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Found 429 results

  1. Please email sales@broadcastsolutions.com for pricing and details.
  2. I just learned I have access to an Aaton LTR but that the batteries went missing. I've searched for batteries online to no avail and was wondering if anyone here knew anyone selling them? Let me know guys, Thank you!
  3. Does anyone know where I could find a dummy roll of 400ft 16mm to pratice loading? Thanks.
  4. For Sale : Arricam 235 Camera Package 4 Perf Please email sales@broadcastsolutions.com for pricing and details.
  5. For Sale : Arricam LT 3 Perf Camera Package Please email sales@broadcastsolutions.com for pricing and details.
  6. There is this old one ... https://variety.com/2009/digital/features/is-it-really-cheaper-to-shoot-in-digital-1118008522/ And a 2015 indie experience https://www.moviemaker.com/archives/moviemaking/cinematography/film-v-s-digital-is-the-expense-of-shooting-on-film-a-misconception What's your thoughts generally (not only on the articles...)
  7. Hey, Looking to pick up an aaton a-minima top handle and or trans video monitor for the camera. Thanks, J
  8. Hey there! I just created a small piece regarding film (photography) I'm looking for critique on this piece. I realized that when I scaled my C4K from the pocket 4k to a UHD timeline, some of my clips towards the end) apparently weren't scaled correctly so a white line pops up on the right side of frame. (Lame because it doesn't show up in premiere's editing windows) Also banding is insane with YT compression so a couple of shots you notice it quite a bit. (Tried to minimize it with grain added) Anyways, thanks for stopping by and drop any tech questions you have below as well!
  9. Hello, I am looking for a used super 16 package with a PL mount. I'm interested in a SR2 or SR3 or an Aaton XTR Prod. If anyone is interested in selling please let me know! Thanks!
  10. For Sale : ARRIFLEX 235 Package LIKE NEW CONDITION. Email sales@broadcastsolutions.com for pricing and details. Package includes: (1x) Camera ARRIFLEX 235 Body (1x) Integrated Video Assist System IVS (PAL) (2x) Shoulder Magazines 120m (1x) Ground Glass (TV S35 Safe) (1x) Medium Extension Eyepiece
  11. https://vimeo.com/327032597 We are documenting events here in Japan prior to the 2020 games for practice. Thank you for all your input. We filmed Tokyo Marathon, I love Ireland Parade, Holi 2019, and most recent a Go Ruck event. Thank you for your time. Sincerely, LODI Team Japan
  12. Im about to shoot a short film on 16mm, and were gonna use back projection (the projection itself would be digital, and its material shot on digital camera). I would appreciate any advice since i never did this. my concerns are mostly two: 1. whats the best way to expose/ measure the projection? 2. should I take any special precautions to avoid flickering? or will it be fine just as long as the camera and the projector are set to the same frame rate? if i plan to use hand cranck, I imagine there is no way to avoid variable flickering, right? Thanks Daniel
  13. Hello! This is my first post here on the forum and I would like to begin it by thanking everyone who posts on here; this forum has been a huge source of information for me, basically like the film school I couldn't afford, so yeah thanks everyone. I just recently acquired an Arri 2c, one that was advertised by the seller as a high speed model. It has the tachometer that reads up to 80fps, but from doing research on this forum and others, I understand that it is possible to attach that tach to a non high speed model. I've read that the only fool-proof way of determining if the camera is an actual high speed model is by the presence of four extra screws on the film gate that can adjust the pressure of the gate. But having been unable to find another picture of an Arri 2c gate to compare mine too, I'm unsure if the screws on my gate are the high speed ones or just the standard. Here's a pic of the gate on my 2c: Is this the high speed gate? And if so, is the combination of the gate and the 80fps tach enough to pretty much guarantee this is definitely a high speed model and is safe to run at 80fps? Just want to be sure, as I have a high speed motor on the way and would like to be sure of what I'm dealing with. Speaking of the high speed motor, I've read that it needs 32v to run at 80fps. At the risk of sounding silly, how exactly do I acquire 32v of power? I can't seem to find any 32v batteries that can connect to the high speed motor. (The cable for my motor has a 4 pin XLR). Is it a case where I would need to have a battery specially fashioned? Anyone who has any experience running a 2c at high frame rates, your help would be greatly appreciated! Thanks!
  14. 15 Minute Pit Stops In 2025, it will only take 15 minutes to recharge your car. In these circumstances, what would you do with those 15 minutes to recharge yourself while you recharge your car? Send in your pitches for a 3 to 5 minute original short film that tells the story about a future where you have 15 minutes to yourself to do whatever you want while you wait for your car to recharge. A total of 3 pitches will be chosen to make into short films. If your pitch is one of the winners, you will receive a production budget of $15,000 to produce and deliver your short film in three weeks. Your pitch should be in English and include an original title, a written script, a concept explanation, a budget breakdown of your proposed 3 to 5 minute film, your biography, and links to your previous work. Bids may also include visuals such as story boards, mood boards, or sample images. The finished films will be promoted through a paid social media campaign and live on BASF’s website.
  15. Hi guys Long time reader, first-time poster on the forum. Recently shot a short film, you can see here: https://vimeo.com/322197103 Would love some feedback. For context, I shot it as a one-man band, on Alexa Mini with Zeiss Superspeeds and glimmer glass. A lot of neg fill, 2 x astra litepanels and 1 x litepanels gemini.
  16. F.S. Aaton A-Minima Kit A-Minima BW Tap 4 Mags Power Base Grip Rods Cables 2 Batteries Charger Pelican case 19 A-Minima Spools. All running well. Just been serviced. Email sales@broadcastsolutions.com for pricing.
  17. Hello , Is anyone selling an arricam lt? Please send me a pm if it's the case. Thanks! Kimon
  18. I'm going to shoot a short silent horror film this fall and I'd love to capture the feel of an old print that's been dragged through Hell and back. My two questions are: what would be the best frame rate to use and how can I get a blown out look like you'd see in a film from the very early 1900's? Should I overexpose the film or ask the lab to mess with the print?
  19. I am getting yellow lines on my film, I checked the wheels they seem fine they spin, is it the gate ? is it because i shot in expired film ? i hate it i shoot a 400ft roll and the yellow line is present in the whole film. i wanna know whats wrong with my CP-16r, has anyone experienced with this problem before? video:
  20. Hey Everyone, I'm looking for a 16mm film synchronizer, if anyone has one they would be willing to part with cheaply. I don't need anything fancy, and a 2 bank is fine. Just need something that works. Let me know if anyone has one they would be willing to get rid of. Best, Derick
  21. For sale is a gorgeous Ekran Anamorphic Zoom lens, 40-120mm F2.5 T3.1 35mm format with PL-mount (model number 35OPF19-1A, serial number 850003). http://www.ebay.com/itm/Ekran-Anamorphic-Zoom-40-120mm-F2-5-T3-1-PL-mount-35OPF19-1A-Russian-35mm-Lens-/182554997311
  22. Hi! I've been hunting around to find some interesting expired film stocks to shoot on. I found a lot of 16mm 500T Vision 2 - "ESTAR" base for sale. I did some research and found some Kodak write-ups about this ESTAR base stock - polyester stock, interesting... The only film I've ever shot entire projects on is 35mm and 16mm Vision 3 (as well as experimenting with some expired Vision 2 stocks). I've never heard of this ESTAR base film before. Any one have any knowledge on this? Also, any idea how it might hold up? - seller says it was stored cold and is factory sealed. Of course, I'd test it ahead of any real shooting, but I'm curious if any one has any idea if it's worth it before I buy the lot? Could be fun to do it regardless as it is selling for fairly cheap! Attached is a photo of the label - curious that it doesn't even have a film code starting in "7." Could this be an experimental stock?
  23. Hello everyone, I've managed to lose my 1014 XL-S battery cover, meaning I can't use the camera. First question, is does anyone have a junk 1014 XL-S I can buy to use for parts? Second question is does anyone know whether the battery covers for any other models are interchangeable? Eg the 814 or 514 XL S? I know the 1014 standard isn't a fit (I think). Thanks for any help! D
  24. Hi, I'm a filmmaker from Switzerland, I have 7 unopened cans of Kodak Vision 250T and 7 cans of Fuji Reala 500D left over from my grad film project in 2004. Both are 16mm single perf, 122m (400ft). Stored in freezer since. Current condition unknown. Selling for 30 swiss franks per can (=30 USD). Serious buyers only please! Online bank transfer in advance. Minimum order: 3 cans. Shipping to USA costs ca. 40-80 USD, depending on weight. Europe is less. I will be travelling to the UK and US in Feb/March, could possibly bring stock personally (not sure about x-rays?). Best regards Bernie
  25. Hello everyone, My friend Fred and I wanted to go out and do a camera test on my ARRICAM. My other friend and her dog were in town visiting at the time, and we thought they had a cool story to tell. One thing led to another, we ended up making this tiny little documentary call Zema. Check it out if you are interested: Shot in one day with only available light. Tested 6fps, 24fps and 48fps on Kodak 5207 and 5219 stock with Zeiss Superspeeds MKIII. Film processed at the Kodak lab Pinewood Studios. Would love to hear your thoughts. Share it if you like it! Cheers, and have a nice day! Tsering
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