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David Hessel

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  1. SONY SRW-9000PL with all three optional upgrade boards (HKSR-9001 / 9002 / 9003) and PL lens mount transforms this camera into an ENG-style Sony F35. This camera has the exact same sensor and image as the F35, only better portability as the interface box, shoulder mount, and HDCAM-SR recorder are all built into the body on the SRW-9000PL. - Super 35mm-sized CCD (Global shutter) - PL Lens Mount - 1080p - 24p, 25p, 29.97p, 50p - 10 bit 4:4:4 - S-Log/S-Gamut Color Space - ISO 800 Mode Gamma Curve - HD-SDI Output (dual link or 3G for use with an external recorder) Includes:
  2. Bridge plate sold but rods and dovetail still available. Dovetail $300 OBO Rods $120 OBO
  3. Location: Colorado Use ARRI's BP-8 Bridge Plate Kit to balance your camera and to support 19mm rod-based accessories. The kit consists of the BP-8 sled, a 12" bottom dovetail plate, and a 17" pair of 19mm support rods. Directly compatible with the ARRI ALEXA Studio, the Sony F65, and the Phantom Flex4K, the BP-8 Kit can be adapted for use with the ARRI ALEXA Mini, AMIRA, and many third-party cameras (adapters available separately). ARRI Bottom Dovetail Plate (12") This 12" Bottom Dovetail Plate from ARRI is used with a sliding bridge plate or sled to balance your camera rig. To pre
  4. I am unable to edit the post but the Arri-BP8 base plate was mistakenly added to this listing, it is available but not included at the listed price. Thanks.
  5. SONY SRW-9000PL with all three optional upgrade boards (HKSR-9001 / 9002 / 9003) and PL lens mount transforms this camera into an ENG-style Sony F35. This camera has the exact same sensor and image as the F35, only better portability as the interface box, shoulder mount, and HDCAM-SR recorder are all built into the body on the SRW-9000PL.- Super 35mm-sized CCD (Global shutter)- PL Lens Mount- 1080p- 24p, 25p, 29.97p, 50p, 60p- 10 bit 4:4:4- S-Gamut Color Space- ISO 800 Mode Gamma Curve- HD-SDI OutputIncludes:- HKSR-9001 (HD-SDI Expansion Board)- HKSR-9002 (Picture Cache Expansion Board)- HKSR-
  6. Sony SRW 9000 PL with all option boards and AC power supply Sony HDVF C30WR 19mm Arri BP-8 Baseplate with Rods 2 x Sony SRW-1/SRPC-1 (one set is fully fuctional the other set has a SRPC has a nvram 0103 error, it still works for playback and capture the only issue I have noticed is that remote deck control from a PC comes and goes about once a second, both SRW-1 decks are fully functional) Flight Case for 9000PL Flight Case for SRW-1 Kona 3g sdi capture card with breakout cable 13 x 33 minute HDCAM-SR tapes You can capture directly from the camera but I choose to use the SRW
  7. For sale is a Lomo Foton Anamophic Squarefront Zoom focal length of 37-140mm in PL mount that was serviced a year and a half ago by Olex Camera and has seen little use since. Also included is a Lomo 0.8M diopter. Located in the US. Glass is clean and clear with only minor blemishes, nothing out of the ordinary or unusual for a lens of this age, overall it is in very good condition. Thanks. https://imgur.com/a/osr8xq1 $6000 OBO
  8. No they are the same. The micro 4/3 may have less light coming in overall but it has the same amount of light relative to the surface area of the sensor as the full frame setup. Another way to look at it is the F stop is the density of light produced by the lens, different lenses on different formats may have different amounts of light coming in but the denisty of light at the sensor/film plane is the same if the F stop of the lenses have is the same.
  9. The taking lens for the Iscorama is meant to be at infnity always so it is set to Infinity focus with no focus ring. There is no point in having a focus ring on this lens since the the focusing is all handled via the anamorphic front. If it is not focusing at infinity then either your camera/mount adapter is out of spec or the lens needs to be collimated. The thing is anamorphic lenses like these require proper collimation, the anamorphic front and taking lens must be focusing in synch to get a sharp image. The front anamorphic block is set to infinity and is focused using a variable strength
  10. First if you convert 12 bit to 10 bits you end up with 10 bits of data. The bit depth determines the number of values a color channel can store so 12 bit has 4096 possilbe values and 10 bit has 1024 possible values regardless of whether it is log or not. The logic for storing visual data in a log curve, as I understand it, is the eye doesn't respond to increasing brightness of light in a linear way. Roughly speaking an object that has 4x times more light hiting it will only appeear to be about 2x as bright. So as the visual brightness of an object increases it takes more and more change i
  11. As an owner of a 9000PL, I can confirm that the SRW 9000PL does have slog/sgamut. It has the same sensor and therefore pretty much the same capabilities as the F35. It has some advantages like a better form factor for shouldering. It is much smaller, lighter and less power hungry compared to the F23 or F35 when paired with the SRW-1. It has 3g sdi out so you have more options for external recorders since you don't have to use dual link. Really the onlly downsides are you loose the 12bit and while being smaller than the F35 with the SRW-1 it is larger than the F35 without. There are some other
  12. Check out Olex services webpage, he services lenses in the Ukraine and specializes in Limo lenses including anamorphic. I believe he has diagrams for just about every lomo anamorphic lens ever made in his site.
  13. First of all the amount of data for 16 bit is 65535 values per channel regardless of whether it is raw or not. Technicallly 16 bit 4:4:4 has more data since it has 3 channels per pixel (RGB) where raw only has 1, making it 3x smaller. I order to grade raw footage it would be debayered into 16 bit 4:4:4 making it identical to uncompressed with everything else being equal. 1.) As stated above they contain the same number of data points. 2.) In a way yes, that is what you do when you grade footage. If your footage has a high dynamic range and you are displaying in on a with dynamic rang
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