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Found 15 results

  1. Hi everyone, I recently got back into analog photography and (re-)discovered with interest that some of the motion picture films are used by certain photographers and even home-processed (Kodak Vision 3 series seems appreciated). As a not-complete-beginner in home-processing for stills (mainly B&W to be honest), I see some opportunities for me discover new horizons by doing the same for S8. Apart from the obvious question of appropriate hardware and chemicals (Internet is my friend), I was wondering if some of you guys have experience with home-processing S8 and what is your ta
  2. Planning to shoot a project with a Nizo 6080. I was wondering if it was possible to somehow rig a bullet camera or something of the sort to use as a video assist. I've seen stuff on the internet from 10 years about about how to do this with Beaulieus, but nothing about Nizos or posted recently. Anyone have any experience with this, or know which bullet cam models or rigging methods might work with a Nizo viewfinder? Preferably without spending a ton of money or a lot of complex engineering to build it. Doesn't need to be fancy, just functional - I’m a student self-funding the project.
  3. Hello guys and gals, So, yesterday, while processing some Tri-X Super 8, something nightmareish happened during the second developpement after re-exposure : after 1 min in the 2nd developer (where the emulsion properly reacted and darkened), it slightly started to lift from the plastic and then it litteraly disloved into the developper : no floating gelatin flakes, just a plain black developer... The weird thing is that I already processed Tri-X this way, here is an example : https://vimeo.com/326184819 Here is my protocole, I have included as much info as I can : 1 – Soaking in
  4. Im new to the forum and have a long question, but I have read a lot of posts here before so I am turning to you all for help! I bought my first super 8 camera, a Canon 310xl a couple of months ago, and in January, I bought two cartridges of Tri-X reversal to shoot with. I am a college student, so I did not have a chance to shoot until last week, so until then I kept the two carts in the fridge to keep cool. So last week, I finally opened my first box of Tri-X and loaded it into my camera. I notched hack the cart so I could control the built in filter as well! I turned the camera on and p
  5. Kodak Ektachrome 100D Double Super-8 16/8 2R 122 meter / 400 feet Kodak 7285 CAT 186 1681 One metal can, never opened, from cooled storage. NOT homebrew DIY. Kodak original perforation in Kodak packaging. Bought it for a project from USA, own import. It is now in Europe. Save on duties while it is here. Never made it into the work and I don't expect any use in the short or long time. Nice to expose in DS-8 camera like Elmo Filmatic of Canon Scoopic for maximum sharpness or slit it into two strands and use these to fill 16 pieces of loadable Super-8 cartridges. Over 50 minutes
  6. Don't hold your breath while waiting for the Kodak reversal film. Ektachrome 100D is here! Over 50 minutes of running time at 18fps! Ektachrome 100D 400ft can of Double-Super-8 DS-8 Kodak Ektachrome 100D Double Super-8 16/8 2R 122 meter / 400 feet Kodak 7285 CAT 186 1681 Comes from cooled storage, factory sealed. Obviously you will need a DS8 camera or skills and capability to cut and split this DS8 into 16 pieces suitable for Super-8 cartridges. Shipping from Netherlands The Fata Morgana:
  7. HI All - I have an old Beaulieu 5008s I bought used back about 1983. I used it a few times, but then it's sat in a closed case for the past 30 or so years. Battery's completely dead and won't charge. I've been looking around to see if anyone can recell the battery or if there's a DIY page that explains it, but haven't found anything so far, and the leads on this site are all fairly old. Anyone have any suggestions? Thanks! Tim Walton
  8. This is a Very Nice Eumig Mark S 810D High Quality Sound Super 8 and Regular 8 Projector wich includes the Rear Projection Adapter. These projectors are getting harder and harder to find especially in this good condition. I'm selling them together for $275. Plus Shipping. The Projector is by itself is $225 and you can buy the Rear Projection Adapter by itself for $125 if you want it. Everything is in Excellent Condition. Both Super 8 and Regular 8 Gates and Sprocket Gear Sets are included. Working Bulb. This is one of the Best Super 8 Projectors made. If you're looking for a project
  9. Hi everybody, Shooting a 2 1/2 minute shot in slow motion (30 fps or slower) but it's a shot of someone lip syncing an entire song. I'd like to do it on 16 or Super 8 but I'm not sure what the most budget-conscious way of proceeding would be. There's definitely no way of achieving this without crystal sync, right? So any advice on the cheapest camera system that can do slow motion (at 30fps or slower) and keep sync? Thanks so much for the help! - Ez
  10. Hi, I'm selling my Nalcom Synchro zoom FTL super-8 camera. I'm not clean on if it's the professional 800 or 600. I've tested all that I could, the automatic zoom works, aperture shifts with light levels, and I hear sounds coming from the film when I record, so I assume that works as well. The glass is perfect. Besides the camera this includes: Shinkor zoom 6.5-65mm f1.8 Shinkor close-up lens with leather case SLR-lens adapter (m42) with leather case 3 flare caps Soligor MK-10A flash Two pistol handles shoulder holder / strap Leather case Manual is great condition Detailed photos can be
  11. I'm considering adding Super-8 (MAX8) camera hire to my small format transfer company's services. The cameras would be purchased from Pro8. What I would like to know from cinematographers is what equipment they would require in a rental package. The other question is wether UK customers would require crystal sync at 24, or 25 FPS. Any thoughts and advice will be much appreciated. Grant Bennett
  12. I have a budget of roughly $500. I'm trying to get a good solid super 8 camera and each one I look at, I come and do research (mostly here) and people are saying they are having problems with them, so I'm a bit weary of just buying any old one off eBay. Does anyone have any good recommendations on where I should start? Old home movie's is the look I'm going for so I don't necessarily need it to be state of the art. Thanks!
  13. Hi, I recently bought some bulk super 8 film from Wittner and a reloadable super-8 cartridge. And when practicing loading with dead film, I'm struggling to get the super-8 to run smoothly through my camera, as Wittner cartridges does not come with the copper ring used to keep the film in place. I think they have replaced the copper ring with a clear plastic larger ring (seen in the photo, inside the cartridge on the right) that is suposed to keep the film (on the receiving side of the cartridge) in place some how? Here is a photo of everything supplied with the cartridge: Please
  14. I recently purchased a reloadable super-8 cartridge from Wittner and I'm extremely confused about where to cut the ASA notch. I bought the CHROME 200D film which is Daylight: 200 and Tungsten: 50. Please could someone tell me where to cut the notches for this stock? Or somewhere said something about not needing notches for daylight film? Im very confused. I have been trying to use this guide: http://peaceman.de.www127.your-server.de/schmalfilm/super8/S8_Notch_Tools_v1.0.pdf But I'm struggling. Please could someone tell which notch to cut to on this guide? Thank you!
  15. Ok, so I have been searching all over the net and there tends to be little information about these cameras. If anyone has any information it would be appreciated. I know Keystone has long since gone bankrupt and so information on their products have become scarce. Also, a manual or technical information would be appreciated to. I don't mean to inconvenience anyone so, i appreciate any help offered. I have a Keystone Capri K-30 camera, and it is in practically top notch shape, it seems to have a similar build to The K-26 model minus the other 2 additional lenses...so idk if that helps or i
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