Matthias Greving

Sold!

Hi everybody, I am searching for a Arri Loc Pro 35, if possible in Europe. Missed the last one here... So please write me a PM! Best Matthias

Hi there, the SR3 Kit is sold but many parts are still available:

Lot's of great film gear for sale. Everything is well maintained!! Please make an offer and send me a PM! Click here for pictures: https://www.zonerama.com/Link/Album/5045829 ARRI MCL 4 - Timecode machine SN: 32 ARRI S-3 Shoulder Rig, Geweih ARRI Heated eyecup HE 3 ARRI Frenchflag 4x4 ARRI ARRI Timecode cable BNC (AUDIO) to Fischer (KAMERA) Cases and adaptors (lens rings for matte boxes) Chrosziel Follow Focus Checked and serviced Follow Focus for 15mm rods, with handles/wheels on both sides, one can be removed if not needed. Chrosziel Matte Box – 15mm rods with Frenchflag, one fixed, one filter stage fixe, one rotating, swing-away, 15mm rods NORRIS Intervalometer ARRI SR3 Complete set for stop motion or special effects photography with ARRI SR 3 cameras. These intervalometers are hard to find. Took me two years to get one. But since I only used it on very few projects it is time to sell it. This Intervalometer kit comes with motors for Arri SR's as well as the large capping shutter with 15mm rod mount to prevent any light pollution/fogging on your film. Includes: SCC-300 Time-lapse Controller Motor For Arri SR (1,2, Or 3) 24V 3 Pin to 4 Pin Power Cable 12V 4 Pin to 4 Pin Power Cable Controller/Remote Cable Case Sachtler tripod (100mm), Video 18 III head It's in good shape, works absolutely smooth and is ready to shoot.

This perfect kit is still available. Asking 10.000 Euro for the whole 3PERF and 4PERF equipment. Camera is serviced and setup for 3PERF.

Germany

Canon Zoom Super 16 SC15x11 T2.5 11-165mm Checked and serviced zoom with normal wear but really perfect glass. Privately owned! It’s the most versatile Super16 zoom I have ever worked with, one of the best ever made for Super 16. It's not a converted lens, it was properly designed for Super 16. It’s really sharp! Can be used in crop-mode on all the new digital cameras as well. Please make an offer!

ARRI 535B - 3perf + 4perf – Complete Kit This set runs perfectly and has been checked and serviced by Georg Bogner (Munich). At the moment the 3-perf-movement is installed. But the set also includes a 4-perf-movement as well. FEATURES OF THE ARRI 535 • Silent Sound Sync camera (under 24 db). • In-camera ARRI Glow for 9 formats (there is no need to physically change the glow mask. It can be done easily in-camera using the CCU-1). • Electronic shutter. The camera uses an electronic shutter and can be programmed to ramp up or down. • Speed ramping from 3fps to 50fps with individual steps of 0.001 frame. The exposure will stay constant as it is being compensated for by the electronic shutter. • Shutter ramping from 11 to 180 degrees. Ramping can be programmed or changed during the shot. • Beam splitter: Options are 10/90, 90/10 or 50/50. The 535 is the only ARRI camera that offers a 50/50 beam splitter. • SMPTE Timecode and ARRI time code system (timecode module is included in this auction). • Swingover Viewfinder System and In-Camera Contrast Filter Kit includes: ARRI ARRI 535 B with IVS (PAL), Tophandle etc. SN 5164 ARRI 3perf movement (mounted) SN 3P97 ARRI 4perf movement (additional) ARRI 2 120m Magazine M-11 with Case SN 4857 + 5161 ARRI 2 300m Magazine M-10 with Case SN 8812 + 9168 ARRI 2 Steadycam-Magazines 122m LM 1 SN 6202 + 6084 And further accessories: ARRI SCU-1 ARRI VCU-1 ARRI groundglass 1.78, ARRI GLOW ARRI groundglass 2.35, ARRI GLOW ARRI Viewfinder Extension FE-3 SN 1064 ARRI Timecode TC Cabel XLR Fischer ARRI Raincape ARRI CCU-1 Computer Control Unit ARRI CCU-Cable 30m ARRI Eyepiece Leveller EL-3 ARRI CCU cable short more cable for SCU and Antiflicker ARRI RCU-1 Remote Control Unite ARRI RCU Cable ARRI RCU Manual ARRI PL Port Cap ARRI 535 Flight Case Please check the pictures and make an offer: https://www.zonerama.com/Link/Album/5125762

Lot's of great film gear for sale. Everything is well maintained!! Please make an offer and send me a PM! Click here for pictures: https://www.zonerama.com/Link/Album/5045829 ARRI SR 3 Refurbished – Complete Kit This camera has been used by Michael Ballhaus for teaching at the Munich Film School until I bought it in 2011. It was then fully refurbished and repainted by former ARRI technician Georg Bogner. This kit runs perfectly and has been serviced since at least once a year by Georg Bogner. I am only selling this because I have a second kit! Set includes: - ARRI SR 3 Super 16 with lightmeter + timecode (SN: 1634) - ARRI IVS (PAL) - 4 SR 3 Timecode 122m Magazines (SN: 1484, 1322, 3502, 1307) - Metal cases for all parts And further accessories: ARRI Viewfinder Extension FE-2 SN:1423 ARRI Eyepiece Leveller EL 3 + mounting plate for tripod ARRI Battery plug-on adaptor ARRI MCL 4 - Timecode machine SN: 32 ARRI ESU-1 - External Sync Unit Bildschirm-Sync, alle Kabel, Bedienungsanleitung NN 7" Videomonitor with ARRI plugs ARRI S-3 Shoulder Rig, Geweih ARRI VSU 4, Variable Speed Unit SN: 1114 ARRI Heated eyecup HE 3 ARRI SR 3 Raincape ARRI LWS 15mm rods, with two extensions ARRI Viewfinder Extension FE-4 SN: 1324 ARRI ARRI studio matte box 4x4 / 4x5.65 with sideflags, frenchflag, two rotating filter stage, 19mm rods, custom made. Filters can be positioned either vertically or horizontally. It is well suited to most prime lenses and smaller zooms. ARRI Frenchflag 4x4 ARRI / NN Leather Blimp for 122m magazine ARRI DC DC Converter 24V 12V ARRI Battery plug on adaptor ARRI power distributor ZV4 ARRI 2 Plug on batteries, need to be recelled ARRI Standard charger ARRI Power cable with XLR/Fisher plugs ARRI groundglass 1.33 / 1.66 ARRI groundglass 1.78 / HD (maximum area!) ARRI groundglass 1:2.35 (custom made, maximum area) ARRI ARRI Timecode cable BNC (AUDIO) to Fischer (KAMERA) Many more accessories are available. Please check the pictures and make an offer: https://www.zonerama.com/Link/Album/5045829 ARRI 535B - 3perf + 4perf – Complete Kit This set runs perfectly and has been checked and serviced by Georg Bogner (Munich). At the moment the 3-perf-movement is installed. But the set also includes a 4-perf-movement as well. FEATURES OF THE ARRI 535 • Silent Sound Sync camera (under 24 db). • In-camera ARRI Glow for 9 formats (there is no need to physically change the glow mask. It can be done easily in-camera using the CCU-1). • Electronic shutter. The camera uses an electronic shutter and can be programmed to ramp up or down. • Speed ramping from 3fps to 50fps with individual steps of 0.001 frame. The exposure will stay constant as it is being compensated for by the electronic shutter. • Shutter ramping from 11 to 180 degrees. Ramping can be programmed or changed during the shot. • Beam splitter: Options are 10/90, 90/10 or 50/50. The 535 is the only ARRI camera that offers a 50/50 beam splitter. • SMPTE Timecode and ARRI time code system (timecode module is included in this auction). • Swingover Viewfinder System and In-Camera Contrast Filter Kit includes: ARRI ARRI 535 B with IVS (PAL), Tophandle etc. SN 5164 ARRI 3perf movement (mounted) SN 3P97 ARRI 4perf movement (additional) ARRI 2 120m Magazine M-11 with Case SN 4857 + 5161 ARRI 2 300m Magazine M-10 with Case SN 8812 + 9168 ARRI 2 Steadycam-Magazines 122m LM 1 SN 6202 + 6084 And further accessories: ARRI SCU-1 ARRI VCU-1 ARRI groundglass 1.78, ARRI GLOW ARRI groundglass 2.35, ARRI GLOW ARRI Viewfinder Extension FE-3 SN 1064 ARRI Timecode TC Cabel XLR Fischer ARRI Raincape ARRI CCU-1 Computer Control Unit ARRI CCU-Cable 30m ARRI Eyepiece Leveller EL-3 ARRI CCU cable short more cable for SCU and Antiflicker ARRI RCU-1 Remote Control Unite ARRI RCU Cable ARRI RCU Manual ARRI PL Port Cap ARRI 535 Flight Case Many more accessories are available. Please check the pictures and make an offer: https://www.zonerama.com/Link/Album/5045829 Canon Zoom Super 16 SC15x11 T2.5 11-165mm Checked and serviced zoom with normal wear but really perfect glass. It’s the most versatile Super16 zoom I have ever worked with, one of the best ever made for Super 16. It's not a converted lens, it was properly designed for Super 16. It’s really sharp! Can be used in crop-mode on all the digital cameras as well. Many more accessories are available. Please check the pictures and make an offer: https://www.zonerama.com/Link/Album/5045829 Chrosziel Follow Focus Checked and serviced Follow Focus for 15mm rods, with handles/wheels on both sides, One can be removed if not needed. Many more accessories are available. Please check the pictures and make an offer: https://www.zonerama.com/Link/Album/5045829 Chrosziel Matte Box – 15mm rods with Frenchflag, one fixed, one filter stage fixe, one rotating, swing-away, 15mm rods Many more accessories are available. Please check the pictures and make an offer: https://www.zonerama.com/Link/Album/5045829 NORRIS Intervalometer ARRI SR3 Complete set for stop motion or special effects photography with ARRI SR 3 cameras. These intervalometers are hard to find. Took me two years to get one. But since I only used it on very few projects it is time to sell it. This Intervalometer kit comes with motors for Arri SR's as well as the large capping shutter with 15mm rod mount to prevent any light pollution/fogging on your film. Includes: SCC-300 Time-lapse Controller Motor For Arri SR (1,2, Or 3) 24V 3 Pin to 4 Pin Power Cable 12V 4 Pin to 4 Pin Power Cable Controller/Remote Cable Case Many more accessories are available. Please check the pictures and make an offer: https://www.zonerama.com/Link/Album/5045829 Sachtler tripod (100mm), Video 18 III head It's in good shape, works absolutely smooth and is ready to shoot. Many more accessories are available. Please check the pictures and make an offer: https://www.zonerama.com/Link/Album/5045829 Many more accessories are available. Please check the pictures and make an offer:

ARRI Munich still has the machine to process 65mm at least in colour. But only as special order. Just send them a mail to find out.

Orwo would be able to cut a masterroll of UN54 or UN74 to 65mm but you still need someone that perforates the stock. Arri in Munich, Germany is still capable of processing 65 / 70mm.

Hi guys, I am searching for well stored rolls of 7231 and 5231 - 400ft length preferred. Maybe there are some... Just send me a PM. Thank you in advance, Matthias

Hi Daniel, you got PM.

One company doing conversions is http://www.arandafilm.com.au. But there are still more out there.

I am still searching for it... The C.E. intervalometer does not work with SR3 cameras (info by C.E.).

Dear Evan, I am really thrilled - This is the way I would prefer to see so many other music videos being shot. 35 + 65 and real black and white combined for a fresh look, stimulating the wonderful storytelling... That's great! Thank you for sharing!

Hi, I am searching for a used intervalometer which can be connected to ARRI SR2 or SR3 cameras. Please contact me via PM. Thanks a lot in advance. Matthias

I would recommend AVP Video Transfer in Munich or TF Nova in Wiesbaden. AVP ist maybe the only company in the world capable of transferring Kodachrome properly to digital files. Here is the website: http://www.avp-vt.de/ If you have any questions about that topic feel free to contact me. I am based in Germany.

Hi everyone, I am looking for a 2-perf converted camera. It could be a Arri 2C, BL or a Cameflex. The camera must provide 25 frames / sec and should be in good working condition. No matter if it is MOS or sync-sound. That's it. Thanks in advance, Matthias

Another possibility is Trick Wilk GmbH in Berlin, Germany: http://www.trickwilk.de/trickWILK.de/HOME.html

A kinetta Scanner would be nice - 3.3K of resolution - Perfect to capture all the information. HD telecine isn't enough for that. I will try a 4K Super16 scan of V3 50D this month. Does anyone know a company in Europe which purchased a new Kinetta scanner?

There is a lot of color reversal film available. Just take a look at www.wittner-kinotechnik.de for example. And other stocks will be available in the future.

The pictures are soo! beautiful. I love the colors of the 100D!! If you shoot Super16 250D is the best stock for DI. It is perfect for nearly every condition. I never used it in Super8 because of the 200T being cheaper and easier to get here in Germany. Just finished a short movie with 250D (interiors) and 200T (exteriors, night) on Super16 and it looks awesome.

I did a some weddings in the past and I only used 100D once. It did not run smoothly through my Canon 1014 XL-S so I never used it for a wedding shot again. 200T, 500T and now 50D are perfect for Super8. Wittner in Hamburg, Germany is preparing to release a "new" color reversal film in 2013 in addition to the stocks mentioned above.

imdb says: Arricam LT, Zeiss Master Prime Lenses Arricam ST, Zeiss Master Prime Lenses Phantom HD Camera, Zeiss Master Prime Lenses (high-speed shots) And I know they had 35mm dailies / rushes.