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Everything posted by Uli Meyer
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Logmar working on new 15 perf 65mm film camera
Uli Meyer replied to John Shell's topic in General Discussion
Hi Aapo, maybe more people would buy your products if they knew about them. An Arri S crystal sync motor would interest me too and many of the other Arri S owners I'm sure, as long as they are aware that they exist. -
Logmar working on new 15 perf 65mm film camera
Uli Meyer replied to John Shell's topic in General Discussion
Aapo, do you have a website showing your products? -
Which manual Mini Follow Focus works with Zeiss Standard Speeds on an Arriflex 235? It needs to reach far enough to the right to grip the focus ring and must be narrow enough not to touch the front aperture ring. None of mine fit apart from the big studio FF 3 which is too heavy for handheld operation.
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Identifying Zeiss Standard Speeds Mk. I vs Mk. II
Uli Meyer replied to Vincent Paul Tan's topic in Lenses & Lens Accessories
One is a later model as you can see by the serial number on the front insde ring. Both are 16mm Arri S mount. -
Identifying Zeiss Standard Speeds Mk. I vs Mk. II
Uli Meyer replied to Vincent Paul Tan's topic in Lenses & Lens Accessories
Isn't that a 16mm lens? -
WTB Rear element for Zeiss Standard Speed 2/50
Uli Meyer replied to Uli Meyer's topic in Cine Marketplace
DM sent. -
Identifying Zeiss Standard Speeds Mk. I vs Mk. II
Uli Meyer replied to Vincent Paul Tan's topic in Lenses & Lens Accessories
Here you can find invaluable info: http://cinematechnic.com/optics/arri_zeiss_standard_prime_f2_t21/ -
As Luca has noted, this is the correct GG number. I've revised it in my first reply! Enjoy your shoot ?
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You can shoot Super 35 4perf with the GroundGlass K2.54083.0 Number 1 on the attached pdf. 2-7-0-ground-glasses-and-masks-ansi-super-35-formats-data.pdf
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Looking for a rear element for a Zeiss Standard Speed Planar 2/50 Cine lens for 35mm to replace this damaged one. A long shot but you’ll never know.
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Thank you Tim for bringing the home page back! Much appreciated by myself and hopefully the rest of the members. Best wishes, Uli
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I liked the idea of having the column on the left with people contributing to the forums and discussing subjects and the other column on the right with all the new market place items. This gave you a clear overview and is what I presume most people are interested in. It is now relegated to one narrow side bar. Can I suggest to go back to the Home page layout and eliminate the main stories and make the left and right columns taller? Or have the ad links at the top? Your decision of course, this is just a suggestion.
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Both lenses are like-new and have only ever been used by me personally, never loaned or with a crew. Mostly the 25mm and that only a handful of times shooting my 35mm home movies. They are in great condition optically and cosmetically like new. They come with a custom made insert in a Peli 1400 case. I'm building a vintage Zeiss Standard Speed set and decided to let these go. Price is £4800 excl. VAT. Will supply VAT invoice to UK buyers. For EU and international buyers there is no VAT, but you will have to pay for shipping and your country's import charges and customs fees.
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I've contacted Tim Tyler but have not heard back yet. I still can't see the home page.
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For some reason I cannot see the home page. When I open Cinematography.com I land on the Forums page and can't change to Home. Anyone else experiencing the same?
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Can you convert an Arriflex 16S to a 16S/B?
Uli Meyer replied to Neal Levendel's topic in General Discussion
Sell your 16S and buy an S/B. Serial numbers above 10000 usually have one B-mount. -
movies that talk about film making
Uli Meyer replied to Abdul Rahman Jamous's topic in On Screen / Reviews & Observations
'The Player' 1992 Robert Altman -
Arriflex 2C 2perf conversion by Daniil Nevsky
Uli Meyer replied to Uli Meyer's topic in General Discussion
It’s a double ended dog leash that I ordered from YupCollars on Etsy. It can hold a Rottweiler and I use them for all my old Arriflex cameras. -
Articulating What's Wrong With These Skintones
Uli Meyer replied to Max Field's topic in Post Production
It may be interesting to change those blue-ish green lawns to something that looks more natural. Since green and red are complimentary colours, the green might affect the way you perceive the red tones. -
For a speedramp with an Arriflex 235 you use an iris control unit. Open iris for the slow motion part and close the iris as it ramps down to 24fps. Using the iris method changes the depth of field as you ramp. If you use the shutter control of the 435, wider angle at slow mo and back to 172.8 for 24fps, the depth of field stays the same. We did the Arriflex 235 speedramp here at 6:27
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Arriflex 2C 2perf conversion by Daniil Nevsky
Uli Meyer replied to Uli Meyer's topic in General Discussion
It's handheld. 2Cs are heavy to hold so there is always a bit of movement. DaVinci can get rid of those little kinks. -
Arriflex 2C 2perf conversion by Daniil Nevsky
Uli Meyer replied to Uli Meyer's topic in General Discussion
Hi Jon, I've been using a Hawk-Woods Reel Power 26.6Volt with a V-lock plate battery belt that is regulated to 16Volt output. I just bought a mini Reel Power v-lock 26.6 battery which weighs 500 grams only and could be velcroed to the magazine with a regulated plate as in the photo above. I'm sure Daniil can convert it to PL mount. Just be aware that not all PL mount lenses fit onto the 2C. The round handgrip on the right gets in the way of many of the wider lenses. My CP.3s are too wide, for example. I'm using Standard Speeds, they were made for it. -
Arriflex 2C 2perf conversion by Daniil Nevsky
Uli Meyer replied to Uli Meyer's topic in General Discussion
It has crossed my mind, I just wouldn't know what to ask for it. Over the past two years I've added lots of accessories and a complete set of top condition b-mount lenses. Had a battery belt and seperate v-mount plate regulated to 12Volt. It's a difficult decision to make. -
Please do! Thank you for sharing.