Assuming that you are finishing digitally, whoever telecines your footage should easily be able to bring your image back to normal levels. I accidentally overexposed some 5217 by 4 or 5 stops and then had it pulled one stop. The telecine guy had no problem bringing the image back. Kodak stock is very forgiving. You probably don't even need to pull it. The most I think they can actually pull is 1.5 stops, maybe close to 2. At least that is what Deluxe LA told me. So, I just went ahead with one leaving 3-4 stops of overexposure for the colorist to deal with. He had to tone down the colors a bit because they were very saturated, especially the reds.
Here is a frame grab to give you a reference. There was a retro vibe to this shoot and we used the old Schneiders. So the glass yielded a softer image to begin with.