Paul Bruce Posted December 31, 2018 Share Posted December 31, 2018 Featuring the best short films of 2019 at international film festivals We're screening 8 nights of short film at cinemas across Edinburgh in 2019 Presenting awards and trophies for the best films selected by our jury for Best Film, & Best Animation & Best Scottish Short! This year, we're also excited to be programming films and film partnerships for our 2019 partners: DC Independent Film Festival (Washington) The Adriatic Film Festival The Sardinia Film Festival Fastnet Film Festival Firenze FilmCorti (Florence) Puppet Animation Scotland Edinburgh Printmakers Max Length 25 minutes, international films welcomed, all genres eligible. Open for entries online https://www.edinburghshortfilmfestival.com/call-for-entries-2019/ Link to comment Share on other sites More sharing options...
Guest Posted December 31, 2018 Share Posted December 31, 2018 Hmmm, at 13 pounds a pop you will make a tidy sum just from the entry fees. R, Link to comment Share on other sites More sharing options...
tom lombard Posted December 31, 2018 Share Posted December 31, 2018 that's less than $17 USD and is probably around average for submission fees. Link to comment Share on other sites More sharing options...
Guest Posted December 31, 2018 Share Posted December 31, 2018 that's less than $17 USD and is probably around average for submission fees. Why have submission fees at all for any festival???????? R, Link to comment Share on other sites More sharing options...
Phil Connolly Posted December 31, 2018 Share Posted December 31, 2018 Why have submission fees at all for any festival???????? R, Its one way to make the number of applications manageable. If you make it free, you get totally swamped - an obscure local festival I know off had free entry (it was a 2 day festival screening 18 or so films) they had 2800 entries. With the online submission things - the number of applications are really high. So a small fee insures the entry numbers are a bit managble and means you can afford to pay the staff that are going to have to sift. Of course it can be a huge cash cow - if you don't actually watch the films submitted and staff totally with volunteers and get sponsorship. There are def plenty of scam festivals that will take your money and not even look at your application. Lots of sharp practice around festivals - there are so many festivals now (10,000 at least), getting into a festival if its not a "name" is kind of meaningless. The Doc "Official Rejection" is quite an eye opener: But a small festival without big sponsors and a desire to pay its staff - entry fee's are a viable option. But if I'm considering paying a fee to a festival these days, I'll be doing a lot of research into them to make sure its proper. I also give each paid entry a separate password protected vimeo link - so I can actually check they viewed it. Link to comment Share on other sites More sharing options...
Guest Posted January 1, 2019 Share Posted January 1, 2019 Of course it can be a huge cash cow - if you don't actually watch the films submitted Bingo. R, Link to comment Share on other sites More sharing options...
Guest Posted January 1, 2019 Share Posted January 1, 2019 I wonder how many festivals rejected....Official Rejection? Toronto has to be running one of the biggest scams out there. I have talked to screeners, the "kids" they hire to watch the avalanche of movies, I have been told how they shut movies off after 5 mins, and count that as "viewed." But really, who wants to see a bunch of pretentious art film crap at Toronto or Cannes? Certainly not the mainstream public, who are very far removed from the so called, "festival circuit." It's all such a joke. R, Link to comment Share on other sites More sharing options...
Jon O'Brien Posted January 1, 2019 Share Posted January 1, 2019 Sounds a bit like short story competitions. Does your short story ever get read? Probably - but that first paragraph better be good. Link to comment Share on other sites More sharing options...
Phil Connolly Posted January 1, 2019 Share Posted January 1, 2019 With the bigger festivals I think its less about getting noticed from being viewed by a screener, but more about star power. Festivals want celebs in the films and to attend - that helps them sell tickets and get press coverage. If they screen stuff thats too obscure they may struggle to sell any tickets. So they are going to prioritise films based on the names/saleability - rather then merit. So basically the same as every other form of cinema exhibition. In terms of submissions I think the Whithoutabox and FilmFreeway - have kind of killed festivals. Well in terms of getting an obscure but brilliant indie onto a wider platform. Since they have monetised the process of submitting to festivals. They have also streamlined the process in a way that makes festivals end up with unmanageable numbers of applications. Resulting in the temptation to not do due diligence to the task. I've never had a film of mine selected for a festival screening based on me submitting it through those channels. Although I've had a few good festival screenings of my work. But I always got in via a different way, or having an in with one of the programmers. Link to comment Share on other sites More sharing options...
Guest Posted January 1, 2019 Share Posted January 1, 2019 Although I've had a few good festival screenings of my work. But I always got in via a different way, or having an in with one of the programmers. Yep. R, Link to comment Share on other sites More sharing options...
Paul Bruce Posted January 23, 2019 Author Share Posted January 23, 2019 All films submitted to the Edinburgh Short Film Festival are watched twice by different members of the selection committee, films are picked on merit, creativity, and on how all aspects of the film work together to create a strong work. I can't speak for how other festivals operate so can't comment on whether they all operate with integrity butfrom our point of view, we not only watch all films submitted but also send acknowledgement emails to every submitter, so they are aware their entry has been received and will be assessed.From our perspective it makes no sense not to watch the entries because our aim is to become recognised for strong programming and in order tocurate a strong programme, you need to ensure all the films submitted are assessed.Star name doesn't necessarily assist the film but won't do it any harm, usually a star name is at least a decent actor/actress though! Link to comment Share on other sites More sharing options...
tom lombard Posted January 23, 2019 Share Posted January 23, 2019 I just submitted :) I spent a wonderful couple of weeks in Edinburgh (early 1973?) and it's tops on my list of places I'd pay another visit if it were in the cards for me. Saw Jethro Tull during the Thick As A Brick tour. Link to comment Share on other sites More sharing options...
Paul Bruce Posted January 26, 2019 Author Share Posted January 26, 2019 Thanks Tom, we'll be in touch soon and good luck with your film! Link to comment Share on other sites More sharing options...
Guest Posted January 27, 2019 Share Posted January 27, 2019 Thanks Tom, we'll be in touch soon and good luck with your film! It will go something like this, form letter .PDF via email: Dear Tom, Thank-you so much for your submission to the Edinburgh Short Film Festival. Unfortunately, due to the high volume of work submitted we were unable to find a place for your film in this years festival....... Link to comment Share on other sites More sharing options...
tom lombard Posted January 28, 2019 Share Posted January 28, 2019 Dick - I'll turn 68 in a month. I've had my share of rejections and learned that the only way to avoid them is to stop trying. Grow up and prepare yourself to hear someone else named for that Emmy. If it's your name, good on you. And congrats! Link to comment Share on other sites More sharing options...
Guest Posted January 28, 2019 Share Posted January 28, 2019 Don't call me Dick, Tom. I keep meaning to change my signature. Although I just entered a new production, so maybe I should just leave it. I'm trying to protect people like you from enriching film festivals that have zero desire to program your work. R, Link to comment Share on other sites More sharing options...
tom lombard Posted January 28, 2019 Share Posted January 28, 2019 (edited) Sorry about the name. No offense intended. But I do find it a bit... overly protective? that someone who doesn't know me feels the need to protect me from potentially blowing $15. Yesterday, I spent $200 for a bit of original music for a short. I frequently pick up drink or dinner tabs for past (or potential) cast or crew. I bought a Bolex EL off of eBay for goodness sake. I'll see your Emmy ambition & raise it. Tom Lombard gonna win an Oscar before I'm done Crete, Nebraska https://www.imdb.com/name/nm7638804/ can't embed but... vimeo.com/user88322235 Edited January 28, 2019 by tom lombard Link to comment Share on other sites More sharing options...
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