Stephen Perera

I thought Mark had done the tests with Cinelab London??

No problem.....so it will take just one major director/DP to use it in a big film and it will start selling 'properly' I assume.....

no worries thats sufficient and thanks for your time Im sure many people here will find this interesting.....

well I think it looks great - notwithstanding the way YouTube tries to 'correct' film grain etc - it bodes well that we have an alternative to Kodak out there albeit I can only go to 16mm format (one man band) thus this test for me is simply my subjective appreciation.....perhaps you could make the footage available or visible in a way that none of these platforms screw with it? Vimeo perhaps?

would be great if anyone have any more photos or whatever to add to this thread of perhaps stuff they have done themselves...thanks to everyone for the message much obliged

now I see how its done physically thank you very much

I have no idea nor can imagine anything of what you have just said hahaha...but I am sure its accurate and correct and I thank you for your message

...and this is when making the contact print to project right? so like colour grading before computers.....

Hi all, obviously, as a 'nobody' in this world my experience in motion picture film is simply that it's scanned once processed for me......in stills I shoot, process film and print myself in the darkroom if I want or else scan the negatives but I really dont know much about what the 'printer lights' system, can someone give us the definitive 'printer lights' for dummies guide in this thread complete with images or videos or whatever? Is it kind of like printing colour in the darkroom where you adjust the RGB 'filters' on the enlarger...for example, setting it at 70 yellow, 50 magenta and 0 cyan.

Cinelab have an Arriscan yes.....

hey Mark great you're not pissed off I posted this for you in here haha thanks man. Also glad Cinelab is your lab with Sonji, Aarti and the gang doing their thing for you.

interesting! anyway I don't know if Mark Wiggins is in this forum...would be great to have him come on. As for price (in 16mm) it's ball park Vision3 500T so....but the texture looks great in that clip he posted

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Hi all, came across this. I hope Mark is around and he can share more interesting facts etc

It's a great idea to record the camera rolling.....ingenious really for us down here at the one man band end of things!