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Selling this beauty because i need liquidity for a personnal project. I've shot a couple of rolls with it, mags, lense and inside of the camera is in good condition, battery is new, belt recently replaced in the camera body, all frame rates work perfectly. THIS IS A READY TO SHOOT KIT. I can send more pictures & footages of the 3 magasines & a video of the camera running. Invoice for the buy can be produce through my company. Shipping from europe (france/belgium/holland) I am trying to get back what i've put into it, 7.2k (euro). - 1x ARRI SR2 body - 3x magazines - 1x V-lock battery + d-tap to xlr 4 pin cable - 1x cinematography electronics speed control (5fps to 75fps) - 1x Zeiss 10-100 f3.1 - 1x extender for viewfinder - professional camera bags & cases for everything (lenses, mags, darkroom ...) Cheers
Arri SRII Highspeed Video Assist and Power
Tate McCurdy posted a topic in ARRIHey everyone, I recently purchased an Arri SRII S16 and have really enjoyed re-familiarizing myself and learning to be more comfortable with film. I have some questions though regarding the video assist and power. Video Assist In the grand scheme of things, I would love to be able to use modern monitoring systems with my SRII such as a Teradek and SmallHD monitors. The video assist is of course analog, and I would need to convert the CVBS signal to SDI and I am having trouble doing so. I've tried Blackmagic's analog to SDI converter, but I believe it can only take analog over SDI for input so that did not work. I then tried Aja's V2Digital converter and had the same issue. I've tried contacting Aja's customer service, but have yet to reach anyone. Does anyone have any ideas as to how I can convert this signal? If not, looks like I'll just be going to traditional standard def on-board monitor. Power I have two 12v onboard Arri batteries that work great. But I was wondering what I could do to replace those with gold mount batteries? I know that I can get a goldmount plate with 4-pin xlr for power, but am concerned that if I place a charged 14v-16v goldmount on there, I'm going to fry the board on my camera. I would need some sort of 12v regulator, but am having trouble finding one so I'm thinking I could maybe build one? Thoughts? I know I could probably go with a battery belt, but I was hoping to keep everything compact. Thank you!
Link to this item on ebay here: http://www.ebay.com/itm/252949577199?ssPageName=STRK:MESELX:IT&_trksid=p3984.m1555.l2649 For sale is a full Arri sr2 kit. I bought this kit back in December '16. I got lucky when buying this camera from Alan Gordon Enterprises as everything was already in great condition, but I had it serviced at Cinematechnic LLC in LA as well. Includes: 1 - Arri sr2 Highspeed 16mm camera with crystal speed control 3 - Arri 400ft Magazines 1 - Collapsable Core 1 - Delwault battery adapter 2 - 12v dewalut batterys 1 - Dewault charger 1 - Euro Dewault charger 1 - 4 prong XLR battery cable 1 - Arri handgrip (possibly selling separately but for now is included in package) 1 - Arri support rods 1 - Arri Battery Charger (no arri batts included) 5 - white film cores 6 - Core adapters 3 - 100ft Film spools 1 - Large Pelican Case One great feature of this package is the custom Dewault Battery Adapter. These batterys last much longer than Arri batts and charge much faster. taking offers
Arri SR Battery options
Drew Bienemann posted a topic in 16mmHey, I just bought an SRIII but it only came with one battery. Anyone know where I could pick up a couple more? Or, does anyone know someone who could make a small onboard that could plug into the 4-pin xlr? Looking for new, used, aftermarket, 3rd party, whatever. Cheers!
WTB: Arri SRII Accessories
Sebastian Saury posted a topic in Cine Marketplacehi I'm looking for some stuff for my SRII I'm looking for light weight rods you put in the front of the camera also looking for a lightweight clip on mattebox // Sebastian
Benjamin Fischinger, Reel 2014
Ben Fischinger posted a topic in Jobs, Resumes, and ReelsHi, Been a reader for a long time but haven't been active on the site much, thought you all would have some good insights on my most recent reel. What you like, what could be done better. It's a mix of F65, Red, 16mm and one or two DSLR shots. Thanks guys, all the best! Ben http://fischinger.com/showreel-2014/
First off, I want to say thank you to all the people who contribute to this forum - I’ve been lurking around for quite some time without posting much. You know the old adage... “If you don't have anything nice to say, don't say anything at all”... Well, by nice I mean something that could further the discussions - but quite often I find the answers before needing to ask! Anyway, I just got myself a s16mm Arriflex SR2 (PL mount), and I'm looking into prime lens options. I have a collection of 35mm and above format primes, but none suitable for this smaller gauge (they can obviously cover it but finding a good wide/normal lens out of my collection is a stretch). I’ve read in various places that some 16mm format lenses aren't compatible - they cover it but don’t physically fit with the Arri SRII or SR1. My question; what prime lenses which cover and/or are designed for super16 are compatible with my SR2 in the wide to normal focal lengths. I'm not looking for the newest and greatest optics available, but instead some quality vintage glass with character. Old lenses from the likes of Cooke, Schneider, Zeiss, Meyer, and probably any old German or Russian knockoff's interest me. Any help or direction would be greatly appreciated.
SRII camera tech
Matthew Kane posted a topic in ARRII'm shooting a short film with a friend this weekend, and we'll be shooting regular 16 on an Arri SRII (it's the last hurrah before her school sells off all their 16mm gear). There's no time or money to shoot/develop/transfer real lens tests, but I want to be sure that we can pull focus off the lens marks accurately. I'm renting the much lauded Cooke 9-50 zoom from a local rental house, and right now I'm thinking I will go in with our camera body, shoot a few feet off a test chart at various distances, and do a slop develop with some D-76. Then I'll set it out on a light table and check focus with a jeweler's loupe. Now, what I'm wondering is--will this actually tell me that the lens and body are all up to spec, or will I just be fooling myself? I was happy enough with this method for picking negatives when I was shooting 35mm stills, but I've never used it for anything that required a high degree of accuracy. Maybe there are other test methods out there that don't require going through the lab? We'll be going to at least a 1080p transfer, and since we're already cropping out of R16 and shooting on a zoom, I don't want to take any chances, even though the lens and body are both recently serviced and well cared for.