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Found 8 results

  1. Hi friends, I just wanted to put this here for the record, for anyone looking to reversal process Fomapan R100. I'm very happy with the results I'm getting, full ISO with good shadow detail, and nice crisp highlights. I basically follow this guy's process to the letter: (make sure you've got subtitles switched on) I even went out and found those 1.5 liter bottles that he uses (not cheap). My one alteration is to use Ilford's PQ Universal developer instead of Dokumol. It is more readily available here in the US, and relatively inexpensive. I also already use it for other
  2. Hello all! I am currently working on a project with some old 8mm film. It was a roll of Kodachrome II that I found. I got it developed to B&W, as that is the only way most places develop it these days. However, the film is very faded. This is somewhat to be expected, considering it had been sitting undeveloped for upwards of 50 years. However, there is only so much I can do digitally to enhance the image. Is there any sort of chemical process that could be applied to the film after it is developed, to retrieve some of the image? Something that would boost the contrast? I'm assuming th
  3. "The Captain" - 2017 (German: Der Hauptmann) Directed by Robert Schwentke. Shot by Florian Ballhaus, son of Michael Ballhaus. ... Great (end of) war movie. Tense, ironic, a lot of WTF's... (pardon my language) Even based on a real story! :) ... "SCHNELL-GERICHT HEROLD" = "QUICK-JUSTICE HEROLD" 🙂 - You'll get it when you watch it. And keep watching it while the credits roll :)
  4. Very surprised that there's no thread about the film so far. It's available today on Netflix and is also showing in 600 locations across the world (the film was released two weeks earlier in theaters exclusively), they're actually pushing this very hard in Mexico (there are even mobile cinemas ! that go around to show the film in certain locations), domestically as well, it's already been sweeping many awards, many for best picture, best director and best cinematography. Chivo was supposed to shoot the film, they prepped and he had to drop out. Cuaron then took over and shot the film h
  5. Because the demise of Kodak B&W Plus-X emulsion (31), shooting B&W film outside is challenging. 5222/7222 is the only Kodak B&W camera stock. Outside it is has an exposure index of 250. In the test described below the daylight was metered at 8,000 foot-candles. At 24fps this would require a f stop setting of around f64, or a very dark ND filter. Most lenses are sharpest at about 2 stops from open, this is impossible for 22 outside without using an ND15 or ND18 to get f5.6 or below. The contrast of direct sunlight & shadows is a struggle for any photographic medium. 5234 B&
  6. ...I've been shooting Tri-X since my student days in 1992. I love it's qualities and nothing quite compares to it. I'm beginning to wonder just how long Kodak will continue to produce this B&W reversal stock. Should I be bulk buying it or am I just a bit paranoid after 'losing' K40, 64T and 100D ???
  7. I know it's traditional to have use colour lenses on the camera for B&W photography, but can you also use filters on the lights in the same way? Perhaps just to make a part of the frame look a certain way, or is it just better to use grads for something like that? Also given this will probably not stay on topic anyway... does anyone have any other tips for shooting B&W?
  8. Hey All, I'm shooting a B&W film soon, 35mm. Does anyone know how different colours look in B&W? Is there a website that compares different colours? Thanks!
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