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Pavan Deep

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Pavan Deep last won the day on November 23 2016

Pavan Deep had the most liked content!

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About Pavan Deep

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    A-Cam Reflex & Eclair ACL II Super 16
  • Specialties
    lecturing, writing, script editing, cinematography

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  1. The BBC has increased it's programmes on their i-player and one of the shows they have put on is Spooks which ran from 2002-2011 [I think]. After watching it I can see why Super 16 has become popular again,, the entire series was shot on Super 16, I’m not sure if it was post-produced in SD or HD, it’s a lot grainier than I remember it, but when I originally watched it in the early 2000’s I didn’t have a huge 4k television, some like me like grain, others hate grain, grain is very subjective. I recall that this was the show that the BBC used in autumn 2005 when they announced BBC HD. Spooks was used to showcase how good HD was going to be, at the same time the BBC also said that Super 16 wasn’t suited to HD, but they didn't like to mention that the show that looked amazing in HD was actually shot on Super 16 the very format they were 'retiring' saying was not good enough for HD. Watching Spooks now, I feel the photography is still excellent, it’s fresh and holds up really very well, it doesn’t look tired, dated or aged. Pav
  2. I am sure this has been said here, recently Super 16 has become very popular; there aren’t many decent Super 16 cameras out there which is probably why the Arri SR2’s SR3’s and 416’s have become quite pricey as have the Aaton Super 16 cameras. You might be able to get the older Eclair NPR or the ACL that have been converted to Super 16, or some Super 16 Bolex cameras, other than that there isn’t really an affordable Super 16 camera option. There are, however plenty of standard 16mm cameras from sophisticated ones to very basic ones that are very affordable, but with any standard 16mm camera you’ll have to crop the image and naturally that will mean some loss in image resolution, though with modern stocks it’s not really a problem. Pav
  3. I use an ACL, I have never used filters, I just keep it taped up.
  4. I need an WTB Arri SR2/3 or Aaton XTR/LTR S16 fiber screen/ground glass for a reflex conversion project. Thanks Pav
  5. It has been gone a while but I hope it comes back as it was very helpful. Pav
  6. It easy always easy to follow the current trends and just accept other peoples truths without exploring realities. We need to look at things in context, we can't simply say that film is too expensive and digital is cheap, we can't really compare the costs of film verses digital, it's not that simple, there are so many variables. When we look at costs in film making in most cases the technology used is only a small fraction of the entire budget, labour both on and off screen is almost always the most costly aspect in most films. Pav
  7. In believe Kodak's main business has always been manufacturing film, they made cameras, but other manufacturers made better cameras, most would agree that they made and still make the best film stocks. I don't agree that it would be impossible to make a camera system that used a cartridge like the old 50ft 16mm magazine cameras used. In fact only recently I started using these old cameras and old magazines loaded with modern single perf, there's lots of these cameras about and they are cheap. The results have been excellent and using these camera has been fun. The beauty of these cameras is they are small, ideal for the individual, lone filmmaker, most accept c mount lenses, so we can use those Switars lenses, most also seem to run at a variety of speeds from single frame, 16fps, 24fps, 32fps and even 64fps. The downside is they are old and may not work properly, they are noisy, most if not all are purely mechanical and are spring wound, but these issues can be solved. However they only accept 50ft lengths of 16mm giving about 1 minute at 24fps. Pav
  8. Hi I am looking for an Arri SR1 magazine? I know the SR 2 & 3 cameras can use the same magazines. Are the SR1 magazines different? Pav
  9. Almost all home movies were shot at 16fps, as it was the standard speed in the silent era of the 1920's, when cameras were hand cranked I think two turns indicated 16fps and cameras that had spring motors were set to 16fps. When playing footage that was shot at 16fps on 24fps naturally it will be fast. Virtually all amateur cameras were set to 16fps, but during the 1930's some amateur cameras started to feature 24fps as well as other higher speeds of 32fps, 48fps and 64fps. 18 fps was only introduced with Super 8, it was the slowest speed [so less film was used] that was capable of producing acceptable sound, a lot of Super 8 sound cameras only run at 18fps, in fact as far as I know Kodak never made a Super 8 sound camera that runs at 24fps. Pav
  10. I agree and think cropping is the only thing to do here, I am not sure what software is available to remove that, especially if it's on every frame. As said there's no scratching just a dirty gate, the gate should be cleaned before and after every roll of film, as said it's all about cleanliness. I saw the film 'My week with Marylin' set in the '50's about Marylin Monroe and Lawrence Olivier where they're making the film 'The Prince and the Showgirl', the film crew seem to be c leaning the gate before every take. Pav
  11. I thought it was a rule for everyone to use their full names on this forum Pav
  12. Off the top of my head Theeb 2014 Suffragette 2015 The Wall 2017 Mother 2018 Pav
  13. This is very good, I'm looking forward to the feature. The mood and style reminds me of some unique and lesser known Indian filmmakers like Mani Kaul and Kumar Shahani. Pav
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