are possible side effects from shooting in this temperature (other than loosing my fingers)?
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Hi, I'm after a Canon Scoopic MS battery, preferably recently recelled, but at least intact. Can anyone help? Thanks in advance, Ed.
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Hi all, this is the international trailer to my first theatrically released feature film Bela Kiss: Prologue. It currently runs in German theaters. http://www.bela-kiss.com/#en_trailer Staring Kristina Klebe and Rudolf Martin, it was shot mainly on location in Germany, using a Red One camera with Zeiss High Speed lenses. The "found footage" sequences are shot on 16mm black and white reversal with a Bolex H16. It was an independent production with a fairly low budget. Please feel free to comment. Sven
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Can someone tell me how vision3 and vision2 differ? Also what would you consider the nicest daylight stock? I can't find any decent hd examples of vision3 50d, could someone please link a few?
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Beaulieu R16 Angenieux 12-120mm lens, custom battery pack and 200ft reel ebay auction ends on sunday: http://www.ebay.co.u...984.m1555.l2649 -
Single perf 16mm film. Perf holes on the other side! Help
Guest posted a topic in Film Stocks & Processing
Hi, I'm trying to get used to load 400' film in darkness (on the light for now of course). But, when I got film from the can it looks like perf holes are on the other side of my magazine perf teeth and camera registration pin! What's wrong? -
Tripod for a 16mm camera. 6kg/13lbs. WEIFENG WF-717
Guest posted a topic in Accessories (Deprecated SubForum)
Hello. Just finished some work on camera and looking for a secure tripod. The problem is that I spent all my money on camera modifications and very little left. Was looking for a tripod on eBay and found WEIFENG WF-717, with fluid head. Is it the best option for £180/$290? The camera with 400' mag, lens, mattebox is just little over 6kg. Can anybody leave some feedback of this tripod or recommend something at this price range? And here is the link to tripod itself http://cgi.ebay.co.uk/ws/eBayISAPI.dll?ViewItem&rd=1&item=190578551127 -
Selling my beloved Boles H16 Rex 4 super16 modified by JK Camera with the 13x Viewfinder. It works perfect and is in very good shape. I´m the second owner! The variable shutter is a bit loose. I have never used that and I guess its an easy fix... I also have Tobin TTL Time lapse motor and TXM-20BA Crystal Sync motor for it. Price Bolex camera 900 euros Tobin TTL 350 euros Tobin Crystal Sync Motor 300 euros All gear is in Sweden (within EU) Just PM me if you need photos or more info. -
Hello, just got a 400' reel of 16mm film, Kodak Vision 500T. On the back of the can it says Copyright 1988, so I guess it was made in 1988. Therefore it is 24 years old now. Wow! It sealed around the can with yellow tape, I'm not sure if it's original. Can I shoot it?
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Hi, Here we are in the twilight of motion picture reversal stocks. Be that as it may be, I have spent the best part of a year learning how to load my K-3, I finally got it, and today no film jams - smooth running on Tri-X all the way ;) I have a new lens as well, the last one was full of lens fungus :-o The mirror through the viewfinder is dreadfully tarnished. It doesn't really bother me that much, but can I clean it? Shame to have a grubby mirror if it can be cleaned up a little. Am in the UK btw so anything I do will have to be DIY, I don't think there are any K-3 boffins over here. Many bests, Ric
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I'm shooting on a bolex, I figure Kodak 500t is the best option (I remember reading in a topic, that it "saw into shadows well). That being said I've also heard that fuji does better with mixed lighting sources, and the metro certainly has a mix of tungsten and fluorescent. I'd also be interested in the best place to transfer it in Montreal. Any general tips for shooting in the Subway? -
I'm hoping to create a live projector performance piece, but it requires the removal of the projector's shutter. I have an Elmo 16CL, and there is no mention of the shutter mechanism in the manual I have. Replacing the 3-blade for a 5-blade shutter is common enough, to enable telecinies, but I have been unable to find instuctions on how to do so. Can anyone shed some light on this procedure for me? Thanks -Matt
