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Found 6 results

  1. For Sale : Canon EOS C700 FF Camera Package. 2 Available Email sales@broadcastsolutions.com for pricing and details. Canon Cinema EOS C700FF Body PL Mount Canon EVF-V70 OLED Viewfinder for C700 ARRI Pro Set 19mm ARRI VF attachment C700 ) VF Cable Power Cable 2 x Sandisk Cfast 2.0 128GB cards Lexar Cfast Reader ARRI Dovetail plate 12” Ridgid Aluminium Custom Case
  2. Please email sales@broadcastsolutions.com for pricing and details. Canon EOS C700 FF Camera Packages Qty.-2 AvailableCanon EOS C500 EF & PL Mount Camera Packages Qty.-2 Available
  3. I am looking into large format these days. The question came from the director I'm working with at the moment - and is the following: is there anything gained from using lenses with larger image circles then your sensor? I was suggesting to shoot on the Leica R lenses for various reasons - he asked about the hasselblad whitepoint lenses - presuming they are better cause they cover a 65mm imager. When thinking about this I realized two different bits of information came to mind: my instinct is; the more the lens' image circle exceeds the imager's size, the less quality will be lost towards the edges of the image - lenses perform better in their center and then gradually degrade as you move away from the center. I have also heard people express their believe that you should match Image Circle with imager size - the argument being that this way you get to see the lens' full image, full range (from sharp center to softer edges) "nothing is lost". Is there anyone out there that has tested different IS lenses on LF/FF formats? Did you see any pattern in terms of the relation between IS and size of the imager? Is it just a matter of taste; if you want inperfections 1=1, if you want very consistent images on which the lens is consistent from edge to edge then go 2 vs 1 or even 3 vs 1 (like a 65mm lens on a 16mm sensor?) Many thank! Seppe
  4. Hello guys, I am in the process of building my kit and I would like to ask for your advice. I want to reach the most cinematic look while maintaining maximal portability and reasonable budget. So far I was using GH5 with 25mm Voigtlander lens and right now I am thinking of either getting also 10 and 42mm to complete my set or going full frame and getting old Contax Zeiss supers. I like how Voigtlanders work with light, but sometimes I feel I could get more filmic results with vintage lenses (for example with my old Hellios that I am sometimes using). I would like to hear your opinion about Contax Zeiss that are highly praised. As far as body goes. I like that GH5 can record 442 10bit internal and don't know about any full frame in the same size and price range that could do same. With modern fast and wide mft lenses, full frame kinda looses it's point, what do you think?
  5. Includes: Single Channel Handset, MDR2 (both Blue Dot and 4G), DM-1 motor with 19mm Hill bracket with 15mm inset, 1 Marking Ring, 2 working Batteries, ac charge with lighter cable. Camera cables for: Sony, Panavision, 11pin Fischer. Power cables MDR to: Ptap, 3 Pin, 24V Panavision, 11 Pin Fischer. MDR mounting bracket (V mount), motor cable. Custom Innerspace Pelican case Send me your email. This website has a ridiculous small size for pictures to be posted. Shame on it.
  6. Hi there, I'm looking to buy used the next items: - PL mount. (Like wooden camera) - 1 or 2 Magic Arms like Noga for the LCD monitor and the second monitor. - Matte Box - Like Tangerine ViV level. - ND Filters 4x4.56 - 15mm Rods - Follow Focus + Rings - LLO OLPF You can send me models, pics, quotes. I'm located in Los Angeles. Thanks Guillermo 310-658-133 gpolofilms@gmail.com
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