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justin T henning

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About justin T henning

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    Los Angeles

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  1. I have been looking at the 13x viewfinder. Expectations are just that the lenses resolve and footage is reasonably sharp. I plan on shooting a bunch of tests soon. Would love to see any tests you end up shooting!
  2. Curious of anyone’s experience using a S16 Bolex SBM with Zeiss s16 super speed mark III lenses. I already own the 9.5mm, 16mm and 25mm lenses and I am curious if they will perform on a Bolex. I head there can be prism issues, but I am just curious if anyone has any personal experiences. Thanks.
  3. Hey, Looking to pick up an aaton a-minima top handle and or trans video monitor for the camera. Thanks, J
  4. Selling my aaton a-minima. I purchased the camera from another DP about a year ago and have decided to sell it. Moved to NYC and just don't have the room for it in my apartment with all the other gear I have. It was recently serviced and is in immaculate condition internally and digitally. I can supply receipts of work done and more camera history upon request. Includes: - Aaton A Minima Super 16mm camera (SN:073) - (3) 200 ft Aaton Film Magazines - Aaton Video Assist - (2) Remanufactured 12v Aaton Batteries (New Cells as of 7.15.17) - (2) power cables - Lemo cable - Aaton 12v NiCad and NiMH AC Battery Charger w/ AC Cable - Custom Top Handgrip - A Minima Power Base - Dual Mattebox Rods - Aaton Origin C Time Code Unit - Original Aaton Manual - PL Port Cover - 20 Factory Daylight Spools (most have never been used) *9 pictured - Aaton Hard camera case -Will throw in 800ft of 7203 that is already spooled new and stored in fridge. Asking $9000 USD Thanks!
  5. Hey Everyone, I have been really digging in and attempting to perfect an on set viewing LUT. I know there are many theories behind this, and that most just view the standard arri rec.709 LUT on set. I have found this LUT to be somewhat limiting and am looking for something different. I have read that many people consider the standard Alexa LUT too flat, which can lead to improper lighting when judging ratios and gradient via an on set monitor. Thus many people prefer a higher contrast lut for their base LUT. My question is: does this all refer to the rec.709 LUT with the Alexa ? If you do use a higher contrast LUT on set how did you go about making this LUT? How much contrast did you add? Did you crush the blacks and maintain the highlights or apply a general s curve to increase contrast? Obviously working with a color scientist would be ideal in creating this, but I am hoping to expand my knowledge personally this this area and any guidance would be helpful. Thanks.
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