Matt Altman

See photo Let me know if you have one you'd be willing to part with

Hello Uli. I would buy one of these in a heartbeat if you knew how to find another ST.

Sending you a PM

Tyler, sorry but you are only partly wrong on this one. Kodak does share the building but the new short end business there is called Hollywood Film Shop, run by a guy named Mark, answering the old reel-good number at 323-876-5427 Mark would also like to make the distinction that they have a focus on recans and short ends (when available) rather than new stock... sort of one address, two options

Have confirmed the name of the gentleman at the new shop at 7758 Sunset Blvd: Mark! Super nice guy... has a lot of recans and gets short ends from time to time... call them if you need anything too

Hey Robino this is what I thought, thanks for letting us know. It sounds like now instead of Reel Good we have TWO services to thank! Motion Picture Film Stock AND the new company answering the old Reel Good phone number.. Hope people are reading this and give both some business ❤️

Hi Tyler -- It's been very hard to determine what is going on... there is no info on google maps, and I live in Highland Park and rarely go that direction unless I need to so haven't been able to see the storefront. That's interesting there's a Kodak office, maybe Hollywood Film Shop is just a casual name they are using for old inventory or something? Do you know that Scott is involved with it? Because I spoke to someone different! In any case -- super nice guy and down to help out! Has 35 but says he rarely sees 16mm these days...

Thanks! Loved Reel Good. The new placed is called The Hollywood Film Shop and they still sell short ends but thought I'd ask here as well!

35mm or 16mm..

preferably 250D ... but 50d, ektachrome.. fuji.. anything color works PM me! thanks

Hi Tyler, thank you for your response and for sharing this example. 1:85 is my favorite! So basically -- it's totally passable -- but what about technically? Do you not think the IQ is determined more by negative size rather than scan resolution? Like you are just enlarging grains once you reach the resolution limit?

Hi everyone, What is the general consensus on quality loss when cropping 4:3 standard 16 to 1:66 but then scanning in 4k? Compared to shooting super 16? (in that case normally I just do 2k and output 1080 anyway)

Hi Joe I emailed you.

I agree with Heikki. I'm thinking those absurdly priced listings by that video house are influencing sellers who are less community oriented or who might be unsure of how to price them.

Anyone looking to part with theirs? Would love to discuss over PM. Thanks.

Hi there, I’m looking to buy an Eclair NPR magazine. Located in LA. Hope everyone is well!

Hi Cale, thank you very much for the response. Yes PL is really nice.. but as I mentioned I was hoping for something I could have my own lenses for on hand... to be able to shoot my own projects. I imagine this would add up. I'm not dying for it to be super and if I think about whether what you mentioned is worth it when the Bolex has a limited take length without a motor.. and an ACL has the bonus of being able to do sync sound if necessary.. well..

Hey Travis.. thanks for the response. I checked Ebay before coming here. That one has a reserve and I'm not sold on it. Hope to hear from others.

Hi there, I'm wondering if anyone has heard of, or might have an Eclair ACL for sale. I'm looking for a regular 16 camera for my own practice (not DP work)-- and would be open to hearing of other cams people would consider selling that make great owner cameras. I'm aware there are a lot of postings like this that do not pan out, so for what it's worth.. I'm seriously hoping to find something soon so I can shoot a project next month. Any assistance would be greatly appreciated. Warmly, Matt

Sold

Hi there, I'm selling 5 cans of new, unopened 50D for $500 total. You can find it on ebay. Hope it goes to a good home. ?

Hi Olle I just emailed you.

Hey Gregg, thanks for the response. I did do some googling but I guess my searches were too specific. Thanks for your help. Looks like http://www.cinematography.com/index.php?showtopic=28831 answers my question.

I am looking at a package that is an XTR, but not PROD or Plus. Wondering if anyone can shed light on what the differences are as there is very little online literature on the basic XTR. Curious what upgrades there were in the later models etc. and if it matters that much. Any info would be highly appreciated. Thanks!