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My Gear


Found 8 results

  1. Hi, for sale is Canon 7-63mm T2.6 zoom lens. Serial number is 10303 (so it's been made around 2003) Lens is very sharp, even wide-open, has no noticable breathing when focusing. Lens is designed for Super16 image size, film or digital sensor. It has Arri PL mount, and 95mm front diameter. Lens has got installed Chrosziel damper for fluid zooming. Lens is in mint condition, with minimal signs of usage on barrel and absolute pristine glass. Comes with lens support, both caps, in custom metal case. Footage ------ I live in Bratislava, Slovak Republic. Shipping only to EU. PRICE: 3300 € + 150 € shipping. ------ PHOTOS
  2. Not to be confused with a ‘stylized look' LUT – I created the BozBMDFilm_to_Rec709 Utility LUT to bring out the organic contrast and color values captured by the BMCC / BMPCC in Film LOG or RAW modes. In addition, the LUT strives to preserve highlight and shadow detail [with emphasis on softer highlight roll off] while safeguarding image quality and integrity. [RAW video by John Brawley] Though it's not free, It's still cheaper than a Golden Arches Meal and definitely worth a look even if it's just to see more examples of how the LUT works. Download Page: https://bulentozdemirfilms.wordpress.com/downloads/bmcc-bmpcc-bozbmdfilm-to-rec709-lut/
  3. Selling my old Gear as i have a raven now. Looking to get $1250 for this setup. All items have cosmetic wear. Sigma 18-35mm is Nikon mount, Speedbooster is the pocket cinema camera version and both have no issue. The pocket camera glass in front of the sensor needs replacement or just removed; Would have done this but would rather sell at a give away price. Location NYC PM me if interested Cheers
  4. A replacement Reflector Assembly that intensifies and broadens the output of an ARRI Pocket Par 400 watt HMI fixture. Compatibility Arri Pocket PAR 400 Watt HMI Fixture Mfr # L2.70880.0 EBAY LINK
  5. Hi all. I wonder if anyone owns the Nikon G to BMPCC Speed Booster from Metabones? It says it works with Nikon G lens. But my question is: Would this work with a Zeiss ZF.2 Nikon mount? I've seen reviews of many people mentioning only Nikkor an Sigma lenses used with this adapter. But I need to know if it works with the Zeiss. Thanks, Flavio
  6. Hi everybody. Am not a sound guy, and my knowledge is very limited. But I'm putting together a nice gear set for my Black Magic Pocket Camera. And now I'm on SOUND. I've bought the Rode NTG2. And now I need advice on a cost-effective PREAMP. I've found the PULSE DUAL CHANNEL AMPLIFIER: http://www.astounded.com/pulse-mpre-dual-dual-channel-microphone-preamplifier.html And might 'sound' crazy, but I've got the idea to use this pedal as it might be a good solution: http://www.gear4music.com/Guitar-and-Bass/Behringer-PB100-Preamp-Booster-Pedal/6BK?origin=product-ads&utm_source=google&utm_medium=cpc&utm_term=&utm_campaign=PLA+Behringer&utm_content=Yb7xhCqt|dc_pcrid_39000656599_plid__kword__match__#full-des I wonder which you would advise me. Or any others, since they could be poewered by a 9V battery, making my kit really portable. I'll shoot a documentary, so sound quality is primordial. I know from various posts the sound input in the pocket camera is very low. So need gain/amplifier. Also, I need to buy the CABLES, and I wonder if I buy them BALANCED or not balanced? Thanks everybody. Appreciate if someone could help on this as I have to buy this soon before travelling next week. F
  7. I thought I'd put this here since I didn't seem to get a response in the other section. I'm currently the DoP on a short film called "Circadium" being shot in Rochester. We're shooting on the Blackmagic Pocket Cinema Camera. I figured since I learn something new every day on this forum, maybe you would all like to see how this film progresses. We shot the first scene of the film on our first day of shooting, which was this morning and afternoon. I'll try to get more framegrabs of future scenes from my director, I just have 2 for now, but any feedback would be greatly appreciated. Thanks! Shot on BMPCC, ISO400, ProRes Film, Nikon Speedbooster and Nikon AF-S 17-35/Vintage Macro
  8. Hi everybody. Urgent question. I'm in the process to get Sponsorship for our documentary, we'll shoot with a BlackMagic Pocket Cam. We have 2 options for the Zoom Lenses we'll going to use: 1. Arri-Zeiss Zoom 11-110 S16mm PL Mount 2. Zeiss Compact Zoom CZ.2 28-80 T2.9 We're aware that both are great lenses. The S35 Compact Zoom would demand a Metabones Adapter, but that's no problem at all. I wonder which would you guys pick and WHY? Of course the S35 one is new, and that might be a benefit. Thoughts? Thanks, F
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