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Found 8 results

  1. https://www.ebay.com/itm/293086201571 It comes with Pelican Case, Articulating arm, Battery, adapter, and even a 256GB SSD! I have tested everything before posting the auction and everything works flawlessly. Minor cosmetic wear on the magnetic screen hood, but it still works perfectly.
  2. Hey, Ebay auction: http://www.ebay.com/itm/332403614607?ssPageName=STRK:MESELX:IT&_trksid=p3984.m1558.l2649 $500 off for cinematography.com so it's $2000. This set has everything needed to shoot and transfer the footage from the camera to your computer. I can assist the buyer with the setup afterwards if needed. Codex Onboard M Recorder Comes with wetdock for Sony F35, which can also be unmounted so you can use the recorder with other cameras like Arri Alexa, Canon C500 and other. Codex has all available licences. for DPX, Arriraw, Canon 4K Raw. It shoots full 12bit 444 DPX up to 30fps and 10bit 444 up to 50fps with my Sony F35. It also supports ramping, overcranking and variable framerates, which you can do only on a few recorders on the market. The recorder has a panel which attaches to either side magnetically, it's not needed for recording, so it can be unmounted. Desktop Transfer Station Also has all available licences. I will provide Codex UI OSX software, which works with latest osx Sierra so you can import your footage and convert it to DPX, Prores 422, Prores 4444, DNxHD, DNxHD444 on the fly. I'm also including Sonnet Echo Express SEL in the package, which holds the ATTO SAS card and connects to your Mac via thunderbolt. 7x 512GB mags Each mag can do around 40 minutes of uncompressed 12bit 444 DPX footage. You can also choose wavelet compression from 3:1 to 16:1 and shoot much much more on one mag. Extras Peli case for transfer station and Otto Nemenz box for recorder and all the cables (see the list below). Full list of items included: - Codex Onboard M Recorder with magnetic panel - Sony F35 wetdock with necessary cables attached to the dock (no other cables needed, recorder runs off camera power) - Desktop Transfer Station - ATTO SAS PCI-E card - Sonnet Echo Express SEL which holds the atto card - 7x 512GB Codex mags - Peli case - Innerspace box Cables: - SAS cable (from transfer station to echo express) - USB cable (from transfer station to computer) - Thunderbolt cable (from echo express to computer) - Power supply for Transfer Station - Power supply for Sonnet Echo Express - Power supply for Codex Recorder I haven't used these but they came with Codex so they're included: - 6pin male lemo to 6pin male lemo (RS422) - 5pin male lemo to 4pin male XLR - 5pin lemo codex power adapter - 5pin male lemo to 2pin male lemo (Alexa > Codex power) - 5pin male lemo to 3pin male lemo (FGG.1B) - 5pin male lemo to 3pin male lemo (FHG.1B) Don't hestitate to contact me if you have any questions.
  3. Hello Everyone, After much thought I have decided to put my complete Sony F35 + Codex package up for sale. This is the only Sony F35 kit you will find to have a complete Codex Onboard Recorder package. This includes the Codex Onboard Recorder, 1 512GB + 3 256GB Data Packs, F35 Wet Dock, Control Panel, all necessary cable, the incredibly rare and expensive Desktop Transfer Station (DTS) and an ATTO ExpressSAS H3680 card inside a Sonnet Echo Express Sel case which plugs into any MAC with a Thunderbolt port. The Codex Recorder and DTS both have all available licenses activated: 12bit 444 uncompressed DPX, compressed JPG, ARRI RAW, CANON RAW. The DTS can automatically convert to ProRes422, ProRes444 or other formats on the fly for immediate editing of your footage. Also this is the only recorder that will record everything the Sony F35 can output: uncompressed 12bit 444 up to 30fps and uncompressed 10bit 444 up to 50fps - something that even the Odyssey 7Q cannot do because you need 4 SDI connectors for this last output. In addition to all this, Start/Stop recording can be activated via the record button on the F35. This Sony F35 is a complete OTTO NEMENZ kit with, in addition to other things, 2 custom machined cheeseplates, a machined top cheeseplate with integrated single 15mm rod mount and their spectacular viewfinder mount, which I updated with custom made 3D printed parts. If desired this can be easily changed to the original Otto Nemenz viewfinder setup. I have a great many accessories for sale to make a complete "ready-to-shoot" system. These include: Red One 18-50mm f2.8 lens in great shape, a Carl Zeiss Biometar Jena 120mm f2.8 PL mount lens, a Carl Zeiss Biometar Jena 80mm f2.8 PL mount lens, a Helios 44-2 58mm F2 PL mount lens, Vocas Wooden Handgrip with 150mm offset extender, an Ikan D5 monitor, Zoom H6 recoder with Gator waterproof case and Monster Digital 32GB SD card + Zoom SSH-6 Stereo Shotgun Mic, a 2 stage Chrosziel matte box with french flag, SHAPE 8000 quick-release V-Lock shoulder mount/baseplate, Sony VCT-14 quick-release tripod adapter, O'Connor 50D fluid tripod head, Lensse S5 Dual Follow Focus with speed crank, Lanparte V-mount batteries with charger, Tiffen 4x5.65 full spectrum IRND 1.2 filter, and other items for a truly complete setup. Since I have so many Sony F35 related items for sale I have created a price list with descriptions in PDF format that can downloaded from the link provided below. I believe I am offering these kits at very competitive prices. Everything is fully functional and in exceptional condition. As I said it took me 2 years of trial and error, testing various components, and finally finding the best parts for what I consider the Ultimate Sony F35 Set-Up. I have selected each component carefully and have taken exceptional care of them all. Photos and links to photos of many of my components can be found here below. Here is the link to the price list: http://www.igorbertolucci.com/SONYF35SALE/SONY_F35_Kit_Price_List.pdf As an incentive, with the purchase of multiple kits, or better yet the entire list of equipment, I am able to offer an even better price than the already very competitive prices you see in the price list. If you are interested in purchasing multiple kits please contact me. Shipping will vary depending on the kit(s) purchased and the destination. For the "Sony F35 with Codex Onboard Recorder Kit" WITH the Otto Nemenz hard cases you are looking at around $400 shipping in the US and $800 overseas. Without the cases this price drops substantially as they cases themselves are very heavy. I regularly pack and ship hand-crafted ceramic items all over the world and can pack all the equipment securely and safely in boxes without the hard cases, which will reduce the shipping cost to about half: ~$250 CONUS, ~$500 overseas. Shipping will be from San Francisco. Following are links to additional photos as we are limited to only one photo attachment per sale thread: http://www.igorbertolucci.com/SONYF35SALE/SONYF35SALE_01.jpg http://www.igorbertolucci.com/SONYF35SALE/SONYF35SALE_02.jpg http://www.igorbertolucci.com/SONYF35SALE/SONYF35SALE_03.jpg http://www.igorbertolucci.com/SONYF35SALE/SONYF35SALE_04.jpg http://www.igorbertolucci.com/SONYF35SALE/SONYF35SALE_05.jpg http://www.igorbertolucci.com/SONYF35SALE/SONYF35SALE_06.jpg http://www.igorbertolucci.com/SONYF35SALE/SONYF35SALE_07.jpg http://www.igorbertolucci.com/SONYF35SALE/SONYF35SALE_08.jpg http://www.igorbertolucci.com/SONYF35SALE/SONYF35SALE_09.jpg http://www.igorbertolucci.com/SONYF35SALE/SONYF35SALE_10.jpg http://www.igorbertolucci.com/SONYF35SALE/SONYF35SALE_11.jpg http://www.igorbertolucci.com/SONYF35SALE/SONYF35SALE_12.jpg http://www.igorbertolucci.com/SONYF35SALE/SONYF35SALE_13.jpg http://www.igorbertolucci.com/SONYF35SALE/SONYF35SALE_14.jpg http://www.igorbertolucci.com/SONYF35SALE/SONYF35SALE_16.jpg http://www.igorbertolucci.com/SONYF35SALE/SONYF35SALE_17.jpg http://www.igorbertolucci.com/SONYF35SALE/SONYF35SALE_18.jpg http://www.igorbertolucci.com/SONYF35SALE/SONYF35SALE_19.jpg http://www.igorbertolucci.com/SONYF35SALE/SONYF35SALE_20.jpg http://www.igorbertolucci.com/SONYF35SALE/SONYF35SALE_21.jpg http://www.igorbertolucci.com/SONYF35SALE/SONYF35SALE_22.jpg http://www.igorbertolucci.com/SONYF35SALE/SONYF35SALE_23.jpg http://www.igorbertolucci.com/SONYF35SALE/SONYF35SALE_24.jpg http://www.igorbertolucci.com/SONYF35SALE/SONYF35SALE_25.jpg http://www.igorbertolucci.com/F35/12bit_tests/Camera%20Setup/F35%20Codex001.jpg http://www.igorbertolucci.com/F35/12bit_tests/Camera%20Setup/F35%20Codex003.jpg http://www.igorbertolucci.com/F35/12bit_tests/Camera%20Setup/F35%20Codex004.jpg http://www.igorbertolucci.com/F35/12bit_tests/Camera%20Setup/F35%20Codex005.jpg http://www.igorbertolucci.com/F35/12bit_tests/Camera%20Setup/F35%20Codex006.jpg http://www.igorbertolucci.com/F35/12bit_tests/Camera%20Setup/F35%20Codex007.jpg http://www.igorbertolucci.com/F35/12bit_tests/Camera%20Setup/F35%20Codex008.jpg http://www.igorbertolucci.com/F35/12bit_tests/Camera%20Setup/F35%20Codex009.jpg http://www.igorbertolucci.com/F35/12bit_tests/Camera%20Setup/F35%20Codex010.jpg http://www.igorbertolucci.com/F35/12bit_tests/Camera%20Setup/F35%20Codex011.jpg http://www.igorbertolucci.com/F35/12bit_tests/Camera%20Setup/F35%20Codex012.jpg http://www.igorbertolucci.com/F35/12bit_tests/Camera%20Setup/F35%20Codex013.jpg http://www.igorbertolucci.com/F35/12bit_tests/Camera%20Setup/F35%20Codex014.jpg http://www.igorbertolucci.com/F35/12bit_tests/Camera%20Setup/F35%20Codex015.jpg http://www.igorbertolucci.com/F35/12bit_tests/Camera%20Setup/F35%20Codex016.jpg http://www.igorbertolucci.com/F35/12bit_tests/Camera%20Setup/F35%20Codex017.jpg http://www.igorbertolucci.com/F35/12bit_tests/Camera%20Setup/F35%20Codex019.jpg http://www.igorbertolucci.com/F35/12bit_tests/Camera%20Setup/F35%20Codex020.jpg http://www.igorbertolucci.com/F35/12bit_tests/Camera%20Setup/F35%20Codex022.jpg http://www.igorbertolucci.com/F35/12bit_tests/Camera%20Setup/F35%20Codex025.jpg http://www.igorbertolucci.com/F35/12bit_tests/Camera%20Setup/F35%20Codex026.jpg http://www.igorbertolucci.com/F35/12bit_tests/Camera%20Setup/F35%20Codex027.jpg http://www.igorbertolucci.com/F35/12bit_tests/Camera%20Setup/F35%20Codex028.jpg http://www.igorbertolucci.com/F35/12bit_tests/Camera%20Setup/F35%20Codex029.jpg http://www.igorbertolucci.com/F35/12bit_tests/Camera%20Setup/F35%20Codex030.jpg Here is a link to a forum where you can find additional photos of the F35 in the Kata backpack (at the end of the page): http://www.dvxuser.com/V6/showthread.php?332103-Sony-F35-Codex-M-Recorder-Complete-Setup/page5&highlight=codex Here is a link to a thread where you can find photos of the additional CCD Block and Sony F23 to F35 Conversion kit hardware: http://www.dvxuser.com/V6/showthread.php?337896-Sony-F23-F35-Conversion-Kit-***-F35-Optical-Block-CCD-plus-hardware Should anyone have any questions please PM me or write to me directly at samana76@yahoo.com Cheers, Igor
  4. Hey everyone, I'm looking to rent or buy a Nagra 4.2 tape recorder. I'm shooting a movie and want to record sound on a Nagra as opposed to a typical digital recorder. If anyone has access to one or knows of one for sale/rent I would love to know! Thanks!
  5. Hello, I am selling the following items. Payment by Paypal, pictures available on request. Here's my e-mail: olivier@theblacksheep.be Blackmagic Hyperdeck Shuttle 2 + Tilta 15mm support and V-Lock plate + Dtap cable It's HD 10bit Prores 422HQ (or uncompressed 4:2:2) recorder placed inside a dedicated Titla 15mm rods support with a V-Lock plate on the back. Great system, I used it with a FS100/700, C100, D800,... The connector of the SDI output of the Hyperdeck is broken. Everything else works perfectly. On the Tilta plate, only the Dtap is active, the other outputs never worked well (I taped them off to avoid using them). Included is a Dtap to DC cable to power the Hyperdeck from the V-Lock plate (it's the same cable for the BMCC). Price: 200 EUR + shipping (33 EUR to most countries) Blackmagic HDLink Little magic box that converts SDI to DVI/HDMI. Accepts 1DLut. Usually used in post-production but I used it as a 1D Lut Box on a camera via a HawkWoods 5V dtap cable. No AC power included (takes DC 5V 2.A, easy to find on Ebay). Price: 100 EUR + shipping (13 EUR to most countries) Petrol PLMD-2 Monitor Bag Brand new, unused Monitor Bag from Petrol. Price: 90 EUR + shipping (from 17 to 50 EUR) Small HD DP6 Canon battery plate Brand new, unused Canon LP-E6 battery plate for the Small HD DP6. Price: 20 EUR + shipping (9 EUR to most countries) Fotodiox Tough Mount Replacement Mount for Sony E-Mount cameras (2 available) Brand new, unused replacement mounts. Here's for more infos: https://fstoppers.com/diy/fixing-son...-e-mount-42714 Price: 30 EUR + shipping (9 EUR to most countries) Atomos Spyder Monitor Calibration System I'm selling an Atomos Spyder Color Calibration System. Brand new in Box. This allows you to calibrate the monitor of the Atomos Shogun, Blade, Samurai,... Here's a link to a review: http://www.provideocoalition.com/rev...ration-system/ Price is 100 EUR + shipping (9 EUR to most countries). All the best, Olivier
  6. I purchased the sony fs700. it is a great super slow motion camera. I've been waiting for the 6.4 update from Atomos. They said it will support sony raw. however i'm not sure if it is going to support the super slow motion or not. Sony FS700 shoot up to 240fs @2k. please share your thought and opinions.
  7. I had been using a Canon t5i for years and was pretty disappointed in it. I had sworn off DSLRs for video until I saw RAW footage from my friends 7D after he installed magic lantern. When i saw the specs for the 7D Mark II my mind was a buzz with the possibilities that where now open to magic lantern and i bought one thinking the ML community would be working on it... How sadly mistaking I was... The ML forums are filled with Mark II owners pleading for a Magic lantern port and ML devs basically telling them to go screw themselves... Now i'm stuck with a camera only slightly better than the one I had before with the only possible saving grace being the HDMI out. Supposedly it's a clean, uncompressed 8bit out but i haven't found much information on it or people recording from it. I don't like the idea of having to spend more money to bypass Canons terrible compression but it's better than nothing. But before I do I want to make sure i'm not wasting my time. Is the HDMI streem good enough to justify the cost of an external recorder. If so what recorders do you recomend? I've been looking at The Blackmagic HyperDeck Shuttle 2 which records RAW and the Atomos Ninja 2 which only records ProRes. Any thoughts are appreciated. Thanks in advance.
  8. I'm going to at last get a monitor, not just for the bigger display, but for the focus peaking and zebras (to name just a couple of reasons why). Now the first question I need to resolve, is do I get just a monitor by itself (such as one of the SmallHD monitors) or get a combined monitor/recorder (such as from Atomos). Currently my situation is I'm using a Nikon D5200 plus a BMPCC that has just arrived with future upgrading plans of maybe perhaps getting a Panasonic GH4 in a few months from now. (slim possibility it might be instead a Sony A7S, or even a Samsung NX1. Could even be something that hasn't be released yet! I'm in no rush, I'll wait and see) So whatever I'm picking should be suited for what I've got now (& in the near future). Am thinking I've narrowed down my decision to Ninja Blade vs Ninja 2. I'm leaning towards getting the Atomos Ninja Blade (it is worth it over the cheaper Ninja 2???), for a few reasons (let me know if they're good reasons or not! I'm just presuming here): 1) I'm thinking using SSDs could be better than SD cards in the BMPCC (though not being able to record CinemaDNG raw to SSD is a pity) 2) having the ability to tag good/bad takes on set with AtomosOS seems like it could be a big time saver when doing rush edits. 3) no time recording limit with the Nikon D5200 (if I got just a monitor, I expect I'd then get a Blackmagic Design: HyperDeck Shuttle as well. Well, or maybe maybe wait a few months to see if NikonHacker removes the recording time limit on the D5200) But on the flip side the Ninja 2 is significantly cheaper.... so I wonder, is the older Ninja 2's screen satisfactory for pulling focus or is the Blade's high resolution screen going to be a huge bonus here? Probably the biggest point of confusion I have between the two is how the Ninja Blade and Ninja 2 run different version of Atomos OS (with the Blade having the newer version of course), as I can't seem to clearly find any info on what specifically is the benefits of that. (such as around workflow around tagging clips on set and then in post) Thoughts/criticism/suggestions? I'm all ears!
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