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Found 197 results

  1. Hi there, Looking to purchase a 35mm or s16mm camera with accessories in Canada. Based in Toronto, but willing to travel. I'd be very interested in a 435, 235, 416 or SR3, but willing to consider others. Thanks, Peter
  2. Does anyone have arri 2 c for sale. Looking for price in between 300-1000
  3. Hi I’m looking to purchase an arri iic or arri 2c. I’m preferable looking from the range of 300-1000 dollars. also interested in arri 16
  4. What filmed the WW II? German Arriflex 35 movie camera VS Soviet camera Eyemo copy KC-50 - review Germany against USSR and USA in WW2... On the occasion of the 75th anniversary of the Victory, we restored two military movie cameras - the German Arriflex 35 and the Soviet KC-50 - a copy of the USA 35 mm Bell & Howell Eyemo movie camera. In the review of the "Panorama Camera" we will evaluate the strengths and weaknesses of our and enemy cinema equipment, and recall the Soviet front-line cameramen and their feat. English subtitle included.
  5. We continue to restore the old movie cameras of the Second World War and shoot videos reminiscent of newsreels of the 1940s on them. We use the American Bell & Howell Eyemo cameras and the German hand crank camera Askania 1930s. We shoot 35 mm black-and-white Russian film Tasma and German AFFA aerial photograph. Soon we will repair the Arriflex 35 camera of the Third Reich and remove its historical reconstruction WWII. Watch our "military" video review
  6. Hi, I just want to share link to Paul-Anthony Mille´s posthouse: http://kafardfilms.fr/film-stocks-processing/ He is doing so far, the cheapest work in Europe. 16mm - 400ft = 200 € 35mm - 400ft = 150 € (Prices are for developming, cleaning and 2K/4K scanning) Development is done by Hiventy lab, Paris and Paul is doing scans at his posthouse. I have not met Paul in person yet, I just want to share this cheap and great quality alternative on market 🙂 Many people already know Paul, but for those who not, this is the solution to keep you shooting film
  7. Aaton 35-III 4-Perf Camera Package w/ 5x 400' Magazines Just Serviced. All components in good working order. This is a 12v Camera so it is possible to power with modern Li-Ion batteries. (i.e D-tap To XLR) Package Includes: Aaton 35-III Camera Body PL Mount 4-Perf Movement 1.33/1.78 Ground Glass Swing-over Finder Carry Handle w/ 2 Tools Heated Eye-cup Extension Finder Top Balance Plate Sony XC77 CCD Video Tap 2x Eyepiece Heater Cables 5x 400' Magazines Flight Case For Camera Body Flight Case For 2x 400' Magazines Flight Case For 3x 400' Magazines $3,495
  8. Arriflex 435 ES - 4-perf, IVS video assist PAL, FEM (functionality expansion module), TimeCode module, Arriglow module - Base plate BP-8 + dovetail plate + 19mm rods long, short 3x 400ft magazine + case 1x 400ft magazine (35-III model) 3x 200ft magazine + case finder extension FE-3 finder extension FE-5 ground glass + arriglow: - super35 2,35 - super35 1,85 - super35 silent gate 1,33 - normal35 2,35 - normal35 1,85 - normal35 1,33 P+S Technik uRC - remote control for speed ramps Video-top 100% + SCA-2 (for steadicam low-mount) EasyLOOK video-assist system - digital system for recording and playback - generates Quicktime files on HDD - wireless option Transvideo TITAN transmitter + receiver set for analog SD wireless video Transvideo Rainbow II 6,5” monitor - bright PAL monitor - anamorphic desqueze support PHOTOS: https://photos.app.goo.gl/xaJqzid9JwCFyyxY8 Camera is located in Bratislava, Slovak Republic, EU Shipping within European Union will cost €550 Shipping outside EU is not possible at the moment. In case of personal pickup, I can supply old Kodak film stock (10 rolls) for free. Payment via PayPal, incl. buyer´s protection.
  9. If you had the use of a 35mm film camera with a PV mount on it (such as some old Arris, which are advertised as PL mount but actually have a PV mount if you look closely), what lenses could you use with it? Would you be constrained to just rent from Panavision, or are there lens mount adapters so that you could use non-Panavision lenses?
  10. Hello, I'm new here. I am looking for an Oxberry 35mm controller for an Oxberry 35mm camera used with a film recorder system. The one I have has just died and is pretty old. Picture attached. Perhaps you know of one gathering dust in some post house, looking for a good home? Would love to find a replacement. Thanks, Scott
  11. I have for sale four Arri groundglasses. These are standard glasses, so from memory will fit a IIC or a 35III - but others might be able to put me straight on that. They're also great for many viewfinders, including the Kish UDF. 1. 'TV' (4:3) with mounting bracket. In excellent condition. 2. Another 4:3, no mounting bracket, some pencil marks where it has been marked up in a mystery ratio. Tiny mark bottom right, very clean otherwise. 3. 1:1.85, marked up to 16:9 (?) A chip on one side from bad handling, but it doesn't encroach into the picture area. Good for a viewfinder, or general use. No scratches/marks otherwise. 4. Probably a 4:3 but has been taped to 16:9 at some point. Apart from the tape residue (easily removed) it's in excellent condition too. Each one has a case - happy to sell separately or as a set, pickup or post. The going rate seems to be $150 (AUD) each, and $100 for the one with the mark. They're eyewateringly expensive new. But let's talk - I'm happy to negotiate for a package deal, or if these prices seem out of whack. Postage will be from Melbourne, Australia. Cheers, Jonathan. ( ** I only seem to be able to upload images of 2 of them - message me for more images **)
  12. Hello, all of a sudden today arricam st 4 perf started making this noise - vimeo link attached. Noise comes and goes regardless of magazine being attached to the camera. Noise can appear in a middle of a take and then go away in 30-40 seconds, then come back again. Film transport and shutter seems fine visually and the camera doesn't give any warnings. Nothing was done to the camera yesterday to give us a clue of the cause, except for regular daily cleaning with air. All tests prior to the shoot are totally fine. Negative was examined throughout the day and has no scratches. Noise intensifies significantly when fps changed to 60. When fps slowed down - sound disappears. Tried adjusting pitch but to no result. Anyone came across the same issue? https://vimeo.com/361685396 PASSWORD: noise Best
  13. Trying to track down a few items for the 235: - 235 Side Bracket SBR-1 (K2.55015.0) - 235 Low Mode Handle LMH-1 (K2.55006.0) - 235 Shoulder Pad SP-1 (K2.55005.0) - 235 Camera Handgrip, Right (K2.45886.0) - Arri Universal Mounting Arm, either 120 or 240 If anyone has any of these items, please let me know.
  14. Want to buy ARRI AVF-2 viewfinder or similar viewfinder that enables anamorphic de squeeze on the 435.
  15. Is there anyone in Toronto who has a Konvas 2M who would be interested in lending a hand teaching me how to use the camera? I have an upcoming project that I am considering using the camera on. Any help would be greatly appreciated!
  16. Looking for Zeiss Master Anamorphic 35 & 50mm Lenses. Please email sales@broadcastsolutions.com with details.
  17. Please email sales@broadcastsolutions.com for pricing and details.
  18. Hello, Hopefully an interesting question and not pure amateur hour ! More art less matter than the title: Can I achieve the feel and look of native 35mm when shooting on super16 (to blow up) ? Ideally a three part answer: A) Yes or no B) The inherent limits of s16 to 35 vs native 35 C) Bringing out the cook book with the old recipes of how different cameras, lenses, stock etc will produce such an effect and from there to infinity and beyond! As always thank you for your time! You are a treasure trove!
  19. Hello! This is my first post here on the forum and I would like to begin it by thanking everyone who posts on here; this forum has been a huge source of information for me, basically like the film school I couldn't afford, so yeah thanks everyone. I just recently acquired an Arri 2c, one that was advertised by the seller as a high speed model. It has the tachometer that reads up to 80fps, but from doing research on this forum and others, I understand that it is possible to attach that tach to a non high speed model. I've read that the only fool-proof way of determining if the camera is an actual high speed model is by the presence of four extra screws on the film gate that can adjust the pressure of the gate. But having been unable to find another picture of an Arri 2c gate to compare mine too, I'm unsure if the screws on my gate are the high speed ones or just the standard. Here's a pic of the gate on my 2c: Is this the high speed gate? And if so, is the combination of the gate and the 80fps tach enough to pretty much guarantee this is definitely a high speed model and is safe to run at 80fps? Just want to be sure, as I have a high speed motor on the way and would like to be sure of what I'm dealing with. Speaking of the high speed motor, I've read that it needs 32v to run at 80fps. At the risk of sounding silly, how exactly do I acquire 32v of power? I can't seem to find any 32v batteries that can connect to the high speed motor. (The cable for my motor has a 4 pin XLR). Is it a case where I would need to have a battery specially fashioned? Anyone who has any experience running a 2c at high frame rates, your help would be greatly appreciated! Thanks!
  20. ARRI 535B - 3perf + 4perf – Complete Kit This set runs perfectly and has been checked and serviced by Georg Bogner (Munich). At the moment the 3-perf-movement is installed. But the set also includes a 4-perf-movement as well. FEATURES OF THE ARRI 535 • Silent Sound Sync camera (under 24 db). • In-camera ARRI Glow for 9 formats (there is no need to physically change the glow mask. It can be done easily in-camera using the CCU-1). • Electronic shutter. The camera uses an electronic shutter and can be programmed to ramp up or down. • Speed ramping from 3fps to 50fps with individual steps of 0.001 frame. The exposure will stay constant as it is being compensated for by the electronic shutter. • Shutter ramping from 11 to 180 degrees. Ramping can be programmed or changed during the shot. • Beam splitter: Options are 10/90, 90/10 or 50/50. The 535 is the only ARRI camera that offers a 50/50 beam splitter. • SMPTE Timecode and ARRI time code system (timecode module is included in this auction). • Swingover Viewfinder System and In-Camera Contrast Filter Kit includes: ARRI ARRI 535 B with IVS (PAL), Tophandle etc. SN 5164 ARRI 3perf movement (mounted) SN 3P97 ARRI 4perf movement (additional) ARRI 2 120m Magazine M-11 with Case SN 4857 + 5161 ARRI 2 300m Magazine M-10 with Case SN 8812 + 9168 ARRI 2 Steadycam-Magazines 122m LM 1 SN 6202 + 6084 And further accessories: ARRI SCU-1 ARRI VCU-1 ARRI groundglass 1.78, ARRI GLOW ARRI groundglass 2.35, ARRI GLOW ARRI Viewfinder Extension FE-3 SN 1064 ARRI Timecode TC Cabel XLR Fischer ARRI Raincape ARRI CCU-1 Computer Control Unit ARRI CCU-Cable 30m ARRI Eyepiece Leveller EL-3 ARRI CCU cable short more cable for SCU and Antiflicker ARRI RCU-1 Remote Control Unite ARRI RCU Cable ARRI RCU Manual ARRI PL Port Cap ARRI 535 Flight Case Please check the pictures and make an offer: https://www.zonerama.com/Link/Album/5125762
  21. Hello , Is anyone selling an arricam lt? Please send me a pm if it's the case. Thanks! Kimon
  22. Up for sale , a Moviecam 400ft /122m Steadicam Magazine. Works well without any problems. Normal signs of usage. Send a PM with your offer.
  23. Hey Everyone, I am looking to source a Aaton Penelope. I am located in Toronto, Ontario Canada so if someone is selling on within Canada that would be best but I am willing to ship as well. Thanks for your time, Mack
  24. Hello everyone, My friend Fred and I wanted to go out and do a camera test on my ARRICAM. My other friend and her dog were in town visiting at the time, and we thought they had a cool story to tell. One thing led to another, we ended up making this tiny little documentary call Zema. Check it out if you are interested: Shot in one day with only available light. Tested 6fps, 24fps and 48fps on Kodak 5207 and 5219 stock with Zeiss Superspeeds MKIII. Film processed at the Kodak lab Pinewood Studios. Would love to hear your thoughts. Share it if you like it! Cheers, and have a nice day! Tsering
  25. "The number of ads shot on film and processed at Cinelab doubled in 2018 to around 350, and there was an increase in pop promos to 50-plus, many shot on Super 8 and Super 16 as well as 35mm." https://www.broadcastnow.co.uk/tech/film-stages-digital-fightback/5135915.article#.XEHdhn_xPh0.twitter So film is far from dead.
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