Nick Henderson Posted February 12, 2012 Share Posted February 12, 2012 I like the feel of this movie, it kinda feels like a comic book. I searched around and I saw the word desaturation used for it a lot. Does anyone know what steps you would take to try and get this effect? I use magic bullet and tried to play around with it but Im not liking what im getting. My link Link to comment Share on other sites More sharing options...
Premium Member Vincent Sweeney Posted February 13, 2012 Premium Member Share Posted February 13, 2012 You are trying to achieve what a several million dollar budget, pro art/wardrobe departments, pro DP using film cameras and a professional colorist did. You can't do the same thing, or even close, with a program on your home computer. Link to comment Share on other sites More sharing options...
Premium Member Phil Rhodes Posted February 13, 2012 Premium Member Share Posted February 13, 2012 On the other hand, the only shot he's cited that looks even slightly expensive to do is the night exterior, and even that could be nothing more than a cherry picker with a big light on it. I haven't seen the film he's referencing, but the interiors we see here are unspectacular and could be done on a shoestring. I think the operative point is that it has to be shot in the right way and that takes skill, and despite the name, there is no magic bullet. P Link to comment Share on other sites More sharing options...
Joshua Reis Posted March 11, 2012 Share Posted March 11, 2012 Hi, obviously production value begins with art direction, lighting, and color timing. There are so many different ways to express gritty qualities of a particular motion picture. The narrative could be gritty. The quality and colors of light could be gritty. A hand crank camera is a gritty element. Crash zooms and frantic camera movies with camera on and offs can make a scene feel gritty. If you are speaking about adding film grain to clean digital images, there are a number of options out there that will add a "film grain" texture? One of my favorite options is the "add grain" plugging within after effects. You can experiment and add more grain to certain color channels. It is also possible to map larger and smaller grain sizes to different luminance values adding a bit of organic dimension to the artificial noise. For example, the shadows could be grainy, but the highlights could be mapped with smaller grain somewhat mimicking what you would see in a motion picture film stock. Experiment and see what you like. Regards, Joshua Link to comment Share on other sites More sharing options...
martinsoniii Posted March 31, 2012 Share Posted March 31, 2012 Nick, You could get close to this look by anyone or all of the following: - adding grain to taste - crushing your blacks - desaturation - adding green tones into your image to taste - Bleach bypass the image (in effect higher contrast, lower saturation) with a filter, then use curves and gamma to readjust the image's exposure Link to comment Share on other sites More sharing options...
Mei Lewis Posted April 10, 2012 Share Posted April 10, 2012 Another aspect of 'dirty' in this case is the mix of color temperatures in the lighting. Link to comment Share on other sites More sharing options...
Yousuf Abbasi Posted May 15, 2012 Share Posted May 15, 2012 By the OP's definition of "gritty" from the screenshots, all you have to do is: lower color temperature (more greens) increase contrast and crush blacks you CAN desaturate, although its not necessary (screenshot #2 doesnt really look too desaturated). easiest way to get grain is underexpose the shots, and increase ISO in post the night shot (last screenshot) relies more on on-set effects (i.e. lighting/exposure) rather than post-production color grade. You definitely don't need a several million dollar budget to achieve "gritty." Now, on the other hand, exposing and grading something like Y TU MAMA TAMBIEN I would say requires some skill and $$$. Link to comment Share on other sites More sharing options...
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