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D John Carroll

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Everything posted by D John Carroll

  1. D John Carroll
    Bump. I have it listed for $11k on other marketplaces. Willing to discuss offers
  2. D John Carroll
    Have an XTR I’m getting ready to part with send me a DM
  3. D John Carroll
    Hello, I have an SL mk 1. Willing to work with you on the price. Send me a DM
  4. D John Carroll
    Bump, open to hearing any offers
  5. D John Carroll
    I have an SBM converted to s16 with a set of Schneider RX cineprimes and 12.5-100 zoom
  6. D John Carroll
    i have a 12mm single if youre interested
  7. D John Carroll
    i have a 10.4-52 send me a dm
  8. D John Carroll
    i have a pristine mk i in bayo mount
  9. D John Carroll
    Looking to sell my Moviecam SL 1 to fund other equipment. I have a few 35mm cameras, so I can let this one go. I’d like to get back what I put into it. I bought this kit by piece over 2 years. I have Film tested this camera with standard speed lenses and it looks great. Camera was serviced January 2022 Moviecam SL #1170 4p with super full 35 gate and ground glass. Can also include 1.85 gate lightweight eyepiece 3x 400’ handheld mags 3x 400’ steadi mags lowmode steadi bracket, which also serves as the top handle accessory block with syncobox compact-sl adapter block, you’ll need this if you want to use a compact optics block for anamorphic 100% video head from an SL 2, I made a custom HD tap for this, it has a 3d printed adapter With service I’m in it for around 15k USD, but I’m open to all reasonable offers. I’m looking to get a Steadicam rig, so if you happen to have one I’m open to discussing trades I have more mags I’d be willing to add, we can discuss. gallery at link below to avoid compression https://imgur.com/a/fT9ATy2
  10. D John Carroll
    I have a 4p sl
  11. D John Carroll
    For a follow up for everyone interested I bought the camera and had it sent to Tyler Purcell in LA. He was able to repair the body to working condition. there were a myriad of issue, missing and loose screws and timing shifts in addition to the wiring problems. however the camera is operational and will soon be on its way back to me !
  12. D John Carroll
    At $1200usd I’m interested. Can you DM? I’m in the nyc area
  13. D John Carroll
    I sent you a DM on eBay regarding the mags. I have an SL and I’d love to grab the boards and other parts for repair. I just bought the rain cover from you. Let’s talk
  14. D John Carroll
    Cool cool you wanna DM me a price ?
  15. D John Carroll
    Cool. metric or imperial marks?
  16. D John Carroll
    Oh yes. Can you send me some picks
  17. D John Carroll
    I’ve updated this to 1080p hd-sdi ill release a how-to soon
  18. D John Carroll
    Hey, I’m very interested in this!
  19. D John Carroll
    Hello, Are these still available? I have the 12mm and id love to round out the set
  20. D John Carroll
    I have one of each
  21. D John Carroll
    Checking in on this ancient thread
  22. D John Carroll
    I’ve done some work on this idea
  23. D John Carroll
    The size difference is no problem, that can be solved with step up rings
  24. D John Carroll
    Yea I agree. i use my 3D printer. It has a .4mm nozzle so it can handle printing fine threads. I’ve done m12 and C mount threads without issue. once you find a design you like it can be emailed to a company with a CNC or lathe. if I were rigging the camera on set in this way, I would use steel arms to mount it where the 15mm rods go, and then add a hole for the rods to mount on. basically a cheese plate in between the rods and the camera body, using that thread position. That would give it the least travel distance and wouldn’t interfere with the top handle. any offset issue introduced for the follow focus in the 15mm rods would be solved by using a dog leg
  25. D John Carroll
    If the front of the taking lens is threaded, using step-up couplers you could connect it to the original eye piece mount via the thread. It would require a little research to figure the thread of the original eyepiece but I’m sure it can be done. that would at least give it a 2nd point of stability. it could also have another arm going from the top cheese plate of the bmpcc to the 15mm rods, gripping them with a nano clamp. or use a dog leg similar to when a zoom motor is mounted above the lens
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