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Found 13 results

  1. Does anyone know of any research of how projected film and its inherent dark "frames" affect our perception of the story? I heard murch talking a bit about it but havent been able to find anything... (If clarification is necessary : Double shutter required to project 24 fps film thus our brains through persistence of vision do not include, but are subjected to moments of darkness)
  2. Will shooting at a higher fps knowing that you will print/dcp in 24 give you any advantages?
  3. I am writing my dissertation about the films of Terrence Malick and I am very interested in the flashbacks that appear in The Thin Red Line; particularly I would like to ask if anybody knows at what rate of frames per second were shot the flashbacks that appear at the moments 00:05:15, 01:17:09, 02:38:08 y 02:34:58. The action on those flashbacks is slower than the usual 24fps but I would like to know the exact speed. John Toll was the cinematographer and there is an article in American Cinematographer (February 1999) about his work in the movie, but they don't mention this information on
  4. Hey everyone, I'm wondering if I were to use a 1.2k HMI with a magnetic ballast in the UK on wall power (50hz) - if keeping my shutter angle at 180, will I get flicker at 50fps or 100fps or is it only likely to happen when I move off these frame rates? I know magnetic ballasts can be a little more finicky for flicker.
  5. Hi, looking for help on how the slower dream like look is achieved. I saw in Park Walbeck's video, , that he recorded the video at 30fps and then converted the clips to 24fps. Does anyone know if there is a way to do this in iMovie or perhaps in Final Cut Express? Would it look the same if I was to shoot at 30fps and then slow the clip down in iMovie? I just mostly take videos of our family vacations or birthday parties. If you use this technique for your videos, how have achieved it/what editing software was used? Thanks so much!!!
  6. I'm looking for a power source for my Eclair NPR 16mm camera and I think I'm starting to get a rough idea of what to look for (still open to suggestions tho) but one key question: does a higher frame rate require more volts? The manuals I've seen online suggest a 12 volt, 3-5 Amh battery to power the Perfectone motor but I've seen discussions about the motor stopping as soon as the FPS rate goes up. Someone who appeared more knowledgeable than myself said the higher frame rate would require higher voltage. Possibly up to 15 volts. However I've also read discussions where people war
  7. I was reading the Oscillating the ISO on Alexa thread yesterday and in it David says so I was wondering is there an easy way do to a calculation of this sort on the spot without any aid from a gadget or an exposure calculator: What is the difference in exposure between ƒ/4.5, 24 fps, ISO 640 and ƒ/2.8, 60 fps, ISO 800?
  8. Eon S Mora

    23.98 vs 24

    My question is partly technical, and partly just a curiosity: When shooting digitally, has anyone noticed a difference between shooting 23.976, and straight 24.00 FPS. I know this is the nearly negligible difference, but these are two different rates of capture. is there any perceptive change in how it feels or the way movement is perceived? Just some context: shooting a film with some folks that are used to shooting film. The project in mind will end up with some sort of theatrical release however it'll obviously be shot, finished and watched all digitally. If this
  9. Hi everyone, Lately, I came across this video on youtube about Gilles Deleuze's Film Theory. https://www.youtube.com/watch?v=zaXQdjMxG6E As the intellectual content of the video interested me a lot, it was the footage that hypnotised me with it's study of pure, simple, monumental movements, as found in the very first film experiments. (can someone confirm the date and origin of these images by the way?) Now, what I would really like to know is what it is that makes these movements so beautiful? In my view, it has something to do with the materiality of the filmprocess i
  10. Topic: Smoother HFR / frame interpolation / soap opera look. I just came back form watching Dracula Untold in a spanish cinema (specifically the Yelmo Cineplex Icaria movie theatre in Barcelona). The movie has pretty great visuals, but something felt wrong. It didn't have the cinematic feel I'm used to and love. After a few seconds I was sure the movie was played in 30fps or more. But after checking out imdb to find out that the film was shot on Kodak I am not so sure any more. The first time I came across this in cinema (other than of course The Hobbit) was watching A Million Ways to Die i
  11. Hey, So I am a fairly new cinematographer and as a school project am DOP on a PSA. The director wants to shoot at 240fps which is cool to look at in a dolly out at 35mm lens traveling about 25 feet starting 10 feet away from the subject to (you guessed it) 35 ft away. In 10 seconds. I know the epic can do the frame rate smoothly and all but my real concern is the pockets of light in the background coming from various trees and bushes. I want to use HDRx but have never used it before in a dolly shot. Are the frames in HDRx take at the same time? Will it look more jerky and "flickeri
  12. Hello I've been making Super-8 and 16mm and 35mm short films most of my life as a filmmaker and DP, and for the past few years I've started moving towards digital filmmaking. At first I was using MiniDV but the quality was very cheap, so my equipment now is a Canon EOS Rebel T1i that I equip with old 1.4 lenses, and a Sony NEX 3 that I also equip with a bunch of old lenses some of which are handmade/modified lenses. My question is this : Which one is the camera that I should use the most for my films? The EOS has a 20 fps frame rate but a very large image (1920x1080) so maybe that's
  13. Hello I've been making Super-8 and 16mm and 35mm short films most of my life as a filmmaker and DP, and for the past few years I've started moving towards digital filmmaking. At first I was using MiniDV but the quality was very cheap, so my equipment now is a Canon EOS Rebel T1i that I equip with old 1.4 lenses, and a Sony NEX 3 that I also equip with a bunch of old lenses some of which are handmade/modified lenses. My question is this : Which one is the camera that I should use the most for my films? The EOS has a 20 fps frame rate but a very large image (1920x1080) so maybe that's
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