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Showing results for tags 'ARRI'.
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Hi everyone- I'm a Chicago-based filmmaker. I kinda do a little bit of everything; and lately, I've also been picking up a lot of AC work. I'm finally getting to the point where I need to put a small belt together alongside my AC kit. Nothing huge. I want to keep it light. So - I had a few questions regarding the belt itself. (not accessories and tools.) I really like the Arri 3" Padded belt: http://www.filmtools.com/arri-belt-1004-ar.html However, a lot of the Lindcraft pouches I'd like to get only support 2" belts: http://www.filmtools.com/linmintoolpo.html http://www.filmtools.com/linasbelpouc.html My questions are: 1. Has anyone owned/tried this particular belt? From the looks of it, it looks like it may support 2" pouches as well, but I can't find any confirmation on this. 2. Any suggestions for a 2" belt that is similar to the Arri one above? I really want the good padding because I'm a skinny guy and after a while a regular belt would start to hurt. I also really like the Arri because it has the extra loops which would be excellent for my uses. I've looked at the Lindcraft 2", but it has less padding and no loops: http://www.filmtools.com/li2pabeg16.html#reviews Any suggestions on other brands that have similar options? Thanks!
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Hi, I have a set of used cables for an Arriflex 16S. They are a little cracked due to the substantially aged rubber – but worth saving if possible. Is there a preferred brand of compound for fixing power cables, something that can handle frequent location use? I want something that will bond with the rubber, essentially getting rid of the cracks / separations, but that will be safe for electronic use as well. Any ideas or recommendations welcome. Many thanks. Isaac
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Hi, I have a couple of questions for our next (student) short we will be shooting in the first half of April. At first we wanted to go 16mm (anamorphic), but it's quiet expensive for us. And wide angle anamorphic is a problem with 16mm. We're still thinking about it though. But it's probably going to be the digital way. Now the short is about half and half daylight and nighttime. Probably a bit more at daylight. We're thinking about renting a Red-epic since it's a lot cheaper (than an Alexa). But I'm a bit "scared" for the nighttime shots with the epic. We will be passing neon street lights, in car shots which can get pretty dark, etc. What do you think? Will it be ok? Second question is about post production. We love the (16mm) celluloid organic look, and specially for this film. We were wondering how this is professionally emulated/achieved. Are there a couple of ways? I add professionally since we were thinking about festivals etc. (I read somewhere that adding a random grainy look is okay for youtube videos but not for more serious stuff.) Thanks ahead, -
I am in the market for a full set of super speeds. Please PM me if you are interested in selling or have any good leads or a set.
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For those of you who've actually used it, is the ARRIFLEX 416 Plus HS louder than the regular speed range 416 models? The former is rated at 29 dB while the latter two are 20 dB. However, unless I'm misinterpreting the specification, I suspect the sound level measurement is referring to operation at the top speed (150 fps vs 75 fps). Or does it actually make more noise at standard frame rates like 24 fps? -
MB14 19mm Swing Away Mattebox MB-14 Set for 19 mm Rods, K0.59971.0 Basic Module: 19 mm K2.42149.0 incl. Filter Stage for 6.6“ x 6.6“ four filters, K4.42217.0 4x filter frames 6.6“ x 6.6“: 2x geared K4.47076.0 2x non-geared K4.47074.0 French Flag Holder, K5.42218.0) [*]Mask Set 18 – 180 mm, K2.42306.0 [*]Flexible drive shaft, K2.34890.0 [*]3-Filter Stage (6.6“ x 6.6“) K2.42287.0 two rotatable as a pair, one rotatable individually all slidable; fits R1 rings with ø 165 mm & F1 Filter Frames [*]6.6“ x 6.6“ Filter frame, geared spare K4.47076.0 [*]2 x 6.6“ x 6.6“ Filter Frame, spare K4.47074.0 [*]4“ x 4“ Filter Stage K2.42293.0 for 2 filters 4x 4“ and one round filter 138 mm each rotate and slidable includes 2x 4 x 4“ filter frames [*]Light Shield Set (top+left+right) K0.59972.0 [*]4½“ (114 mm) filter ring [*]6“ filter ring with rubber sleeve [*]2 x Reduction rings K2.65043.0 (ø 80 mm) [*]Comes with hard flight case In good used condition. Has some scuffs and scrapes from general use but everything is in perfect working order. Comes with the following 6.6x6.6 Tiffen Filters: ND3 ND6 ND9 ND1.2 Polarizer $6500 for the whole set up - will consider reasonable offers. Please email me at jacobLdean at gmail dot com with any questions and to request photos. I am located in Johannesburg, South Africa so shipping to the states and abroad will be expensive. This mattebox is not lite. I will take this into consideration when dealing with offers.
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Hello everybody! My name is Nikolay Hristov and I'm young producer from Bulgaria. Currently I have on my disposal to manage 3 cameras ARRI Alexa (2 Alexa Plus and 1 basic Alexa). As the market in Bulgaria is not big enough I am looking to expand the business around Europe and I'm pretty sure I can offer one of the best prices on the market. This means around 30% lower tha the ordinary rental price in Europe. For example, fully equipped Alexa Plus + 6 lenses Ultra Prime≈ 5000 euro/week. Every offer will be personalized depending ot its specific requirements, lenght of the rental, etc. I can offer as well camera technician, for which Alexa expertthere will be additional charge. If you are interested, please contact me on my e-mail nikolay.h.hristov@gmail.com and I will get back to you shortly after that with details. Best regards, Nikolay Hristov
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Hello everybody! My name is Nikolay Hristov and I'm young producer from Bulgaria. Currently I have on my disposal to manage 3 cameras ARRI Alexa (2 Alexa Plus and 1 basic Alexa). As the market in Bulgaria is not big enough I am looking to expand the business around Europe and I'm pretty sure I can offer one of the best prices on the market. This means around 30% lower tha the ordinary rental price in Europe. For example, fully equipped Alexa Plus + 6 lenses Ultra Prime≈ 5000 euro/week. Every offer will be personalized depending ot its specific requirements, lenght of the rental, etc. I can offer as well camera technician, for which Alexa expertthere will be additional charge. If you are interested, please contact me on my e-mail nikolay.h.hristov@gmail.com and I will get back to you shortly after that with details. Best regards, Nikolay Hristov
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Hawk-Woods MDV Link System question. 16mm camera battery.
Guest posted a topic in General Discussion
Hello, I have a question about Hawk-Woods MDV Link system. I have a 16mm camera which requires a 12v 5-7A power source with 4-pin XLR out. At the moment I'm using a sealed acid motorbike battery, but it's heavy and it takes ages to charge it. The question is: can I use a Hawk-Woods DV-F970 LLithium-Ion Battery ( which is 7.2V 47W 6600mA) and Hawk-Woods DV-XLRR MDV 12V Step-Up Power Adaptor to power the camera? I'm not really good at electricity, please help me. Thank you. -
Used optically correct ANAMORPHIC VIEWFINDER for mounting on Optical viewfinder cameras like KONVAS 35mm motion Picture camera. Starting price is only $90 UN-squeezes image from anamorphic lens. Focusable for image of 35mm frame size from approx.3"-6" from end of front element. Eyepiece glass and front end clean WITH NO scratches or marks. Removable locking collar for connection to Konvas cameras. Tested and works fine on Camera ITEM is being sold inexpensively as only guaranteed to work with KONVAS style russian type viewfinders 'as is' A new collar could possibly be moved, removed or adapted to match other optical eyepiece cameras such as ARRI BL or others. Cannot guarantee fit but discussion from others have indicated that end shaft diameter would fit many other optical viewfinder prism or mirror mounts. With right mount it might also work with electronic viewfinders. being sold on ebay here http://www.ebay.com/...984.m1555.l2649 for any more info send email to info at alamofilms dawt com
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I'm selling a Arri 235 Package (europe) I'm asking $ 25,000.00 Here is a list of the package Arri 235 Body (4 perf) Arri 235 Video Tap (PAL) Arri 235 Viefinder 2x Arri 235 200ft Shoulder MAgs Arri 235 Low mode plate Please email me for pics lorenzosenatore@me.com Lorenzo Senatore
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Doing night shoot in some remote roads, having trouble finding a power adapter or a way to power a 1k off a car. Is this possible?
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I have an ARRI 2C camera body (lens, tripod, rods, matte box, not included) with a flat-base crystal-sync variable speed motor for sale. The camera is light tight, I just recently ran a 400ft test roll successfully. No streaks, No light leaks. This motor can speed at 8 fps, 12 fps, 16 fps, 24 fps, 25 fps and 32 fps. It shoots rock steady 24 fps. It can run in either crystal-sync mode or variable mode. It can also run in reverse mode with the flick of a switch. This camera package includes: - full 4-perf gate with a 1.37:1 ground glass and a fixed 180 degree shutter. - tilting viewfinder with closeable diopter. - color video tap with AC Adapter. - a new 12v Panasonic battery with 4-pin XLR cable - battery charger for 12v camera battery. - battery holder with shoulder strap and belt - Lee Utterbach 400ft Ball Bearing High Speed Magazine - Three Dust Caps for the lens ports This camera is in perfect working condition and has been lubricated every 5000 feet of film. Recently Tested, 400 Foot test roll came back beautiful, Shot with Schneider Xenon. Camera body with motor weighs less than 8 pounds. $1,500 + Shipping
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For sale: UK. Preston Micro Force V+F + Heden M26T. Excellent condition Preston Micro Force V+F Heden M26T motor and 0.8 gear Mounting arm for M26T. Mount to 19mm rods and insert for 15mm Preston Pan arm clamp Arri Y-Cable Excellent condition £1300 (+ VAT if buying in the EU) -
On the lookout for either of these follow focus sets. With the O'Connor O'Focus, if you have both Cine and Photo wheels, even better. I am based in Paris, France, but get back to the US occasionally as well. you can email me at: throwback2550@hotmail.com Cheers, Clayton
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I have an opportunity to pick up a clean set of these 5 lenses for $12.8K for use with my Sony PMW F3. I know they are external focusing and even the focus ring moves forward, as well as being big beasts. Great bokeh and no breathing that I can see. But the price seems very interesting. Any other opinions ? Trying to see if it would be wiser to go with either Duclos Zeiss ZF.2's or Compact Primes instead, as I own a Canon 5D Mark III and often have shoots where we are mixing RED, my Sony PMW F3 and DSLR's. One thing purchasing would mean, would be to find a more solid follow focus and a matte box with a large enough rear opening. Chrosziel provides a package for dealing with the barreling issue: http://www.chrosziel...&wpid=115&sid=0 However, the matte box is reported to be cheap and easy to crack and I am wondering about that follow focus compared to O'Connor and ARRI, being that it starts to fall into the same price range. I still shoot a lot of DSLR though too, so I have been looking at the O'Connor DM with both photo and Cine wheels, but ARRI remains the standard as usual. I really need/like the idea of different transmission ratios depending on whether I am using photo or cine lenses. Any other contenders out there for mixed gear / transmission ratios at a less expensive price point?
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The quick release bridgeplate is compatible with Arri camera's (like the alexa) and the Red One. It goes for 299 euros. For the Red Scarlet and Epic you need an additional bottom plate. For the Arri Alexa you need the plate that already comes with the camera. You can also use it as a more heavy weight rods system for your big zoom lenzes on the Canon C300. For this several options are available. Just ask if you want to know more. I also have 12" Rods 19mm that go for 25 euros each. Have a look at my website www.petergosens.com to for more info.
