Jump to content

Search the Community

Showing results for tags 'style'.

  • Search By Tags

    Type tags separated by commas.
  • Search By Author

Content Type


  • Cinematography Forums
    • General Discussion
    • Cine Marketplace
    • Cinematography News
    • Lighting
    • Camera Operating
    • AC's & DIT's
    • Grip & Rigging
    • Visual Effects Cinematography
    • Grading, DI and Telecine
    • Students and New Filmmakers
    • Cameras Systems and Formats
    • Lenses & Lens Accessories
    • Camera Accessories & Tools
    • Film Stocks & Processing
    • Books for the Cinematographer
    • Cinematographers
    • In Production / Behind the Scenes
    • On Screen / Reviews & Observations
    • Business Practices
    • Jobs, Resumes, and Reels
    • Please Critique My Work
    • Regional Cinematography Groups
  • Not Cinematography
    • Producing
    • Directing
    • Sound
    • Editing
    • Off-Topic
    • Forum Support

Find results in...

Find results that contain...

Date Created

  • Start


Last Updated

  • Start


Filter by number of...


  • Start





My Gear


Found 8 results

  1. Hey everyone! Wanted to open up a discussion of the subliminal effects on an audience/contrasted moods that are conveyed in a push in versus a pull out. I've been thinking a lot about them lately, and of course there's the typical application of these shots opening/ending scenes in a very traditional matter. What does everyone think about these shots from a mood building and emotional point of view?
  2. Hi Guys, I am currently on a hunt for great and affordable LED tube light like the quasar science, to enhance music videos and other projects. When I search online for them, they are like £60 for a 4ft one. Does anyone know any websites, stores, rental houses that provide great & affordable LED tube lights, that work well for filming? I'm writing from the London, so I would preferbally would like things that I could buy over here, thank you! Christopher
  3. Hi everyone, I'm currently preparing for a music video. A couple of scenes will need a misty dreamlike look to it (example down below)? I understand old glass is the best to get this look, but I would like to know the different type that I could rent. I currently live in the UK wanted to know the most accessible filter and lenses needed to provide an image like this? Thank you for Reading Christopher
  4. I have just begun to study Terrence Malick's style, and how he creates a sense of "stillness" in his images. However, there aren't many analysis over this style online, so I've resorted mostly to watching his films on my own and seeing how this style plays out; this is what I've taken from it thus far: For me his films are deeply personal, especially The Tree of Life (2011) and To the Wonder (2013). I was able to connect to these films because of personal experiences and how they are reflected in said films (according to Malick, they are his most personal films as well). Nonetheless, from a philosophical standpoint, I find them to be his most difficult films to understand. With that being said, I think these are his two greatest pieces of works, with the former being, perhaps, his masterpiece. But to go back to the discussion of Malick's style, I discovered a quote through mere accident which I think correlates to Malick's visual style. The quote comes from a screenplay of my own in which a character tells another that "We are ants among giants." My character spoke this while in a church, and the purpose of the line was to show how the heightened forces of nature (and from whatever nature is controlled by: whether that be a God, or some force of its own) constantly prevails over man. In this case, man is the "ant" and nature is the "giant". With that being said, notice how in each of Malick's films, nature plays a significant part on a visual perspective. He juxtaposes images of nature to complement the character's feelings, to explore the questions they ask. For instance, in the opening of The Tree of Life, Sean Penn's character (Jack) is troubled and searches for reason upon the death of his brother. He looks to the creation, or rather the creator (Malick leaves it ambiguous) in a 25 minute lapse of pure visuals of space, nebulas, the forming of earth, etc., accompanied by narration. It begins with wonder, Jack is looking for answers. Then, sequences of fire/volcanic explosions - anger - are presented, accompanied with Jack's continuing wonder. And throughout the montage, Jack's mother (played by Jessica Chastain) offers grace & beauty to a world that appears so destructive, with visual presentation of water, and the starkingly beautiful land that is being formed. In a way, she is the voice of balance/reason(?) that Malick uses to close Jack's wonder. What I took from this scene in TToL was that even though there is hate/unsoundness, there is also beauty/grace that forms over, to create "new lands" (I know that isn't the best way to word such, but bear with me). To wrap this up with my line of "ants among giants", Malick shows how dominating nature is to us. In The Tree of Life, it's almost like we are guests invited by our dominant host, nature, to live in her world. In some of his other films, especially The Thin Red Line (1998), nature is presented as a force which is a question in itself, for the film opens up with the question "Why does nature vie with itself?". Does anybody else find an interest in this style so as to add to this discussion? I'm just a high school student with a meager amount of knowledge in philosophy who has only recently begun to analyze his style, and I find him to be an incredibly powerful visionary. Any thoughts are appreciated!
  5. Hi, I was wondering has someone been using the Optimo Style series (16-40 & 30-76) from Angenieux and what would be difference or improvements in relation with the Optimo DP Rouge (16-42 & 30-80).
  6. So last night I watched the movie Nerve, DP'd by Michael Simmonds and I just loved the high stylized look similar to John wick and Drive but different. My question here is, does anyone know what lights he used. Simmonds placed colorful practicals in the scene that had this neon look to them. Are they just gelled kino tubes or a special light made for this? The actors had this bright neon glow to them. The scene that got me questioning the most about how it was lit is the picture attached where actors Emma and Dave walking into some place and the overhead has these small dangling Christmas like lights with the over exposed ceiling ( but I would not say it's over exposed. More like a neon or black light look that of what you would find glow in the dark arcade). I would love to know how they lit this. Thanks
  7. Hello all. My name is Bheki Ngwenya who is currently in the last and final year of a Film Production and Cinematography degree. At the moment I am doing a dissertation on cinematography. My chosen topic on the vast subject of cinematography was "visual style". With this post I am aiming to use your feedback as part of my research in identifying what visual style is and what it consists of. Looking forward to your replies. Cheers. Bheki Ngwenya.
  8. Hey all, I directed this ad for a doritos competition (obviously I didnt win) but I would like to know what you think of the quality of the shots and camera, style, etc. And any other advice I could improve on. Thanks
  • Create New...