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Found 9 results

  1. Tribe7 Blackwing Bespoke (Binaries) T tuned Set x6 RARE NEW PRICE $123.5k Tribe7 Blackwing Set X6 T tuned Custom T tuned *BESPOKE SET RARE 20.7mm, 27mm, 37mm, 57mm, 77mm, 107mm $123,500 omar@raw-entertainment.com This set are all T tuned. Custom T tuned. They are very special set. when the lenses were made the owner had some adjustments made to the standard T tunings only for the early adopters. The edge fall off is slightly different And the contrast and flares too But they are very similar to T tuning with a special upgrade. That’s why this set is one of a kind. Here are more details of the set. 20.7mm - Boutique lens manufacturer Tribe 7 has added a brand new 20.7mm prime lens to their current Blackwing line of primes. The 20.7mm is now the widest lens in the set. It remains T1.9 like the rest of the set which is respectably fast. 27mm - 1960’s Retrofocus construction Sigma WIDEMAX Asahi Super TAKUMAR 37mm- 1950’s retrofocus construction R1 Angenieux 35mm f/2.5 “I used the 37 for a flashback memory sequence on the upcoming Brave New World show; I found the lens at T1.8 to be so magical, so painterly, so evocative and unique. BLACKWING7 lenses allow for total artistic expression in cinema.” ANDRIJ PAREKH, ASC. Cinematographer/Director 57mm-1940’s Biotar construction Asahi TAKUMAR 55mm f/1.8 77mm-1950’s Double-Gauss construction Schneider XENOTAR Carl Zeiss BIOTAR 107mm-1970’s BIOTAR / PETZVAL construction Hasselblad 110mm f/2 PLANAR
  2. Hi, I have got for sale Angenieux 28mm f1.1 / T1.2 super fast lens for Super16 Features: custom made 80mm front diameter Arri standard mount nice sharp image Lens is in good used shape, mechanics are a little dry (CLA would definitely help it) and optics was cleaned of fungus a few years ago (you could see the remains), so the price respects overall state. PRICE 550 EUR + shipping costs PAYMENT PayPal SHIPPING I am located in Slovak Republic, EU. And I preferrably would ship within EU.
  3. Canon Zoom Super 16 SC15x11 T2.5 11-165mm Checked and serviced zoom with normal wear but really perfect glass. Privately owned! It’s the most versatile Super16 zoom I have ever worked with, one of the best ever made for Super 16. It's not a converted lens, it was properly designed for Super 16. It’s really sharp! Can be used in crop-mode on all the new digital cameras as well. Please make an offer!
  4. Dear cinematography community, I have build my self a good pc system for various tasks such as: editing, color grading etc. My main fast hard drive for projects was a 1Tb M.2 SSD. It has been working really good (maybe a bit overkill). Now I ran in to a problem that most of the projects I work on are bigger than 1Tb and now I need a new solution for a fast storage system / drive to do editing and color grading with big RAW files. I have been looking into the Samsung 4Tb SSD (2.5") which would work but if a project is just a little over 4Tb than that would not work. So does anybody have a good solution to this problem? It needs to be fast and not too expensive. Maybe something like a Hard Drive Raid System where I can stick 4 hard drives with a total of 8Tb and connect that to my pc via thunderbolt or usb-c? My pc does not have thunderbolt connection but I think there are some expansion cards out there? After a projects is done, it gets archived on a other drive. Would love to hear from you guys! Best Thomas.
  5. hi everybody! i'm Marco, dop from italy. i'm going to shoot a short movie set in 1840: night, indoor, one big room. One of the options (due to logistic and creative choices) is to light up the set only with the candles. we'll use an alexa mini and i'm looking for the best lenses at full aperture (1.4T, i think), so possibly with less aberration, softness, low contrast... in this interview, Gavin Finney explains advantages and disavantages of shooting in canldelight in 2015. i really love is work and i found out that they shoot with Leica Summilux-C. Onestly, i don't know if we can afford them, so i'm looking for something slightly cheaper (between 500-1000 $/€ daily) i tried the Zeiss Super Speed MarkIII, very very cheap, nice and "vintage", but i find them terrible at T1.3. Can anybody help me? thankyou! M
  6. Up for grabs is an excellent super 16 or micro 4/3 prime lens: The zeiss super speed 25mm t1.3, in PL mount Hate to part ways with it, it really is an amazing lens. No scratches, great overall condition. Bought from Visual Products this summer, looking at 1250 US$ for it, plus shipping. Images: https://drive.google.com/open?id=1kE0DScl5SHIVqnI3HYi58Sqgc3hvZHJN Also have a super wide kinoptik 5.7mm in PL mount, taking offers on this one. https://drive.google.com/open?id=1e4WUZfFNWzAnBGbXM_ZNR7tuMWDS1OCz
  7. Hello all, For sale is a Phantom MICRO LC320 Package, $41,000 Firm. Phantom MIRO LC320, Color 12GB Memory, PL or EF mount (your choice) 1 Top Handle Assembly - Miro (2 Parts) 2 I-Plate for Miro IPLATE 1 Rosette Bar for Miro 1 Cine-Style Riser for Miro 4 Swit S-8U62 DV Battery 1 Sony BC-U2 Dual Battery Charger 1 Phantom Cineflash Reader/Dock, ESATA Connection To PC CINEDOCK 1 Cine Dock Power Supply 1 12-pin Fischer to 6-BNC Capture Cable for Phantom Miro Camera. F12CMP 1 ESATA cable. ESATA 1 XLR 4-pin to DC Miro Adapter Power Cable EXXLRDC 1 Phantom PCU Control Box PCUBOX 1 Breakout Box for Miro MIROBOB 1 Frezzi FPS-100-12A Power Supply for MiroBob 1 Fischer 8-pin to Ethernet Phantom Cable F8CMP 1 BNC to Lemo 2-pin Phantom Remote Trigger Cable 1 Remote on/off (Pickle switch) for Phantom HD/65 PHRMT Dell Precision Mobile M4600, Genuine Windows® 7 Professional, No Media, 64-bit, English 1 Laptop Case for Phantom Kit DELLCASE 1 Phantom Cineflash Memory Module, 60GB 1 Pelican iM 2750 Storm Case 1 Phantom Cineflash Memory Module, 120GB
  8. Full set of Schneider Cine-Xenar III's. Canon Mount - AS NEW. Pristine. Not a scratch or smudge. Retail is close to 50k - First 35k takes them home. Free custom made case. These lenses are perfect. not one issue or scratch. I've had them a year and they have a 5 year US warranty through Schneider. feel free to find me at weshowell.com
  9. I've had a little trouble finding info on what is required to manufacture faster lenses. Is it quality of glass? Less elements? More? Diameter of the elements? Curious because we've all read about the F 0.7 Zeiss lenses from Barry Lyndon , but what did it take to make them? It seems like most get to the 1.4 range but not much past that, so what's the hurdle?
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