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Found 8 results

  1. Selling my used Sony Zeiss FE 24-70 f/4. Includes: (1) - Lens Body (1) - Front Cap (1) - Back Cap (1) - Lens Hood (1) - Soft Case $850.00 Los Angeles Local Only
  2. Hi, I'm doing a two camera shoot with my FS5 and A7S, and wondering if anyone knows which Picture Profiles or HG to set on the cameras for best results for matching. Best
  3. Hello- I am opening this question up to the pros because I am shooting a film with the Sony A7s and I planned to use the these TV simulation LED flickering lights. But the lights cause banding and video flicker. Is there a way to get a "clear scan" on the A7S camera? or a work around with the Shutter to get a clear or clearer image? Thanks! The light: http://www.amazon.com/FakeTV-FTV-11-US-Bright-Burglar-Deterrent/dp/B00BTKGHDE/ref=lp_6705498011_1_1?srs=6705498011&ie=UTF8&qid=1461771088&sr=8-1
  4. I'm thinking about buying a camera at the end of the year. I've been assessing what I can afford and what's available. So far, I've narrowed it down to either the Panasonic GH4 or the Sony A7s. I like the GH4's native ability to shoot 4k but I'm concerned about the 4/3" sensor size. I'm impressed with the Sony A7s' shooting capability especially in low light but disappointed that shooting 4k requires an expensive peripheral. I'd appreciate any advice, opinions and first hand intel anyone can give me. If there's another camera system that anyone would recommend, by all means. Mind you I cannot afford anything that's over $5000. Thanks.
  5. Hello Guys, I am gonna start shooting a documentary next week and our main camera will be the PXW-FS7. I already check many topics, tests and other reviews. I first decided to shoot in 1920 X 1080 in S-LOG 3 / Gamut 3. Two reasons to that, first one being mobility and also wish to keep an good latitude for the grading at the director looking to a specific style. Here an example of the kind of footage we looking to end up with For some of the interview we will have a second camera which will be a Sony A7S. The Director already order a Shogun to go with it. As the A7S is capable of shooting in S-Log 2, I wonder: is the Shogun still relevant? And if I have to keep it, should I still set the camera in the Log mode? My worries are that the Shogun record only the under-expose, milky footage from the S-log but without the possibilities of grading which are suppose to come along with it. Then it is possible some day we will have to shoot with C100 but that will become an other problem. Thanks in advance for your answers All the best
  6. using the A7s, anyone shot Pro Res with the Atomos Shogun, UHD 4:2:2 ? any personal opinion on that? how's the signal through the HDMI output? thanks!
  7. Hey all, On the verge of buying an A7s and coupling with an Atomos Blade or Shogun. I had a little play with the camera, but only recorded internally. I noticed, in gradations in shadows, flares, etc... some noticeable banding. The crunchy stuff. I understand it's 8-bit overall... but can someone help me understand how recording via 'uncompressed' HDMI out will improve the image? Isn't it basically H.264, wrapping in Sony's codec nonsense, which gets recorded internally? So going uncompressed -> 422 (at 1080 or 4K) is going to improve... what? Anything noticable? Thanks! Alex
  8. An amazing take on the ephemeral nature of digital technology
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