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My Gear


Found 13 results

  1. Hello, selling a lightly used Emotimo Motion Control 4 Axis slider package. Includes the Dana Dolly integration system (dolly not included) and the iShark slider. It was only used indoors for interviews and motion control commercial work. Probably used about 15-20 times. Everything is in near perfect condition. This is perfect for motion control video production or timelapse still photography. This package includes the following: 1) Spectrum ST4 4-axis motion control head w/ V-Lock Battery Plate + Wireless PS4 controller 2) Spectrum medium hard case 3) Universal L-bracket (camera / Fz motor mounting) 4) eMotimo Fz (Focus/Zoom) Motor 5) iFootage Shark Slider with 30 inch base and 2 foot extension (configurable to 2 and 4 foot lengths ) 6) iFootage Integration Kit with 2 motors - direct drive is fast, quiet and great for level shots. 14:1 geared motor is strong and meant for angled and vertical shots. 7) USB Card/Instructions ? Arca compatible plate for pan axis 9) 12V AC power supply 10) CL-N3, CL-DC0, CL-S2 DSLR camera trigger cables Additional Items Include: 1) Dana Dolly Emotimo Integration Kit 2) ) AC Power Adapter - 24 volt DC high current adapter This retails for over $4700 new. I'm asking $3250. Price is firm.
  2. I have a shoot coming up where the director wants to do a timelapse of a brick wall being built. It's a pretty tight shot but he wants a lot of movement (probably close to 90 degree turn). We will be shooting on a stage with a green screen and there will be a lighting change going from sunny to overcast to rain to sunny again. Now we aren't going to be building an entire wall just a small section. The director's plan is to have the builder work for about 10 or 15 minutes while the camera dollies on a curve around him and the lighting change happens. The camera will be moving very slowly and then he is going to speed the shot up considerably to get the timelapse look. I will be experimenting with actually shooting timelapse as well and my guess is that will work better. This will be a one take shot so motion control isn't absolutely necessary. We are looking at a Kessler option but I think the move it's capable of will be too short. So, has anyone done a dolly move like this for timelapse? I've done some hyperlapse stuff and it almost feels like that. However, I'm worried the speed will be too inconsistent and once sped up it will look dumb. Any help is appreciated.
  3. Hi there, I'm currently on the hunt for the best entry level camera, lens, tripod and slider for filming/photographing landscapes. I have some money to spend but would still like to not break the bank entirely. If anyone can suggest what they think is the best combo of gear I would be super appreciative. Thanks in advance! Andrew
  4. Hi everyone I used the Sony A7r mark ii for a time-lapse job and it gave me great results, now i have another time-lapse job, should i try sony a7r mark iii or should i stick to sony a7s mark ii ? Thank you Best regards
  5. This is a short film I made in Oslo. Feel free to critique, comment and maybe share :) Thanks! Martin
  6. Ca ptured my french city, its castle and some parts of london in this compilation. if you can, comment if i made a mistake in color correction https://youtu.be/j-Q9LJXMqpI
  7. I made a little compilation of the timelapses I took during a visit in Paris, France. I did not have my video camera in my disposal but I did the best I could. the youtube link is https://youtu.be/Pp8KDQm8yAA
  8. Selling the Canon 1D Mark IV w/ PL Mount. I am using the Epic now more so I will no longer be needing this. Wanted to see what offers I got on here before I went to Ebay. No set price, so shoot me an offer. Thanks
  9. https://vimeo.com/100263853 The Crossing - A Short Synopsis The "Crossing" is a tale of desertion, betrayal and retribution set in a post-Civil War American West. In the brutal wilds of the Sonoran desert, SAMUEL CHAMBERS is a desperately wounded youth lost in enemy territory. Pursued by a war party of revenge driven Yuma Indians and worse still, ELI TREATCHER, a vicious, psychopathic madman who Samuel recently rode with during his days with the Glanton gang of government sponsored scalp hunters. After evading the war party, Samuel is soon apprehended by Treatcher, under the pretense that Treatcher, a skilled war medic, is willing to help Samuel remove the arrow from his leg that is slowly poisoning him. An uneasy sense of foreboding develops as it is revealed that Treatcher has far more sinister plans in store for Samuel, who Treatcher suspects, knows the whereabouts of a fortune in buried gold and Union bonds. After a purposely botched attempt to remove the arrow, Treatcher spends the evening terrorizing Samuel with the promise of horrific torture come dawn if Samuel does not reveal the location of the hidden loot. As a new day approaches and Treatcher prepares to slowly murder Samuel, a surprise attack by two members of the pursuing war party leaves Treatcher horribly beaten and disfigured but able to escape the scene after managing to kill one of the attacking indians. With Samuel again hopeless and near death, the lone Indian, MOON, charges the camp but has a sudden and dispiriting change of heart after observing Samuel in such wretched and defenseless condition. After suffering a horrific series of poison-induced visions and nightmares, Samuel awakens one morning to find himself alone in the camp with his leg mended and dressed and his fever broken. Samuel is again abandoned, vulnerable and without any prospects of survival in a hostile landscape. During an agonizing trek through the scorching desert, suffering the scourge of starvation and under constant pursuit from the revenge bent Treatcher, Samuel again comes face to face with Moon, who only days before had demonstrated the ultimate act of mercy and compassion by not only sparing Samuel’s life, but saving it too. For a brief moment, the two share something familiar but are nevertheless still separated by a vast gulf of incomprehension. Moon, the Indian wanderer, turns and once again leaves Samuel wavering in the unrelenting heat. Should Samuel choose to follow, there stands a chance for his survival. If he wishes to go his own way, a certain and agonizing death awaits in the clutches of cruel and merciless desert. Or even worse, at the hands of vile and murderous Treatcher. Samuel’s in a position very few get to be in. That choice is Samuel’s to make. "The Crossing" is being filmed in 5K resolution with the RED EPIC-X. All man-made elements, train tracks, power poles, and to be removed shortly .https://vimeo.com/100263853
  10. Here is a short Nature clip about the Spring time where I live: Shot using Canon 5D Mark III Lenses used: Canon 16-35 2.8L II Canon 100 2.8L Macro Canon 24-105 4.0L IS Canon 50 1.4 For the tracking shots: Varavon Slider with Motoroid kit
  11. Hi everyone, we wanted to write in and say thanks. We're so grateful for your feedback and support on this project. First phase of the 3-axis time-lapse moco rigs now in production. Phase 1 shipping is schedule for this month. Video overview here: https://vimeo.com/93078265 Lightweight at 3 pounds per unit with motor or 7 pounds for pan/tilt configuration. Super strong handling up-to 20 pound payloads. Highly configurable with 100s of possible combinations and last but not least affordable at $350 per axis. Please keep the ideas coming as we work towards final design. Phase 2 ships towards the end of summer. Can't thank you enough for your support.
  12. Hey friends, I have been working on this film for the last year, shooting all in 4K (Via Red Epic or time lapses from a Canon MKIII processed into 4k standard 3840x2160) Please take a look and let me know what you think: Watch in 4K Would love to hear your feedback. If you dig this project help us finish it by sharing this link: https://www.kickstarter.com/projects/1503578410/secrets-of-the-west-a-4k-adventure Thanks all!! -James
  13. Hey guys, A few months ago I borrowed an intervalometer from a friend, it was a nonbranded model, but it did everything I wanted..and I've been trying to find the same model so I can buy one but he's lost his and doesn't remember. I remember the main thing that set his apart (we used 3 different ones from friends on the shoot I was on) was that his was able to increase the photo count in blocks. So instead of holding the button forever to get from 348 photos to 578 photos, his you could go to the 4 and click up to 358, 368, 378 then click left the the 3 and go up to 478 578.... I have been browsing the web for soo long and haven't been able to find one that explicitly states that it does this function! Would love to hear what you guys use :) Please help me out guys! I need a model compatible with the 5D2.
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