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  1. Company to Showcase New Offerings and Equipment Sales at Cine Gear Expo Bexel Cine Gear Expo Booth # 98C (BURBANK, CA) - Bexel, a unit of the Vitec Group's Services Division and a leading worldwide provider of broadcast services and solutions, has expanded its selection of camera solutions with the purchase of four Sony F55 cameras, a compatible selection of PL-mount Fujinon Cabrio Lenses, as well as 10 Canon EOS C300 cameras. The new camera packages will be on display at Cine Gear Expo (Booth #98C), which runs May 31 through June 1 in Los Angeles. "The investment in these acquisit
  2. Ok, somebody needs talk to me about this. An open source 4k cinema camera. I believe they'll be releasing the plans this summer, and perhaps selling prototypes. http://axiom.apertus.org/index.php?site=alpha I've been wondering when the open source hardware movement would find its way to the camera world. I'd be amazed if this project didn't flop (the beta version they want to sell via kickstarter seems more like an interesting paperweight than a working camera), but man, I would love to beta test. Perhaps someone else will pick up where this group leaves off. So. The topic is,
  3. Hi there, I am currently creating a research project for my final piece at university on the evolution of the cinema camera and how cinematographers deal with the ever changing technology. In particular the transition from 35mm celluloid to digital. I am looking for people who have worked with film stock and digital and wish to answer a set of questions I have prepared. The questions below have been sent out to various D.O.P's and also camera companies such as Arri, RED and Panasonic. During your time in the film industry, what do you believe to be the main changes in the technolog
  4. The fact that I'm creating a topic of this nature may come to a surprise to many of you, but I feel it's necessary because I'm getting at least three different answers based on my own research. 1) Wikipedia: http://en.wikipedia.org/wiki/16_mm_film#Super_16_mm WP states the camera aperture is 12.52 by 7.41 mm (0.493 by 0.292 in). This gives us an aspect ratio of 1.6884:1 (1.69:1). Unfortunately, nothing is cited clearly in that article (shocker!). For an interesting twist, the entry also lists regular 16 mm as having a height of 7.49 mm (0.295 in). I thought Super 16 just extended t
  5. Hi. Most of my narrative films are shot on RED camera´s. I have a job where we might shoot on Arri Alexa camera. I heart that post production and color correction is easier with Alexa. Any in here with great experience with the Alexa workflow:-)? Best, Henrik A. Meyer. www.henrikameyer.com
  6. Hi all, I am looking to buy a camera and I want to know what camera I should take a look at. I've heard a lot about the Canon 7D, RED, etc. But I want to be sure. I am looking for a camera that doesnt require much color correcting, used in music videos and feature films, stop motion, good battery life, etc. Any ideas ore recommendations? As far as equiptment, what would you say a filmmaker should always own? Lighting, etc Thanks!
  7. I'm looking to buy a super 16 package in great condition and working order, any one of the following camera kits would be amazing - AATON XTR PROD or XTERRA or ARRI SR3 or ARRI 416. I need the kit to be usable straight away once a lens is added - so no spares or repairs. If anyone knows of any for sale please let me know, other s16 kits considered as well as long as they are ready to shoot once a lens is added. I'm working on a small budget. Thanks, Ian
  8. With a crystal clear lens and everything in excellent condition. A lovely example for £200 GB Pounds plus the shipping.
  9. hello everyone, I'm a final year cinematography student of ftit, chennai, tamilnadu. Within a month, I'm going to do my diploma film, the academic exercise.My director wants a blue tone overall the movie. so somebody give me suggestions to achieve it since i'm a budding cinematographer. Herewith I'm attaching all the equipments i would be provided : Arriflex III, 500T (2 nos), 200T (4 nos), lenses- 24mm-290mm zoom, 24mm, 35mm, 50mm, 85mm, light- 1kw, 2kw, 5kw. I know many methods would be available like using filters and all, but i would like to know the effective method that would be apt
  10. I need some advice to help me decide on a Camera, and I'll give a quick run-down of my situation because I've seen others leave out details on the forum after a brief scan. I'm a Graphic Design student in Toronto, I'm in my 4rth year doing my Design Thesis, and over the past 2 years I've taken more motion graphics/VFX classes than anything else (which is strange to me in a design program mostly based on print and typography) none the less I've found myself heading in the direction of film. I've been doing photography for some time now, I mostly only shoot for personal, but it lead me i
  11. I have my Arriflex 35mm camera package up for sale. I have arranged it to be a film maker's production kit, so it comes with everything you need to get you going. Here is an excerpt from the ebay ad I have up. This is an ARRI 2C camera (rods, matte box, not included) with a flat-base crystal-sync variable speed motor, 50mm Schneider Xenon Lens, Vintage wooden Tripod & Arri 2c Friction Head and LOW RESERVE. Camera comes with Black and White video tap, for you, for your director and/or your actors too. With this kit you can make money with the satisfaction & quality that dig
  12. I'm based in the UK and have two recently serviced BOLEX 5120 Super 8 cameras, both in very good and fully operational condition with crystal clear 72mm zoom lenses. = £75 GB Pounds each plus actual shipping expense. I also have a recently serviced top-of-the-range ELMO 1012SX-L Super 8 camera, in excellent and fully operational condition with a crystal clear 75mm zoom lens. = £125 GB Pounds plus the actual shipping expense. I have further images and I'm happy to answer any technical questions regarding the cameras.
  13. Hello, I was wondering if anybody had any recommendations for a 16mm camera that is quiet enough for sound recording, preferably under £1200. I have a Bolex H-16, but is rather loud and not much use for dialogue. Iv heard about people building blimps for them, but they seem rather cumbersome, making the camera controls a pain to access. Thanks
  14. Here is my Demo Reel https://vimeo.com/55330379
  15. I have an ARRI 2C camera body (lens, tripod, rods, matte box, not included) with a flat-base crystal-sync variable speed motor for sale. The camera is light tight, I just recently ran a 400ft test roll successfully. No streaks, No light leaks. This motor can speed at 8 fps, 12 fps, 16 fps, 24 fps, 25 fps and 32 fps. It shoots rock steady 24 fps. It can run in either crystal-sync mode or variable mode. It can also run in reverse mode with the flick of a switch. This camera package includes: - full 4-perf gate with a 1.37:1 ground glass and a fixed 180 degree shutter. - tilting
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