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Found 7 results

  1. Question : Shooting anamorphic in super16 mm film, Is there a way to exploit the black space between two frames the same way it is done with the in 35 mm with 2 perf for 2:39 and gain time on you 400ft roll I am shooting with hawk vlite16 1.3 anamorphic , probably sr1 but i am wondering if there is a camera model that can allow to expoit more surface on the negative (and so, having more time per roll than the usual 10 min/400ft) by having the frames close to each other. I'm thinking why wouldn't that be possible, 16 mm anamorphic withmore than 10 min per 400 ft mag ? (the small size of the 16mm film ? the small size of the mechanic that pull the movie down ? so 1 perf is all there is for super 16 ? does anyone have a movie in mind that was shot anamoprhic 16mm film ?) I know high frame rate cameras exists, with precise mechanics that allows to have that maybe ... i am looking for a professional regular model though ... Cheers, J
  2. Looking to purchase a pre-owned set of Hawk V-Lite Anamorphic lenses. Please email sales@broadcastsolutions.com with pricing and details.
  3. Hey guys! Please check out The Ultimate Anamorphic Lens Test where we tested 13 brands, 40 lenses and created over 500 tests and 130 4K videos. You can compare them all in our 4x side-by-side viewer here. Brands tested include: Angenieux Optimo 44-440mm T4.5 AS-2 Anamorphic Zoom ARRI / Zeiss Master Anamorphic Atlas Lens Co. Orion Series Anamorphic 65mm T2.0 Cineovision Anamorphic Cooke Anamorphic /i Special Flare Elite Anamorphic Hawk V-Lite Vintage `74 Anamorphic Iscorama Pre-36 Anamorphic Lens Adapter Kowa Cine Prominar Anamorphic Lomo Round-Front Anamorphic Panavision Auto-Panatar Anamorphic P+S Technik 35-70mm T3.2 Cinemascope Zoom Todd AO High-Speed Anamorphic Hope you enjoy it. Please let me know if any questions!
  4. RED WEAPON WITH HAWK C-SERIES: THE NEW MEETS THE VINTAGE. This week I would like to share one of my last experiences on set where I got the chance to use a cinema camera and a set of lenses for the first time. On one side, and I don’t exactly know why, it was an incredible long time since I used for the last time a RED camera and I didn’t had tried yet the “new” (even though there is already a newer model out there called Raven) 6K Weapon; plus, I did had seen the Hawk C-Series, but just in rental houses promotional meetings, and we all know that an actual set is a totally different environment. THE CAMERA Truth is that from quiet a few points of view I was gratefully surprised by the camera, since comparing to the RED Dragon it features severals tools that, if you want my two cents, are a consistent improvement, both in the operation of the camera as a 1AC and the performance of the camera itself. First of all... More information: http://www.camaleonrental.com/gb/blog/red-weapon-with-hawk-c-series-the-new-meets-the-vintage-n14
  5. Selling two of my lens sets, Im owner, not broker. please PM if interested, we can deal by a broker if need. cooke s4/i 14/18/21/25/27/32/40/50/65/75/100/135/180 USD 198k or a little more using broker hawk C 40/50/75/100 USD 92.5k or a little more using broker thats it =) best Gabriel
  6. Hey guys! I hope you are all doing well. I have a short film coming up soon that will be on the C300 mk1 (due to my film school's availability) and I am looking for some advice on using them with the Hawk 1.3x V-lites. It seems that it should work in theory but have not seen any examples of people doing this in the past. Since the C300 mk1 does not have a desqueeze, I already anticipate having to get a third party monitor (SmallHD?) to desqueeze. Also they seem to be quite a hard lens to track down even here in Los Angeles. Does anyone have any recommendations on where to find this lens for rent? All the best, Matthew
  7. Hey, We're beginning to grade a film shot with Hawk V-Lite 1.3x anamorphic lenses. The online guy and I are trying to to figure out the exact amount to unsqueeze. It seems impossible to find any information from hawk. It is as simple as 75% on the Y? Matt
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