justinbrown Posted April 19, 2013 Share Posted April 19, 2013 Hi So im shooting a commercial next week, we have a scene where people are gathering outside a church, its in England so the weather will likely be overcast. For the mids and group shots we want to have backlight, unfortunately the location parameters deny us the use of a crane for these lights, so we have to build a 30ft tower to light from as there is a tree in the way. My question, Should i use a full wendy if the budget will allow or 3x 18k's which they've already signed off on. the base of the tower will be about 30ft from the actors and like i said above will be about 30ft high plus stand so around 40ft high. I should probably mention i'd gel the wendy to 1/2 ctb and the hmi's with 1/4-1/2 cto depending on burn colour. Im after the most throw (width) and the most punch, ideally the light that will most look like a convincing sun breaking through the clouds. My gaffer and I have never used the wendy only the HMI so Any Help would be great. Best Justin www.justin-brown.co.uk Link to comment Share on other sites More sharing options...
Stuart Brereton Posted April 20, 2013 Share Posted April 20, 2013 If you want width, go with the 18ks. If you want punch, go with the Wendy, although at only 40ft from your talent, either will do. Link to comment Share on other sites More sharing options...
Guillaume Cottin Posted April 22, 2013 Share Posted April 22, 2013 Hello, Forgive my ignorance, but what is a Wendy? Is it like a big Dino with tungsten PAR bulbs? Link to comment Share on other sites More sharing options...
John Holland Posted April 22, 2013 Share Posted April 22, 2013 I agree with Stuart , i think a Full Wendy at that distance is to much really better much further away . Yes Guillaume its like a Dino but much bigger 196 Fays, invented by David Watkin 'Wendy' was the name electricians at Lee Lighting called him. 1 Link to comment Share on other sites More sharing options...
timHealy Posted April 30, 2013 Share Posted April 30, 2013 (edited) You could do a quarter wendy but I agree with the other boys, a FULL Wendy would be way too close at 30 feet away. I had a chance to work with David on two films and when he used a Wendy, it was on a crane a full long city block away. At least a few hundred feet. There was one scene in a stage I recall, where we used a full wendy as he was looking for a huge depth of field. Maybe 30 or 40 feet away. I can't remember what the f-stop was, but it was up there. Best Tim Edited April 30, 2013 by timHealy Link to comment Share on other sites More sharing options...
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