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Found 8 results

  1. Hi! I am currently doing preproduction for a music video. It’s a horror themed music video set to reggae music. Half of the music video takes place at night. There’s a campsite scene with a bonfire and the rest of the night scenes are at the woods where the band members are exploring a creepy dark forest and eventually chased by a monster. I would like to ask for suggestions on how to light certain scenes and shots :) I did a lot of research on lighting ideas for bonfire set ups and moonlight set ups and there are various ways to do them but I’m not sure which style can work with the limited
  2. Hello all, I'm shooting a scene next week where two women are speaking in a living room, near a large window, while another situation takes place outside in the garden. I need to light the indoor scene at a level so that both scenarios are properly exposed. The women indoors will be at about 2 meters (6 feet) from the window. It'll be sunny outside. I've shot scenes like this many times, but to be honest I never really like the results. It always looks lit to me. How do you guys go about lighting scenarios like this? *** Note that this is a laundry detergent commercial, so hi
  3. Hey all, I'm coming up on a project where I'm dealing with a lighting challenge and the project is ultra-low budget for a non-profit, so I don't have a big team to drawn on. We're shooting a group of individuals together in the middle of a field near sunset. My vision for the shot and the way the location works best is to put the setting sun behind and slightly off to the side of the talent and fill them in with bounce. I'd love to have a few HMIs out there to fill, but the location is too remote, and doesn't really work for big lights and a generator. I've done this plenty of times when it'
  4. Hello! We just launched the second instalment of our Kin Fables trilogy titled Salvage. Shot on the west coast of Newfoundland on the Red Epic using Zeiss Super Speed lenses. I'd love to hear what this community has to say about the film, on all aspects. Thanks for taking the time to watch! https://vimeo.com/119777338
  5. Hey guys, I am a film student, at my senior year and about to embark on my final film project for school. My short film project is a thriller where the protagonist has to uncover clues and find out where his mistress has disappeared to. So in short, this scene is where we have our protagonist drive down a dirt track in the middle of a forest and continues on foot to the various clues. In depth, our protagonist is led to this location (forest) as the place where he'd find his mistress who has gone missing for the past few weeks. He drives down the dirt tracks, and stops when he sees a
  6. I'm about to shoot a tiny test project where a 3 page Conversation scene takes place at an open spaced parking lot. Looking at the forecast, I expect our day to be a cloudless sunny day. I just wanted to hear some of your techniques on working with the sun, precisely on timing & scheduling your shot. How do you work with the sun? I'll take all the explanation you got, but a few questions I would like to have them answered would be... - Do you schedule the wide master on early AM or Magic hour? - Do you choose to not shoot when the sun is directly above, sometime around maybe 11AM
  7. Hi, I'm looking for some advice on how to light a night time outdoor scene that is located alongside a road. There are some street lamps, but not many. This is a low budget film so looking to keep costs down. In the scene there is a conversation between two characters while walking along a path (some street lamps). There is then a crash scene (so will be able to use one cars headlights). If anyone has any ideas or tips as to the best way to light something like this I would be very grateful. Thanks
  8. Hi, I'm looking for some advice on how to light a night time outdoor scene that is located alongside a road. There are some street lamps, but not many. This is a low budget film so looking to keep costs down. In the scene there is a conversation between two characters while walking along a path (some street lamps). There is then a crash scene (so will be able to use one cars headlights). If anyone has any ideas or tips as to the best way to light something like this I would be very grateful. Thanks
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