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Showing results for tags 'Red'.
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Hey guys i need to take a decision on this issue. I'll be renting it most of the time. I'm not sure which one is more demanded.
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I am selling a brand new Allsteady-7 3 axis gimbal (from TurboAce). It was bought last year, has only been tested 2 times (works flawlessly). I am selling it because for the past year i have devoted my time to photography, thus no longer being in need of some tools that just lye around the house. for details on what it does exactly (it is basically a heavy duty gimbal): http://www.turboace.com/allsteady7.aspx it comes with 2 batteries, charger, monitor arm and balance stand. The item is located in Bucharest, Romania. So i would prefer to sell it in Europe (i guess it would be more convenient for the buyer too). price is 3600$ + transport fees (keep in mind it is new).
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Handbuilt and custom made, my brushless gimbal stabiliser has extended roll axis rods taking a payload of 15lbs making it extremely similar to the Movi M15. Selling due to lack of time to use it and feel it is time to go to a new home and help create some lovely shots! It's condition like new as it has never seen a shoot. £3000.00 GBP ONO located in London. 3 Axis Gimbal Stabiliser 15lbs Payload - Easily takes Red Dragon/Epic Extended Roll Axis Rods - Allowing for longer camera set ups Camera Plate w/ 15mm Rails 3 Control Modes - Thumb Stick Control/Follow Mode/2nd Operator Autotune Bluetooth Connection Tuning Stand Spetrum Wireless Controller Allowing a 2nd operator to control the pan/tilt/roll. 3x 4S 14.8v 2700 Batteries and Charger Canon 7D for reference, not included in sale.
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Hello. I want to take this opportunity to introduce our services at www.seatoskycam.com We offer 1 axis cable cam systems for cinema or broadcast and can carry up to 200 pounds of camera gear. We have multiple systems from small RC cable cam drones to systems that can stretch 2500 feet long and use high speed winches that achieve 55m/hr uphill. We can set up these A to B rigs on any slope from horizontal to vertical. Our office is located in Vancouver B.C. but we are available for service worldwide. Thank you -
Is there anyone that have tested the Red Weapon 8K camera? What is the good and bad things about it? Henrik http://www.henrikameyer.com
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Hello, i sell my RED Scarlet (eligible for dragon update) : - RED Scarlet MX canon mount, ready to Dragon (430 hours) - RED Touch 5 pouces + Cable - RED Side SSD - RED Sidehandle - RED Sliding Top handle - RED Outrigger handle - REDmag 64go x 2 - RED station USB3/Firewire800 - Sound Adapter x A-Box - Top plate BERKEY SYSTEM - Bottom with 15mm rod adapter BERKEY SYSTEM - V-Lock plate adapter CINEMA OXYD - Bridge plate type TILTA - Dovetail type TILTA - Shoulder rig type TILTA - Adjustable handgrip type TILTA - Baseplate type TILTA with 19mm rod - Topplate type TILTA with 19mm - 4 x 19mm rod - 2 x 15mm rod - Flight case camera - Pelicase accessories Price : 9000 euros more informations and pictures : jchris@me.com
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Hello, I've recently shot a short film on a red epic in 5K raw. I've been told that .RED footage can be directly imported into adobe premiere, but that it would require a powerful system to edit. Is it necessary to have a good system to edit the footage ? And if that is, would I have to transcode the footage into a lower format (such as prores) to be able to edit ? Thank you for your time.
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Hello everybody. It's my first post on lighting here on Cinematography.com I'm looking for a lighting kit to use with my Black magic Pocket Cam and 16mm lenses, that could be affordable, compact, and produce good results. Artificial Lighting is not my strong on Cinematography, I normally improvise with natural light, and have used an Arri Red kit before. Loved the results. I know there's a difference between fluorescent, incandescent and LED... though what would be a good choice in the case of using for small productions? When it comes to buy, its worth ask around for those who understand before go to BH Photo. Please let me know your suggestions. And thanks in advance. Thanks, Flavio
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Full set of Schneider Cine-Xenar III's. Canon Mount - AS NEW. Pristine. Not a scratch or smudge. Retail is close to 50k - First 35k takes them home. Free custom made case. These lenses are perfect. not one issue or scratch. I've had them a year and they have a 5 year US warranty through Schneider. feel free to find me at weshowell.com
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Hi all, Hope you are all well. It would be great to get some feedback on my reel. Any comments are welcome. Cinematography Reel https://vimeo.com/115711277 Kind Regards,
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Hello! I am a neophyte asking for some advice. I edit with FCPX and with a recent project have needed to start working with RED (rd3) files in FCPX. I have never done this and am very unfamiliar with just about everything. I am beginning to realize that I am not understanding several things, and would like them clarified. First off, I was taught to always click the box "create optimized media" when importing footage, but never really understood what exactly this did. I did this with the rd3 files, they took forever to import (about 12 hours) and the "transcoding and analysis" function in the background after 24 hours was only at 5% and kept starting over. I turned it off. My question is, did I ruin something by doing that, and should I have done that at all? Should I have neither checked "create optimized media" to just import as is? My goal is to edit the footage (actually a mix of footage from a Canon 5D Mark III and the RED) into something, then do the color grade on the final project in DaVinci (a program I am also new to). What is the best way to go about this? I have a feeling that life will be much easier if I do my homework now, rather than halfway into the project. What tips do you have for me as far as the best way to edit with RED in FCPX? I did download the RED Apple Workflow Installer, and am on a 2011 MacBook Pro, 16 GB 2.7 GHz Intel Core i7 if that helps. Editing with a USB 3.0 from external hard drive. Thank you so much, any tips are greatly appreciated!
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Hey there, I'm wondering if anyone on here knows where to find a infrared modified red epic. I have a video idea I'd like to try that would require infrared photography, but I can't find a rental house that has this camera. I've seen a few videos online that where shot with a modified red epic, but they are seemingly all personally owned cameras. Here are some examples of the effect: Hopefully someone on here "knows a guy". Thanks, Alan Gwiz
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Hello! We just launched the second instalment of our Kin Fables trilogy titled Salvage. Shot on the west coast of Newfoundland on the Red Epic using Zeiss Super Speed lenses. I'd love to hear what this community has to say about the film, on all aspects. Thanks for taking the time to watch! https://vimeo.com/119777338
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Selling both a RED ONE (m) and a RED MX with operational accessories. RED ONE (m) with CF Module and PL Mount - $3200 RED MX with CF Module and PL Mount - $4200 Can sell as a Package with the following. RED Power Pack (2 RED Brick Batteries and Charger) Base Production Pack (Top Mounts, Rails, and Top Handle) RED 5" LCD with Cable and 9" Arm V-Lock Battery Mount ET Shockmount 320GB RED Raid Drive Pelican Case RED ONE (m) Package - $5000 RED MX as Package - $6000 Also for sale Libec RSP-850D(s) Pedestal system - $4000 I will send pics to those interested. Paypal or any authorizing payments accepted Buyer pays shipping. Email - empathi.RED@gmail.com Phone - 312-877-7362
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Hi! I am looking for a good 1st AC for a very small commercial shoot. Should be a short day. The 27th of Jan. Will be in the bay area. Really looking to meet a new great camera assistant for local ongoing gigs.. My regular contacts are all fleeing to LA! RED Dragon camera. Please have experience. Email me @ obertonejeremy@hotmail.com Let me know your preferred rate and experience. thank you!
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Put together this interview with Gone Girl DP Jeff Cronenweth for my blog. He breaks down his thinking behind a half-dozen shots from Gone Girl, talks about the Dragon compared to the Epic and reflects on spending time as a kid on the set of Butch Cassidy and the Sundance Kid. Here's the link if anyone's interested. -
Updated reel, some new footage. Opinions, critiques welcomed. If I were to cut it in half what should I loose? TRT 2:09 http://vimeo.com/obertone/reel
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I've noticed that adding contrast, and darkening warm hues tend to pull colors towards red. I love dark red hues, but I've been wonder what caused this. I had my doubts whether it was a visual illusion, so I put it to a test in Photoshop. Lo and behold. According to photoshop's color science, hues do pull towards a reddish hue when darkening. This test is by no means scientific. And image compression as well as web compression will certainly make the results even less scientific. But visually the results are pretty close. What are your theories? Limited color space with automatic gamut remapping?
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RED Pro Primes 5 Lens Set (25, 35, 50, 85, 100mm) Imperial.Excellent Condition. Kept in air-conditioned private home. Owned by Cinematographer and well taken care of. Footage shot with these lenses provided upon request. We love them but have to invest elsewhere. Great deal. Location: Los AngelesPrice for package $14,500 OBO Case included email: info@colinakoon.com
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Hey so I am DPing my second feature, and it's a road trip comedy- and we are considering shooting all the car interior shots on greenscreen as it would save the production money. How should I go about this? I don't have much experience with greenscreen and I would love all the tips and tricks I can get to pull this off so it's Believable. My thoughts My plan is to shoot the car against the green screen outside on a large greenscreen, I'm thinking 20'x40' backed off around 40 or so feet to minimize green spill. I'm planning on shooting east so the sun acts as more of a backlight, and at high noon, flipping around and shooting west to continue the back light I'm seeing if I can get some larger HMI units for add some light to the interior, because based off a pretest I did with a dslr, it's hard to get the car and screen exposed right without loosing one or the other, I'm thinking getting a 2500 or M40 unit, as that is what my budget would allow. What camera should we use? We have a red scarlet we can use for free- as well as red pro primes and zeiss cp2's I'm thinking of using the rpp's because they are sharper in this case. But I'm seeing if we can use the dragon because of More resolution and extended range. But budget wise it looks like I can get a better camera or better lenses(s4mini's, maybe ultra primes) - not both.Should I push for a better camera and use rpp's?, or better lenses and scarlet? Which is best for greenscreen ? Or should I just stick with what I have and save money for bigger lights/larger G&E package? The plan is to do all the greenscreen first, keeping notes on camera height and orientation, and focal length and stop- and replicating these when we get the plates I would love all thoughts and opinions as these are uncharted waters for me Thanks!
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Hi everyone! I have brand new EPIC DRAGON M, Canon mount and ssd side modul, redmini mag. 1. Red minimag 512 g + Redstation Mini-Mag ALMOST NEW* 2. 2x Redvolts + Charger 3. Redmote MINT* 4. DSMC Sidehandle NEW* 5. Module Adaptor MINT* 6. DSCM Fan 2.0 MINT* TOTAL PRICE: Euro 27,000 Thanks Bledi Please mail me in bledar_cili@yahoo.com or up-agency@mail.com PS. I PURCHASED THIS CAMERA JUST 3 MONTHS AGO https://www.flickr.com/photos/23280449@N06/15472457130/ https://www.flickr.com/photos/232804...n/photostream/ https://www.flickr.com/photos/232804...n/photostream/ https://www.flickr.com/photos/232804...n/photostream/ https://www.flickr.com/photos/232804...n/photostream/ https://www.flickr.com/photos/232804...n/photostream/ https://www.flickr.com/photos/232804...n/photostream/
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The bridgeplate can be configured with two inlays, Red style and Arri style. Its also possible to buy both inlays so you can mount Arri style and Red style camera's. An additional inlay to have both supported is 30 Euros extra. Bridgeplate for 19mm. Rods - 329 Euro. - with Arri inlay Compatible withArri Alexa Studio, Arriflex 235, Arriflex D-21, Arriflex 435, Sony F23, Sony F35, Sony F65, SI-2K, Phantom and Weisscam HS-2. Our any other situation where a Arri BP-8 or BP-5 bridigeplate would fit. Like the new Vocas bridgeplate for the Sony F5. Arri Alexa, Alexa Plus, Canon C100, C300, C500 and Blackmagic URSA only with Arri’s BPA-2 adapter. - 329 Euro. - Red inlay Compatible with the Red One (MX) Scarlet and Epic only with a third party riser plate. 12" Dovetail 210 Euro. - Native compatibility with 2060, 2075, 120EX O’Connor and Sachtler Cine 30 heads. 12" Rods 19mm. 30 Euro each. - Stainless steel. Want to know more or if you have any questions, just have look at www.petergosens.com or give me a PM.
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Hello all! I thought I would put a thread up to inform you about new products as they are added to the site: http://mediablackout.net I specialize in making custom cables and accessories. For enquires about custom work, you can contact me at alan@mediablackout.net
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The camera package has been well looked after and used only for my own jobs. It has never been rented out. Very very low hours! No scratches or problems. Based in Fresno, California. Overnight shipping included and PayPal accepted! Please email me zackyee12@gmail.com or feel free to shoot me a text 5593412427 I have more pictures to if you want. 1 DSMC SIDE HANDLE 1 RED TOUCH 5.0" LCD 2 REDVOLT 1 REDMAG 1.8" SSD - 64GB 1 RED STATION REDMAG 1.8" 1 DSMC TRAVEL CHARGER 1 SCARLET-X W/SIDE SSD AND LENS MOUNT - Canon ALS
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Looking to sell my Red 17-50mm lens. Bought it about a year ago from a fellow Red User. I don't freelance anymore and don't really use the lens anymore as well. Looking for $5,500 (negotiable). Let me know if you want to see pictures - I can email them. The lens is in great condition.
