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  1. Selling my canon 8-64mm t2.4 for s16mm format. Housing, glass and coating are in great condition. Its on bayonet mount, I will include Aaton and PL mount adapters. Both very solid adapters. It comes with a case. Lens is located in LA. Send me an email for more details flarrondom@gmail.com
  2. Up for sale is the Eclair NPR Super 16mm camera package in great condition. Package comes with these: - Camera converted to Super 16, with a PL Mount & "C" Mount; ground glass re-centered for S16. - Lens converted from its "CA" Mount to PL Mount. - New battery, cable and charger, tested to be fully functional. Items also included: - Angenieux 9.5 / 95mm... 1:2.2 lens PL Mount + sun visor and directional rod. - Protective cover and soundproofing / blimp... for camera. - 2 120meters magazines. - Perfectone motor. -
  3. Using 16mm film... Do anyone use any other format besides 16mm and Super16mm? I know there are others... But am I wrong in saying Super16mm is the most popular? Come visit us at our revised website: drbolex.com Thanks... Arthur!
  4. https://www.ebay.com/itm/recently-serviced-and-refurbished-aaton-a-minima-super-16mm-camera/273499293170 HISTORY: - A Minima was purchased from Pro Video & Film Equipment Company INC (Dallas, Texas) on 7.19.17. - The camera was sold to Pro Video & Film Equipment Company INC from a private seller, it has never been owned by a rental company. - Since I purchased the camera just over 1 year ago the camera has seen minimal work. Never used on any commercial jobs. Only a few short personal projects. - The Minima is in excellent working condition and barely has any visual wea
  5. For sale is our full Super 16mm ARRI SR3 Advanced Highspeed kit. This is a full kit including everything you need to shoot. We purchased the camera in 2014 and have used it on a couple of shoots. In 2016 we had it professionally serviced by Panavision in Sydney, one of the batteries was also repacked in 2016 by battery world. See the gear list (Picture) for everything included in the kit with a description of the condition. It was most recently used for a short film in January 2019. As you would expect the kit has got standard wear and tear, the previous owners were Panavision UK. This wear an
  6. Okay... Here's a conversion to 200' film loads https://www.ebay.com/itm/292940692573?ssPageName=STRK:MESELX:IT&_trksid=p3984.m1555.l2649
  7. Hello, Does anyone know of a camera technician in Los Angeles who works on 16mm cameras, specifically Eclair NPR and Beaulieu? I need someone to remove the ground glass, mark it (with a pencil is fine), and replace it in an Eclair NPR camera that's already been (partially) modified to super 16mm. The eyepiece has an issue as well, where one side of the frame is cut off, I assume because of the lens re-centering in the super 16 conversion. The image on my test reel looks great, but my framing was off because of the inaccurate ground glass markings and eyepiece problem. Also, I h
  8. I’ve created a hybrid… combining 8mm and 16mm parts. I recently discover the joys of the reflex viewer up stream from the lens iris. This allows the image to stay bright, not affected by the iris. So, I took converted super16 and machined out an 8mm film block. The lens’s frame mask was converted to super16 aspect ratio. It all seems to line up… anybody see any potential problems???
  9. WTB ARRI 416 Package Please reach out with any leads. Thanks in advance! Cale Nichols calenichols@live.com 310-422-3568 www.calenichols.com
  10. OK sports fans... The reflex on the early REX cameras is so small... I hear complaints that with super 16 it's even smaller... I've made some modifications to increase the size... and so far the works best... can see the full image, almost 10X but not quite... but the larger opening at the eyepiece is what really helps. there's no pinching or distortion in the image.... CHECK IT OUT!
  11. For the purposes of future testing for a project, I would like to get some opinions on the various characteristics of some Super 16mm primes. Flares, bokeh, sharpness, contrast, color temperature, the works. Lenses in particular I would appreciate information on are... Zeiss Super Speed Mk 1 Zeiss Super Speed Mk 2 Optar Illumina s16 Cinema Products Ultra T Any other prime sets that have both 16mm & 25mm focal lengths. I'm really only interested in prime lens sets, no single primes like the Angenieux 5.9mm or any zoom lenses.
  12. Hello all you optics Gurus out there... It seems that a Bolex can come with one of 3 basic viewfinders 6X, 10X and 13X... What are those ratings based on??? The width of the image??? and then if you upgrade the optics... How do you measure the size? HELP!
  13. Hello group, Just got a 100ft roll of 16mm 1R Eastman 7222 Double-X neg stock. The label states "© 2002". Also bought supposedly fresh Double-X stock very recently and the label says "© 2009". Q 1: anyone know what's the deal with the dates (same with Ektachrome 100D BTW)? Q 2: should I compensate for sensitivity loss with the 2002 Double-X stock? I know that overexposing Double-X is bad - not like current Kodak color neg at all. Love the classic look of Double-X with its typical 'vintage' grain pattern ranging from shadows all the way up to highlights. Any reply/tips
  14. OK... what to do with, yet another white elephant. It's a modified REX 1 with 200' foot load capacity. I got this long ago... works great... but was thinking of making it available. Either like it is or converting it to super 16mm or something. Anybody have any thoughts or suggestions on this? Arthur!
  15. Okay, I'm confused and need advice. My camera is the Arri SR2 (converted to Super). My lens is the Cooke Varokinetal 10.4-52mm T2. These lens were made for Super 16. My camera came with a follow focus. See photos. The camera tech informed me several years ago that my ff will not work with my lens. Is that ff for a certain type lens? Why doesn't it work for my lens? I will be using that same camera and lens. I need a ff. What ff can I get and it will work?
  16. Anyone interested is swapping cameras... Super16 Bolex REX5 for a Nikon 7200...? Arthur!
  17. Hello group, After dismissing the Tri-X (it's just my personal taste, not to be taken as any reference), I decided to go for the Eastman Double-X for my upcoming short film in Super 16mm. I intend to recreate a 1940s-50s "old Hollywood" feel and I don't mind some grain, especially when the structure is even and pleasant (Tri-X seems to have a threshold somewhere around dark-middle gray where it suddenly becomes very grainy in a distracting way, especially on surfaces with little to no texture - it also has a rather narrow latitude, being reversal). Since the Double-X (250/200 ASA/ISO)
  18. Hello Crew!!! I would like some feedback, if possible, on these updated Bolex H16 graphics... Now Available from Dr. Bolex
  19. WOW it is possible to get 10X and 13X plus almost 16X it's huge. Without distortion and pleasant to view.!
  20. What this world deserves is an affordable super16mm camera and I’m gonna give it to’um...
  21. Hello group, Solving the (hopefully) last problems with my S 16 K-3. Looking good so far. No emulsion scratches (after a lot of very careful polishing the gate in the right areas - loop formers removed) and just found the cause for the occasional base/backing scratch (exactly where the regular 16mm frame would end opposite pulldown claw. It's caused by the plastic part that leads the film out of (top) and back into (bottom) the sprocket/roller assembly. The part has sharp edges/burrs on both sides: top and bottom side. Too difficult to remove the part, so I'll tape off the rollers and some
  22. Hey all, I have an Aaton Aminima Super 16mm camera package up for sale. It's in excellent condition and was recently serviced at Abelcine. I'm currently traveling but if anyone is interested I can put together some photos and reference videos when I get home. Here's what's included: - Aaton Aminima - 3x 200' mags - 3x daylight spools - Onboard Aaton side battery - Battery charger - Video tap - Wooden handgrip w/ lemo connector - 15mm rods - Carrying case - I also have a roll of 250D and 50D that I'll toss in as well :) Asking for $5,000 but open to offers. The
  23. Hello all, Just received my Zenitar 16mm lens for my K-3. Not a huge wide angle, but exactly what I was looking for. Good enough for smaller spaces and run and gun. Much less barrel distortion than what I had expected. There is a spring loaded metal pin which must be pushed-in so the aperture/iris will work. Mounted on the K-3 it remains protruding and the aperture does not work. I am thinking about taping it over, using a small plastic sheet part that doesn't interfere with the rotating mirror. I am afraid that the gaffer tape will come off inside the camera though - causing irreparable
  24. Hey, I found someone with a bunch of old replacement and repair parts for SR3's. i just bought mine, so it's currently in top shape, but I was wondering what some common issue were after a bunch of use. if possible I'd love to buy some parts now to have on standby before they disappear forever. I know that the SR2's used to have circuit issues, but im not sure if that's a common SR3 issue. Motor? Registration pin?
  25. I'm working on a short film with some other students, we are all working with the 416 for the first time. I'm going to be focus pulling, but I am still going to take the opportunity to have a go at loading the camera too. I went to a nearby rental house today to check the kit out, and it doesn't seem too daunting. I loaded on an Sr3 job last summer, which was my first time working with any kind of film (aside from super 8mm), so I certainly have less fear this time round. Apart from the feed side of the magazines being the opposite way round, and the extra step that involves entering the take
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