Jump to content
Daniel Nalladurai

Debating Between a USED Arri Alexa Classic & Sony f65 | Any Thoughts?

Recommended Posts

Wanted to ask any DP's, Production Houses out there whether I should purchase a used Arri Alexa Classic or a used Sony f65? 

Right now, my production company does commercials, corporate shoots (interviews, B-Roll etc.) However, in the next year or two we're planning on shooting fictional work  (shorts and/or features)


Any thoughts?

Share this post

Link to post
Share on other sites

Unless you particularly need 4k, I’d go with the gold standard for fictional work (ze Germans).


The F65 is an incredible camera, and makes terrific images. But it’s not very popular, which makes sourcing accessories/support for it, and finding ACs and colourists who know how to work it, much harder than the alternative. 

  • Like 1

Share this post

Link to post
Share on other sites

A bit off the point.. but you know I would think about getting the new Sony Fx9.. in many ways its a Venice lite... and very very good value for money..   I would think twice about buying a non 4K camera in this day and age.. especially if you shoot corporate .. nearly all 4K now.. mostly for editing sake.. but its requested all the time.. 

Share this post

Link to post
Share on other sites


Its also good to have a smaller camera for those shoots when your own your own. As loverly as the Alexa classic is - its not a camera you can just grab for the run and gun shoots.

I'd agree with Robin the Fx9 looks tasty. Having 4K is useful for corporate work and cameras like the FS7, FX9 can be put to use on fiction shoots as well - they totally hold up

Share this post

Link to post
Share on other sites
Posted (edited)

If you have the support, go for the Alexa. It's so easy to get a nice image out of it. I sold my Scarlet-W for the Classic and while it is heavy and battery hungry, I was adding easyrig, sticks, extra batteries on rentals for RED anyways so no change. Personally, I don't have interest in the new full frame sensor cameras. I love the look of Super-35. If you need 4k you can record 2.8k RAW to Odyssey and upres to UHD. No one will be able to tell a difference.

Edited by Dan Landoni

Share this post

Link to post
Share on other sites

@Dan Landoni that was my initial thought 

Yeah, I already own a Sony Fs5 and output to  Atomos so I’m feeling upgrading to an fx9 might not be worth it

Im trying to go after a filmic look and the alexa/f65 even the f35 (with the CCD sensor) looks the closest to film to me. Especially since with this purchase I’d like to shoot nonfiction and scale up

Share this post

Link to post
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

  • Paralinx LLC

    Broadcast Solutions Inc

    G-Force Grips

    Serious Gear

    Abel Cine

    Metropolis Post

    FJS International

    Wooden Camera

    New Pro Video - New and Used Equipment


    Visual Products


    Tai Audio

    Rig Wheels Passport

    Just Cinema Gear

    Gamma Ray Digital Inc

    Ritter Battery

    Media Blackout - Custom Cables and AKS

    Cinematography Books and Gear
  • Create New...