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Gregory Irwin

Premium Member
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About Gregory Irwin

  • Birthday September 21

Profile Information

  • Occupation
    1st Assistant Camera
  • Location
    Work is based out of Los Angeles but I live elsewhere.
  • My Gear
    Panavision, Arriflex, IMAX, Sony
  • Specialties
    Greg is a veteran first assistant cameraman who specializes in feature film production based in Hollywood, California. His experience spans over 40 years with numerous major studio, feature length motion pictures that are recognized world-wide. He is a member of the International Cinematographers Guild and The Society of Camera Operators.

    In 1989, Greg founded and still leads Latitude 33 Motion Picture Services, LLC that provides motion picture camera technology and related services to the motion picture industry. Clients include Universal Pictures, Warner Bros., Paramount Pictures, Disney, DreamWorks, HBO, CBS, Sony, as well as Panavision, Otto Nemenz, INT and Keslow Camera.

    In 2016, The Society of Camera Operators honored Greg with their Lifetime Achievement Award for extraordinary service as a camera technician. The tribute video can be viewed on the "About Me" tab of this profile.

    Greg is happily married to his beloved wife, Rosie, and has two beautiful daughters, an incredible son-in-law and three wonderful grandchildren.

Contact Methods

  • Website URL
    http://www.imdb.com/name/nm0410389/

Recent Profile Visitors

42,048 profile views
  1. Hi Dom! it’s been a while! About this lens, the asymmetrical vignette is a definite sign of no S16. From my experience of rebuilding 35mm lenses to cover large format sensors, do you think that there is a matte behind the rear element or is it the rear element itself causing the vignette? Also, would there be an iris stop that could be removed to allow the iris to open further to prevent vignetting? Thanks! G
  2. 3 things: 1. Would you take a picture of the rear element? Let’s see what that looks like. 2. Does it vignette all the way through the zoom range or does it begin at a specific focal length? 3. How is the vignetting at wide open? I'm guessing that it’s either the rear element that is the source of the vignette or there is a matte inside of the element that may be possible to remove. G
  3. FOCUS ON CAMERA is the educational opportunity that you’ve been waiting for! FOCUS ON CAMERA is for camera assistants who want to elevate their talents, and for new camera people and students who are breaking into the camera ranks. At FOCUS ON CAMERA, the mission is to elevate the Camera Assistant’s performance and improve the First AC’s focus pulling confidence by offering different philosophies and techniques, while also teaching the necessary business skills for running a successful camera team. FOCUS ON CAMERA’s goal is to expand your knowledge base, increase your earning potential and make you more marketable in any market. www.focusoncamera.com COMING SOON! Stay tuned for future updates!
  4. FOCUS ON CAMERA is the educational opportunity that you’ve been waiting for! FOCUS ON CAMERA is for camera assistants who want to elevate their talents, and for new camera people and students who are breaking into the camera ranks. At FOCUS ON CAMERA, the mission is to elevate the Camera Assistant’s performance and improve the First AC’s focus pulling confidence by offering different philosophies and techniques, while also teaching the necessary business skills for running a successful camera team. FOCUS ON CAMERA’s goal is to expand your knowledge base, increase your earning potential and make you more marketable in any market. www.focusoncamera.com COMING SOON! Stay tuned for future updates!
  5. FOCUS ON CAMERA is the educational opportunity that you’ve been waiting for! FOCUS ON CAMERA is for camera assistants who want to elevate their talents, and for new camera people and students who are breaking into the camera ranks. At FOCUS ON CAMERA, the mission is to elevate the Camera Assistant’s performance and improve the First AC’s focus pulling confidence by offering different philosophies and techniques, while also teaching the necessary business skills for running a successful camera team. FOCUS ON CAMERA’s goal is to expand your knowledge base, increase your earning potential and make you more marketable in any market. www.focusoncamera.com COMING SOON! Stay tuned for future updates!
  6. Thank you Stewart. I have a very good team to lead. That makes my job easy! G
  7. Hello all! I would like to share this recent interview I did for the Cinematography Podcast on how I run the business of my camera department with regard's to the Studio, producers and the filmmakers (director and cinematographer). The actual interview begins just before the 12 minute mark. Enjoy!
  8. I had completely forgotten that Derek was there as well! That movie employed a lot of guys! ??‍♂️
  9. I did To Live and Die in LA Rules of Engagement Bluechips and one that never got released and I can’t remember the name of it. He truly relied on the camera department but also had very high expectations and never gave us a break. He had zero tolerance for someone not paying attention or doing their job at the highest level. He had this thing about calling “Action”. He would never say it so it was always a guessing game as to when to roll the camera. We worked under extreme pressure. That’s for sure!! G
  10. I did four pictures with Billy. He was a one of a kind to be sure. Great director and very disciplined. He was tough on everyone! G
  11. Thanks Travis! I grew up right next to you in PV. Good to hear that my old stomping grounds are still good. G
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