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Showing results for tags 'Super'.
Found 16 results
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This set of Zeiss Superspeeds (Mark II Version 1) need a new home. Now available at the incredibly lower price of $38,500.00 and ready to shoot. They have been in rotation at the same rental house for 30 years. 18mm, 25mm, 35mm, 50mm, 85mm T1.3 A&J Case All lenses are Mark II and have markings in feet and meters. All lenses have wear and notes on condition. Message for photos and details. This is a repost.
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Selling a super wide angle lens for super16 or micro 4;3 Originally in Arri Standard Mount, it has a PL mount adapter installed. The lens is in great condition, I hate to see it go! Looking at 950$ for it. Pictures : https://drive.google.com/open?id=1e4WUZfFNWzAnBGbXM_ZNR7tuMWDS1OCz Contact: albu.william@gmail.com
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Originally posted in FILM STOCKS Im am curious to gather some opinions. I plan on shooting a short in the near future on 16mm. Naturally my choice of stocks are limited to Kodak, and for production purposes 250D would be my best option. Now, really hate doing color correction and DI. I dont like doing it myself, and I dont want to pay to get a colorist to do it for me. I am wondering, how accurate are the colors of 250D, raw out of the stock? What sort of work would I have to do in post to make them accurate. Are there options for me in filtration to normalize the stock? My thought process is, that I want the stock to have an accurate color baseline for me to modify to fit my story. I am looking for a warm, medium contrast, and slightly diffused look. Something in between George Washington (2000) and The Long Goodbye (1973). For this, my idea of was to shoot with some TLS Rehoused Super Baltars, and apply a Tiffen Warm Black Pro-Mist 1/4. What do you think
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Im am curious to gather some opinions. I plan on shooting a short in the near future on 16mm. Naturally my choice of stocks are limited to Kodak, and for production purposes 250D would be my best option. Now, really hate doing color correction and DI. I dont like doing it myself, and I dont want to pay to get a colorist to do it for me. I am wondering, how accurate are the colors of 250D, raw out of the stock? What sort of work would I have to do in post to make them accurate. Are there options for me in filtration to normalize the stock? My thought process is, that I want the stock to have an accurate color baseline for me to modify to fit my story. I am looking for a warm, medium contrast, and slightly diffused look. Something in between George Washington (2000) and The Long Goodbye (1973). For this, my idea of was to shoot with some TLS Rehoused Super Baltars, and apply a Tiffen Warm Black Pro-Mist 1/4. What do you think?
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Hello all, I'm in the market for a super 16mm camera package. I've seen an SR3 highspeed at Visual Products but it is slightly over my budget (it's 8500$) Interested in seeing your super 16 cameras if you have one! Thanks -William
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Hey all! Shooting a small music video on S16 soon, and wondering what everyone's thoughts are on the Aaton XTR vs. SR3 vs. 416. What are the advantages and disadvantages of each when compared against eachother? I'm seeing XTR packages are almost half the price of the SR3, and our budget is tiny so I'm trying to see what I'm giving up for the cheaper price.
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Seeking to purchase an Arriflex SR series camera. Technical Requirements: Arri SR series (SR, SR2, or SR3) PL lens mount Super 16mm gate Preferred Included: hand grip spare mag 15mm rods long viewfinder No lenses, video tap, or other accessories required. Just in need of a solid, working camera. Max Budget of $3500 PM for communication
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For the purposes of future testing for a project, I would like to get some opinions on the various characteristics of some Super 16mm primes. Flares, bokeh, sharpness, contrast, color temperature, the works. Lenses in particular I would appreciate information on are... Zeiss Super Speed Mk 1 Zeiss Super Speed Mk 2 Optar Illumina s16 Cinema Products Ultra T Any other prime sets that have both 16mm & 25mm focal lengths. I'm really only interested in prime lens sets, no single primes like the Angenieux 5.9mm or any zoom lenses. -
Zeiss CP.2 35mm T1.5 Super Speed PL Mount - $3.800 Interchangeable EF Mount Set for Zeiss CP.2 35mm T1.5 Super Speed - $300 https://drive.google.com/file/d/0B6d...ew?usp=sharing https://drive.google.com/file/d/0B6d...ew?usp=sharing https://drive.google.com/file/d/0B6d...ew?usp=sharing https://drive.google.com/file/d/0B6d...ew?usp=sharing https://drive.google.com/file/d/0B6d...ew?usp=sharing https://drive.google.com/file/d/0B6d...ew?usp=sharing Very excellent condition.
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I am looking to purchase a set of Zeiss MK3 Super Speeds. Please message me here or email: s.morrishamad@gmail.com I am located in Boston, MA. Thank you Sam
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Hi! I'm downscaling my Super 16-kit and it's time to let go of these beautiful lenses. First got them to use with an Ikonoskop A-cam dII but lately I've used them for s16 film cameras (Arri Sr2, Aaton a-minima and Arri 416). Actually also tried them on a Gh4 (with mft-pl-adapter) and from 12mm and up they cover the sensor in 4k mode. They are in really good mechanical and optical condition. Some paint wear on the housings but all focus marks and text is clearly visible. So what I've got is: Zeiss Super Speed mkII Super 16mm lenses. All T1.3. 9,5mm, 12mm, 25mm and 50mm. Will sell individual lenses or all at once. I'm hoping to get a deal done quickly so first come first served (hope that's the correct english expression for it…). Prices reasonable, please contact me if you are seriously interested and we'll discuss it. Lenses are located in Stockholm but I will ship world wide (but EU preferred). Best regards/Kalle Folke, Sweden www.kallefolke.se
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Hello, I search a Super16 Zoom, Canon 8-64mm/7-63mm or Angenieux 7-81mm. Only in Europe. Sent me a PM if you have one to sell. Thank's in advance. Hardev
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We shot some key pieces of this short film using super 8mm. It was pretty seamless but helped add to the effect that you were watching someones real home movies: http://redd.it/34bi0f
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Hello All, Check this out: First instance shooting on the Redlake locam inside. Definitely quite challenging to use. Next time I'll up the light for sure to fix up some of the focus issues. Let me know any other thoughts! Thanks, Luc -
Hello all, I'm new here, and have decided to dive right in. Check out a little project myself and some chums shot in the summer. It's about rape and murder. https://vimeo.com/60551788 Thanks, Lucien
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I am in the market for a full set of super speeds. Please PM me if you are interested in selling or have any good leads or a set.
