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  1. Hello all, I've got a dour situation on my hands with my new Bolex H16. Not sure which model exactly - it's an eBay find - but it has a variable shutter so I think it's an Rx2. It was running fine this evening as I was putting my first roll through. I wanted to try to do a double exposure and rewound the camera a few feet. Then when I re-engaged the motor I heard an unnatural noise. Suffice to say, that motor isn't running any more. I've removed the film - there didn't seem to be any jams. I've tried single frame and slow-speed continuous running but neither have engaged the motor. The crank is tight, like it has a full wind, but won't move in either direction when engaged. And the rewind works... in both directions. Does this sound like a spring problem? Any other ideas? This is my first Bolex and I might have gotten to antsy to try out its special effects...
  2. I recently purchased a Kern Switar 10mm f1.4 lens, which appears to be in good condition, for use on my Bolex EBM with a c mount adapter. However, when mounting this lens I encountered a strange problem where it would only focus at extremely close distances and leaves the rest out of focus. Seems like this lens is not in such great shape after all but wondering if anyone knows a fix? Thanks for any help!
  3. Hi fellow cinematographers, I'm looking for the (somewhat hard to find) 26mm Kern Switar Preset lens in the final black version with multicoated glass. I need the optics to be in a good shape but body doesn't matter that much. I desperately need to complete my lens set. I'm looking for anyone that has this lens but I'd prefer to buy from someone in Europe/EU (that would be perfect!) or the UK. But I'm open to discussing importing it from US as well. Please message me here on the forums so we can eventually discuss the sale in more detail. Thank you very much for any leads on this! Marek
  4. Hello, I recently found my grandpa's old Bolex 480 macrozoom super 8 camera, which I want to test out to see if it works, however it seems like the battery holder was lost. I am trying to look for a spare but I am finding it really hard to find any spare battery compartments of this specific camera, so I was wondering if I could use battery compartments from similar models? Any advice on how to find a new batter compartment is greatly appreciated!
  5. FOR SALE: I am am hoping to sell this all as a kit and am hoping to get $3500 USD. I am selling the following: -Bolex H16 Rex 5 w/ 10x viewfinder. The camera was just CLA’d by Abdul at Cinerepair and has a brand new govenor. It runs like a top with a very strong spring. It is in excellent condition. -Kern Vario Switar 16-100 POE f/1.9 C Mount Lens. glass is very clean. Zoom, aperture, and focus are all smooth -SOM Berthiot 10mm Cinor f/1.9 for Bolex RX -Bolex 400ft magazine with torque motor and roller bearings -Sekonic Studio Deluxe 2 analog incident meter If interested, please send me a DM. I can provide pictures and video. I can piece out items if needed. Because of the cost, I am only shipping this kit in the US. I am only accepting PayPal at the moment.
  6. Made a reel out of all the concert footage I shot in 2023. The super 8 footage was shot on a Beaulieu 4008 ZMII and the 16mm was shot on a Bolex H16. https://youtu.be/WgHjehnVAkA?si=BnNhBzU_E0mt8ZBW
  7. I am selling a bolex 400ft Magazine and a serviced MM motor with cable. The magazine and MM motor are in excellent condition. I will also throw on the roller bearings for inside the camera at no extra cost. I am looking to part with both items for $300 USD + shipping via USPS priority. I can send photos of the mag and MM torque motor upon request. I am only shipping within the US and am only accepting PayPal. if interested, please send me a DM. best, Derick
  8. Hello Everyone, Well last year I was selling a bunch of gear before moving to South America. Some of it never sold and I'm back in the States for a short visit and still need to go ahead and try to get rid of it instead of letting it sit in my storage unit. I need to have all this sold before May 12th. I've tried to price them as low as I can to get rid of them quickly. There is some wiggle room for some of the more expensive items. Reasonable deals can be made if buying several items. There are no shipping costs for local pickup in Valrico, Florida. Arriflex 16SR + Accessories - $800 + $50 shipping It works fine and it works great with the blimp below. I bought this used from a dealer. The viewfinder is clear with no yellowing. The camera runs smoothly. 1 - Arriflex 16SR 16mm motion picture camera 1 - Eyepiece with eye cup 2 - 400' cartridges 1 - Battery Adapter 1 - Power cable 1 - Power adapter for plugging the camera into an outlet, NO LENSES ARE INCLUDED. ARRI BAYONET MOUNT. THIS IS NOT A SUPER 16 CAMERA. Arri Talbot SR Sound Blimp - $400 + $50 shipping 1 - Arri Talbot SR Sound Blimp with connector cables inside I'm selling a very unique Arri Talbot Sound Blimp for the Arriflex 16SR camera. It reduces the noise level to absolute ZERO! When the camera is inside, you plug in the wires and you are able to completely control the camera from the buttons on the outside of the blimp. The blimp also has rails on the front. I've never seen one of these anywhere else. It's extremely heavy so you'll have to use it on a heavy duty tripod. If you want to buy the Arriflex SR16 and the Sound Blimp together - $1000 + $100 shipping https://www.etsy.com/listing/195118392/arriflex-16mm-film-camera-sale-arri I also have some items for the Bolex Rex5 & Rex4: Bolex Rex 5 Film Magazines - $250 + $40 for shipping You can own two film magazines for your Bolex Rex 5 including a leather sound cover and vintage carrying case today! These film magazines allow you to use 400' rolls of 16mm film with your Bolex Rex 5. They are in good condition and work great. *Note the grey & color cards and scrims in the pictures are not included. https://www.etsy.com/listing/287265553/bolex-film-magazines-sale-16mm-film Sound Blimp for a Bolex Rex 4 - $200 + $40 shipping You can own a custom made sound blimp for your Bolex Rex 4 today! It reduces the noise made by the Rex 4 to near zero. There is a non-crystal sync motor inside that works. Only a Bolex Rex 4 will fit inside this housing. A replacement rubber collar is needed for the power cable to seal it in the opening. Front glass is cracked (not shown in the photos) and will need to be replaced. https://www.etsy.com/listing/273635904/bolex-sound-blimp-sale-custom-16mm-film Shipping costs listed are for buyers in the lower 48 states. I know many of you may be in other countries and as long as we can work out shipping costs, I will ship to most counties if using Etsy to pay. You must cover the full cost of shipping. If in doubt, please ask. Thanks. Shipping for heavy items will be done via Amtrak: Amtrak is a great, safe way to ship heavy items. You can pay by credit card or Paypal through Etsy. If you don't want to pay through Etsy, and you want the item(s) shipped to one of the lower 48 states, I can accept payments via Stripe as well. Billing and shipping addresses must be the same. Please feel free to ask me if you have any questions about any of these items and I will answer as best I can.
  9. Greetings everyone! My name is Derick and I'm new to the forums. I'm a filmmaker based in Philly and I work primarily with super 8 and 16mm film. I recently acquired an Angenieux 12-120mm Type C with the C Mount to use on my Bolex rex 4. Now from my understanding, the type c is made to be RX compatible, which is great. My only question/concern is, all of the images i've seen of this lens online shows the lens with the silver cupped mount with the engraved 'BOLEX RX" or something along those lines. The thing is, mine doesnt have the so called "silver cup" with that engraving. It just seems to be a normal c mount that screws right onto my camera. My question is, is my lens still properly calibrated for the reflex prism although it doesnt have this engraved mount? Were there different variations of the TYPE C lens that were made throughout the years, making mine different but the same as far as collimation? Sorry if this question has been asked before, I just can't seem to find the answer and I dont want to eat up a bunch of film and find out all of the images are soft. Thanks in advance, Derick
  10. Hey guys! I was hoping if any of you kind souls are willing to assist me on this! There's a huge lack of support over here in Singapore so I'm venturing out into the unknown! So I'm currently building a set of 16mm Kern Switars! I have my own set of Bolex H16 Rex 4. From what I understand, I am able to convert the sensor for the H16 Rex 4 from a 16mm sensor size to a Super 16mm sensor size. I'd love to do that! However, may I check if anyone knows this? Will these lenses cover the Super 16mm format? KERN SWITAR RX Primes 10mm H16RX F1.6 KERN SWITAR RX Primes 16mm H16RX F1.8 KERN MACRO-SWITAR RX Primes 26mm H16RX F1.1 KERN MACRO-SWITAR RX Primes 50mm H16RX F1.4 KERN MACRO-SWITAR RX Primes 75mm H16RX F1.9 I'm also on the hunt for a Kern Macro 50mm F1.4 H16RX. So please reach out to me if you're keen on selling ? Really do appreciate it!
  11. Hello Bolex community, I just bought a Bolex H16 Rex 1 camera on Ebay. The seller said it had been last serviced 15 years ago by Super16Inc and last used 12 years ago. The camera looks to be in good condition and the seller said it runs well without film. It came with a pair of Switar lenses: 16mm non RX and 25mm RX. Both appear to be in good condition. I've been researching maintenance and understand that I should have the camera professionally checked out, cleaned,and lubricated after this much time. Being the current caretaker of this fine camera, I want to make sure it's well maintained. I have not attempted to use the camera, but I did finish unwinding the motor and disengaged it. I've read forum posts from many years ago about CLA recommendations, but several repair people have since retired. Can someone please suggest a good place to send my camera these days? David
  12. After years of B&W still photography I wandered into the "movies" two years ago and am loving the new craft of regular 8mm and DS8 exclusively shooting fomapan r-100. I am well aware of the extraordinary reputation of the Bolex H16 and am hoping to learn if everything that makes the H16 a great series of cameras (build, registration, reliability, longevity) are built into the H8 series as well. I don't need a reflex. I don't need sound. I currently shoot with Quarz DS8's (2x8s 1M and ds8-3) and don't mind the smaller format of regular 8. I like the Meteor lenses but am really looking forward to using the dedicated Bolex lenses. Thanks in advance and apologies if I haven't found an existing thread.https://vimeo.com/770504716
  13. Hello all! A few weeks ago, I put my first test roll through my new Bolex EBM camera. Unfortunately, it turned out the shutter and claw system were completely out of sync. I took it upon myself to do the repair as I couldn't not afford to send it for a general overhaul and fix abroad. I've spent many weeks going through the repair manual and reading plenty of helpful posts on this forum, to understand how the system operates before I even try to disassemble it. I got the right tools and after some time, I think I've managed to perfect it. Here are links to some slow mo footage of film passing through the system: https://www.youtube.com/shorts/1zNsxUi_lp0 (the first second when the film is passing through the gate, you can see the film move as the shutter is open, but that's only as the film is not yet engaged with the sprockets and claws, once it engages, it seems to properly stabilise). https://www.youtube.com/shorts/jiuQj3iaar8 I was wondering does this now seem to be properly in sync? Obviously I'll have to have another test roll shot and developed before any conclusions but I was wondering what's your opinion just by looking at the footage above. Many Thanks!
  14. Hi folks, Probably a dumb question, but thought I'd ask... Is it normal for the H16 shutter to stop in a slightly open position? The camera runs and advances film smoothly, but it always stops with the shutter slightly open (see pic). This is an older H16 Reflex, without the variable shutter. I suspect it has been mistimed by a previous owner, but I'm new to Bolex. Appreciate any insight from experienced users. Tom
  15. Hi all, I wanted to share what I've done with my Bolex EBM regarding the battery and maybe help any other people out there. I've done a lot of searching online, but I realised I would love to power it from a V lock type battery, for ease of use. I purchased a SmallRig battery plate (SmallRig Battery Adapter Plate 3204). I went for this one as it wasn't too expensive and after sending them an email, confirmed that the outputs on the plate are regulated (as the Bolex EBM requires 12V). Another benefit of this plate is that it has a power button, meaning the you don't need to get a cable with a switch to power on/off the camera. The button makes it much cleaner too. The plate was screwed on the back of the camera. This required a bit of modding and making the existing holes on the back of the camera a bit bigger (took me 3 minutes to do this). I made a custom cable, using a simple 5.5mm x 2.5mm DC barrel plug, and a Amphenol Tuchel connector (T 3475 005). Pin 3 is +12V and pin 4 is ground. This connector is really well made and fits perfectly with the camera, worth it in my opinion. Once the cable was made, I simply plugged it into the 12V output on the plate, and the camera works perfectly. Currently I'm planning on adding a small monitor and a small video assist as well, which will both be powered from the 12V outputs on the battery itself with a Dtap cable. The only drawback with this method is that you in reality need to use a video tap, as the viewfinder is blocked by the battery/plate. With a smaller plate and battery, it could have probably been avoided. So far I'm quite happy with this setup!
  16. Hello everyone, i recently acquired a bolex H16 rex-5 that is in need of some servicing. I reached out to Jean- Louis Segin in hopes he could do it but unfortunately is no longer taking on new clients. He did however refer me to another technician in Ontario. Has anyone had any work done by TJ Ediger?
  17. I really haven't seen much 16mm Ektachrome footage out in the world so I wanted to share this film I shot earlier this year. Filmed in the Boundary Waters Canoe Area in the Summer of 2022. Shot on a Bolex Rex 5 with turret mounted 10mm, 25mm, and 75mm Kern-Switar lenses. I lugged around a 15lb pelican case in on the week-long ~25mi canoe trip in the deep backwoods of northern MN so some of the shots are less planned out (and shakier) than others. I need to figure out a lightweight tripod system in the future. Full disclosure I've only shot reversal a handful of times so the exposure was not as tight as it could have been. I shot 5 rolls of fresh Ektachrome 100D (ordered directly from kodak). I metered with my Sekonic L-308B which limited me to incident metering. In the future I'd like to upgrade to a spot meter so I can more accurately meter landscapes. I received a flat raw 6K scan from thenegative.space and did final color in Davinci Resolve. It was an HDR scan (which comes standard now) which gave more dynamic range in the shadows/highlights which is especially useful for reversal. That said, I still probably pushed the film in color a bit more than I would have liked which is why you'll notice more noise on some shots than others. I also lost a bit of resolution in my 4:3 crop to reduce the edge framing. It's all a learning experience! Each new project is an opportunity to learn and grow as an artist.
  18. I would like to create a 3D model of a H16 Bolex in order to create animations that allow camera movements navigating and traversing all the internal and external elements of the Bolex. I'd like to make it perfectly accurate and am therefore searching for the measurements of every single component in addition to material properties so that I can use real-time physics in the animations. I guess the model could also be used by those looking to fix, repair or service these cameras. Does anybody know if this has already been done or could you point me in the direction of resources, schematics and such? Thanks in advance!
  19. Hello, I have 3 packages of 16mm cameras to sell. They are supposed to be sold as a sets, but I will also consider offers if someone would like to buy a lens or camera separately. Cameras are located in Warsaw, Poland. SET NR 1: 1. Camera: - Bolex EBM Super16 2. Lenses: (all those lenses were serviced, lubricated and collimated. All covers Super16 format) - Kern Vario Switar POE 16-100mm F/1.9 - Switar 10mm f/1.6 - Switar 16mm f/1.8 - Switar 25mm f/1.4 3. Accessories: - 2x 400ft mags and 1x MM motor for 400ft mag - Battery charger - Power grip + power grip battery (I don't think it needs re-celling, never had a problem with it) - Remote control cable - Battery container - 7 filter frames with filters (ND 0,6, ND 0,9, ND 1,2, 85/ND 0,9, 85B/ND 0,3, 85, 85B) - Set of Kodak wratten gelatine filters and ND gelatine filters - Bolex bayonet to C-mount adapter - Bolex bayonet to Nikon adapter - 4x 200ft spools - 2x100ft spools - Metal case Here are a few shots made with that camera throughout the last three months: Asking price: 4500 euro SET NR 2: 1. Camera: - Bolex SB Regular16 2. Lenses: - Angenieux 12-120mm f/2.2 Cameflex mount - Angenieux 12-120mm f/2.2 Bolex bayonet mount (this one has glasses in perfect condition, but it needs some collimating. I can arrange it in Poland, before shipping) - Angenieux 12-240mm f/3.5 Cameflex mount 3. Accessories: - Bolex MST motor and battery pack - Pistol grip - Bolex RX-Fader - Bolex bayonet to cameflex mount adapter - 2x100ft spools - Metal case Asking price: 2500 euro SET NR 3: 1. Camera: - Krasnogorsk-3 2. Lens: - METEOR-5-1 17-69mm f/1.9 3. Accessories: - Filters - Lightmeter - Pistol grip - Bag Here a few shots made with that Krasnogorsk and 30 years old ORWO stock (I was surprised that anything came out of it): If you will have any questions or you would like me to send you photos of the cameras, please contact me by email: janbujnowski1@gmail.com Thanks!
  20. Hi, I'm a student working on my first short film for a class. I checked out all the equipment I needed to start shooting including a Bolex H16 Reflex movie camera. I put a wind in the camera, went to load the film into it, and realized that it won't run! So now, the camera has sat overnight with a wind in it that I have no way of getting out. And seemingly no one else has had this issue because I couldn't find it in any forums. Can ANYONE please help?!?!?! I'm totally freaking out!
  21. looking for a list (and recommendations) for zoom lenses with finder attachments for non-reflex bolexes. thanks.
  22. I recently picked up a Bolex EBM that a friend had had sitting in storage for a few decades. All the pieces seem to be together and carefully stored and kept (pictured below). The 2 cell batteries I have seem to go with the power grip. The issue is I don’t know which end is positive and which is negative and I’ve heard using the wrong end can blow the fuse. I’m wondering how to best test the camera’s electronics with the equipment I have? There is a charger and multiple power sources but I’m unsure of how to safely use and test any of it. As mentioned, the equipment has supposedly been well maintained and used very lightly. I’m unsure, however, if deterioration may have occurred with time and if I should invest in repairs and new parts. Anyone have any insights? Any help would be immensely appreciated
  23. Hi everyone, I'm currently working on setting up my Bolex H16RX5 with a custom anamorphic setup (russian Helios taking lens + Isco Widescreen projection lens + SLR Magic Rangefinder for single focus). In case anyone is interested in this, I will update this post as I continue testing. As of now, I managed to fit the lens without much hassle using a C to EF adapter. No focus issues so far, close focus to infinity seem to work just fine. Will have to find a more secure way of mounting the rods though, but that shouldn't be an issue either. Before I can shoot some tests, I'll have to finish my video assist setup in order to actually see a desqueezed image (http://www.cinematography.com/index.php?showtopic=15423). Will keep you guys posted!
  24. Hi everyone, I recently bought a Bolex Rex 4 and wanted to get it serviced and converted to a super 16. I've been trying to get a response from Bolex.com for months and sent numerous emails but with no success. I have also tried calling their number but instantly get cut off as if the phone number was not in use. The website says that their site is under construction but that they are still repairing and converting despite covid. Has anyone had any luck hearing from them lately?? Thanks!
  25. Hey y'all, this is my first time posting anything so apologies if I'm not in the right spot. A while ago I got my hands on a Bolex H16 in the naive hopes of upgrading from Super 8. I'm a big fan of film photography, and since I've started working the local indie scene I've been trying to convince a few of my peers to get to work on a 16 project. I've been doing some reading and it seems like, outside of hobbyist work or cannibalizing them for spare parts, non-Reflex H16s are pretty much useless. Sure, I could fork over $2,000+ for a Rex model and get exactly what I need for framing, and even kit it out with a monitor and several other bells/whistles; but my current budget can't support that (really it can't support 16 in general, but I'm already this far). I figure the next best thing to do would be to sack up and buy a K3, because it can do pretty much everything I need, plus I'd be able to buy motors/video taps for it. For the time being, since I've got this camera (which only cost me around $100), I'm considering doing some crazy DIY hackjobs with it and seeing if I can develop anything somewhat useful. Does anyone know if I can get any use out of this thing, besides an Ultra 16 conversion? I've got some wild ideas, but I don't wanna start tearing this thing to shreds without any guidance. I'm no expert when it comes to the mechanical side of this camera, so any help would be appreciated.
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