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Kevin Ross

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  1. The Arri Alexa Plus 4:3 (K1.71150.0) is like the standard Alexa Plus, but has a 4:3 Super 35 sensor ideal for using anamorphic lenses. The full area of the sensor is used and a much higher image quality retained - the magic that anamorphic lenses provide is rendered faithfully and fully in the digital image. This can also be used in 16:9 mode just like any Alexa, so it's versatile even if you're not using anamorphic. This has the exceptional film-like organic image the Alexas are known for with extended clean highlights, low noise floor, natural skin tones, excellent color separation, and cine
  2. This is a media package for the Arri Alexa XT and Arri Alexa Plus 4:3 w/ XR module upgrade. It consists of the CDX-75002 dual drive reader (dock), 2x CDX-3730 512GB capture drives, Atto ThunderLink TLSH-1068-D00 Thunderbolt to 6Gb SAS/SATA Host, power supplies, and appropriate cabling. Each Codex CDX-3730 provides 512GB (480GB usable) of solid-state storage for your Alexa XT or Plus XR. Use of the Codex drives instead of a Cfast / SxS adapter allows internal ARRIRAW and unlocks maximum frame rates, resolutions, and recording times available for the camera. The Codex CDX-75002 is a
  3. Priced at $5,995. The Service Vision Scorpio Focus is an ultra high quality wireless digital cinema lens control system for Focus, Iris, and Zoom - i.e. FIZ. The hand unit can be connected to the motor driver box wirelessly (most common application) or wired. The motor driver box then is wired to the motors to control the lens. The hand unit has a focus wheel that can accept marking discs, iris slider with marking strip, and zoom potentiometer micro knob for iris - though any control can be assigned to focus, iris, or zoom as desired. The information display shows menu items, speed, total
  4. I forgot to put the pricing. . .selling for $2,925 which I believe is a fair price (based on what's included and the condition as described in detail in the listing).
  5. The C.E. CineTape is a ultrasonic measuring system range finder that continuously calculates the distance between the subject and the camera's film plane. Focusing is simplified, saving time and reducing production costs. Compatible with all lenses and cameras (with appropriate power cable). The sensor assembly has two horns that are connected to the measure control to calculate distance in either imperial or metric. A laser pen can be attached to the sensor assembly to help aim during calibration. The sensor has a threaded pan/tilt mount to attach to your rig. A simple offset adjustment progr
  6. I have the following cinema lenses for sale. Please contact for additional information regarding condition, pictures, questions, etc. Arri LDS Ultra Prime 40mm T1.9 PL lens - $9,449 Arri LDS Ultra Prime 100mm T1.9 PL lens - $8,625 Arri Ultra Prime 20mm T1.9 PL lens - $9,695 Arri Ultra Prime 85mm T1.9 PL lens - $9,295 Arri Ultra Prime 180mm T1.9 PL lens - $8,995 Cooke S4 100mm T2.0 PL lens - $7,500 Cooke S4 135mm T2.0 PL lens - $7,500 Zeiss CP.3 XD 15mm T2.9 PL mount cine lens (eXtended Data technology) - $4,745
  7. The Arri Alexa Plus 4:3 (K1.71150.0) is like the standard Alexa Plus, but has a 4:3 Super 35 sensor ideal for using anamorphic lenses. The full area of the sensor is used and a much higher image quality retained - the magic that anamorphic lenses provide is rendered faithfully and fully in the digital image. This can also be used in 16:9 mode just like any Alexa, so it's versatile even if you're not using anamorphic. This has the exceptional film-like organic image the Alexas are known for with extended clean highlights, low noise floor, natural skin tones, excellent color separation, and cine
  8. This is the Steadicam Zephyr Arm for the Steadicam Zephyr camera stabilizer system. It's a great arm for a running rig, as it will support quite a lot of weight but is very light itself, yet very smooth (especially for its weight). Its armpost natively fits Zephyr, Flyer, Scout, and Pilot Rigs. Also appears to be the same as the A-30 arm included with the Aero 30. But with an easy to make armpost adapter it will carry bigger rigs too. You could also possibly use it to support other stabilizers, like gimbals from the vest or a hardmount. For example, using one section of the arm with a Movi. No
  9. The OConnor Ultimate 2065 is a 150mm ball base fluid tripod head for high payload cinematography applications. Can hold up to a staggering 71lb while only weighing 22.9lb. Features include convenient controls located on the operator side, twin platform scales, single touch platform release lever, sinusoidal counterbalance, stepless pan and tilt drag, tilt range of +90° / -90°, and 4 handle rosetts (for right/left operation as well as front/rear moutning). This also includes a large European Quick release camera mounting plate - ideal for camera balancing and rapid mounting/dismounting for larg
  10. This is for a full set of 5 Carl Zeiss Super Speed (high speed) lenses. All had mechanical overhaul / rebuild (disassemble, clean, lubricate, adjust) by AbelCine in 2012. All show cosmetic paint wear and brassing to various degrees, which of course is typical on lenses of this age. Sold “as is” without warranty, but will provide one week inspection period to buyer so they can make sure they are satisfied with purchase. Priced at $19,750 for the set. Prefer selling at package, but feel free to make offer for individual lenses if interested. If you want more close-up pictures of each lens, just
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