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Found 434 results

  1. https://archive.org/details/storagepreservationmotionpicfilmteolijr.a.c.39
  2. I’m intending to do some double exposures on 16mm film with an Arri 416 camera. The most rudimentary method I could think of is just expose the entire roll (one stop underexposed, or however I feel is appropriate for the subject), make notes of the contents, and then reload the same film to shoot the second layer. But sometimes it would be really convenient to be able to just «rewind» the film right away to do the second layer. As far as I can see from the manual, there is no such function in the camera. I guess you could open the mag and do it manually, but it sounds cumbersome. Anyone done this and know a good method that I haven’t though of?
  3. F.S. Aaton A-Minima Kit A-Minima BW Tap 4 Mags Power Base Grip Rods Cables 2 Batteries Charger Pelican case 19 A-Minima Spools. All running well. Just been serviced. Email sales@broadcastsolutions.com for pricing.
  4. Want to buy ARRI AVF-2 viewfinder or similar viewfinder that enables anamorphic de squeeze on the 435.
  5. Aaton 35-III 4-Perf Camera Package w/ 5x 400' Magazines Just Serviced. All components in good working order. This is a 12v Camera so it is possible to power with modern Li-Ion batteries. (i.e D-tap To XLR) Package Includes: Aaton 35-III Camera Body PL Mount 4-Perf Movement 1.33/1.78 Ground Glass Swing-over Finder Carry Handle w/ 2 Tools Heated Eye-cup Extension Finder Top Balance Plate Sony XC77 CCD Video Tap 2x Eyepiece Heater Cables 5x 400' Magazines Flight Case For Camera Body Flight Case For 2x 400' Magazines Flight Case For 3x 400' Magazines $3,495
  6. I'm sure most of you have seen this beauty by now. Dropped out of nowhere yesterday and set the entire Internet ablaze. First of all, do yourselves a favor and avoid watching the trailer on YouTube or any other source than Netflix itself obviously. The trailer is apparently in 4K on the platform, I watched it on a big screen and it's obviously much less compressed and much more representative. The deaging can be seen from the opening of the trailer with Pesci and De Niro and at the end of it. Looks pretty darn impressive when viewed properly on Netflix. De Niro's skin looks a bit smooth on more compressed versions, it does not on Netflix itself. Otherwise, I've been checking out a bunch of set photos to determine how much was film and digital. The producer Emma Tillinger Koskoff pulled some numbers a while ago which were incorrect for some reason, ie 30% of the film being shot on 35mm, and that everything involving the deaging required shooting digitally. However, Thelma Schoonmaker said half of the film has them deaged. So that means half Alexa (as listed on IMDB) and half 35mm film. IMDB lists the following info: Arri Alexa Mini, Zeiss Master Prime and Cooke Panchro/i Classics Lenses Arricam LT, Zeiss Master Prime and Cooke Panchro/i Classics Lenses I don't know if anyone here knows Prieto or someone else involved with the film and can provide maybe more technical info? I also saw that Prieto tested some special rigs consisting of multiple cameras at a rental house. And you can see one of the rigs on the set photos, seemed like several Red cameras which are presumably there to capture facial data for the deaging. And the Alexa which is now being regularly used by Prieto and Scorsese for low light work (Wolf, Silence). Gorgeous work as expected and a film that's been in the works for a decade, Schoonmaker and others close to the project have said it's a different animal than Goodfellas and Casino despite the obvious initial similarities. The film is opening at NYFF late September too, presumably released in November on Netflix, Scorsese has been said to make a push for a wide release of sorts with possibly an exclusive theatrical window of a few weeks.
  7. I'm currently filming a western, shot in the west (Colorado), on film. It's called THE LAST RESORT. Shooting with a Canon 1014XL-S. Filming it on Kodak Tri-X 7266. On location. So far, the film looks amazing! This is a Warehouse 9 Production. I wish I could post a picture, but the image requirements are too small... I don't have a teaser yet, but check out my other film projects. https://vimeo.com/user2463860
  8. Please email sales@broadcastsolutions.com for pricing and details.
  9. I just learned I have access to an Aaton LTR but that the batteries went missing. I've searched for batteries online to no avail and was wondering if anyone here knew anyone selling them? Let me know guys, Thank you!
  10. Does anyone know where I could find a dummy roll of 400ft 16mm to pratice loading? Thanks.
  11. For Sale : Arricam 235 Camera Package 4 Perf Please email sales@broadcastsolutions.com for pricing and details.
  12. For Sale : Arricam LT 3 Perf Camera Package Please email sales@broadcastsolutions.com for pricing and details.
  13. There is this old one ... https://variety.com/2009/digital/features/is-it-really-cheaper-to-shoot-in-digital-1118008522/ And a 2015 indie experience https://www.moviemaker.com/archives/moviemaking/cinematography/film-v-s-digital-is-the-expense-of-shooting-on-film-a-misconception What's your thoughts generally (not only on the articles...)
  14. Hey, Looking to pick up an aaton a-minima top handle and or trans video monitor for the camera. Thanks, J
  15. Hey there! I just created a small piece regarding film (photography) I'm looking for critique on this piece. I realized that when I scaled my C4K from the pocket 4k to a UHD timeline, some of my clips towards the end) apparently weren't scaled correctly so a white line pops up on the right side of frame. (Lame because it doesn't show up in premiere's editing windows) Also banding is insane with YT compression so a couple of shots you notice it quite a bit. (Tried to minimize it with grain added) Anyways, thanks for stopping by and drop any tech questions you have below as well!
  16. Hello, I am looking for a used super 16 package with a PL mount. I'm interested in a SR2 or SR3 or an Aaton XTR Prod. If anyone is interested in selling please let me know! Thanks!
  17. For Sale : ARRIFLEX 235 Package LIKE NEW CONDITION. Email sales@broadcastsolutions.com for pricing and details. Package includes: (1x) Camera ARRIFLEX 235 Body (1x) Integrated Video Assist System IVS (PAL) (2x) Shoulder Magazines 120m (1x) Ground Glass (TV S35 Safe) (1x) Medium Extension Eyepiece
  18. https://vimeo.com/327032597 We are documenting events here in Japan prior to the 2020 games for practice. Thank you for all your input. We filmed Tokyo Marathon, I love Ireland Parade, Holi 2019, and most recent a Go Ruck event. Thank you for your time. Sincerely, LODI Team Japan
  19. Im about to shoot a short film on 16mm, and were gonna use back projection (the projection itself would be digital, and its material shot on digital camera). I would appreciate any advice since i never did this. my concerns are mostly two: 1. whats the best way to expose/ measure the projection? 2. should I take any special precautions to avoid flickering? or will it be fine just as long as the camera and the projector are set to the same frame rate? if i plan to use hand cranck, I imagine there is no way to avoid variable flickering, right? Thanks Daniel
  20. Hello! This is my first post here on the forum and I would like to begin it by thanking everyone who posts on here; this forum has been a huge source of information for me, basically like the film school I couldn't afford, so yeah thanks everyone. I just recently acquired an Arri 2c, one that was advertised by the seller as a high speed model. It has the tachometer that reads up to 80fps, but from doing research on this forum and others, I understand that it is possible to attach that tach to a non high speed model. I've read that the only fool-proof way of determining if the camera is an actual high speed model is by the presence of four extra screws on the film gate that can adjust the pressure of the gate. But having been unable to find another picture of an Arri 2c gate to compare mine too, I'm unsure if the screws on my gate are the high speed ones or just the standard. Here's a pic of the gate on my 2c: Is this the high speed gate? And if so, is the combination of the gate and the 80fps tach enough to pretty much guarantee this is definitely a high speed model and is safe to run at 80fps? Just want to be sure, as I have a high speed motor on the way and would like to be sure of what I'm dealing with. Speaking of the high speed motor, I've read that it needs 32v to run at 80fps. At the risk of sounding silly, how exactly do I acquire 32v of power? I can't seem to find any 32v batteries that can connect to the high speed motor. (The cable for my motor has a 4 pin XLR). Is it a case where I would need to have a battery specially fashioned? Anyone who has any experience running a 2c at high frame rates, your help would be greatly appreciated! Thanks!
  21. 15 Minute Pit Stops In 2025, it will only take 15 minutes to recharge your car. In these circumstances, what would you do with those 15 minutes to recharge yourself while you recharge your car? Send in your pitches for a 3 to 5 minute original short film that tells the story about a future where you have 15 minutes to yourself to do whatever you want while you wait for your car to recharge. A total of 3 pitches will be chosen to make into short films. If your pitch is one of the winners, you will receive a production budget of $15,000 to produce and deliver your short film in three weeks. Your pitch should be in English and include an original title, a written script, a concept explanation, a budget breakdown of your proposed 3 to 5 minute film, your biography, and links to your previous work. Bids may also include visuals such as story boards, mood boards, or sample images. The finished films will be promoted through a paid social media campaign and live on BASF’s website.
  22. Hi guys Long time reader, first-time poster on the forum. Recently shot a short film, you can see here: https://vimeo.com/322197103 Would love some feedback. For context, I shot it as a one-man band, on Alexa Mini with Zeiss Superspeeds and glimmer glass. A lot of neg fill, 2 x astra litepanels and 1 x litepanels gemini.
  23. Hello , Is anyone selling an arricam lt? Please send me a pm if it's the case. Thanks! Kimon
  24. I'm going to shoot a short silent horror film this fall and I'd love to capture the feel of an old print that's been dragged through Hell and back. My two questions are: what would be the best frame rate to use and how can I get a blown out look like you'd see in a film from the very early 1900's? Should I overexpose the film or ask the lab to mess with the print?
  25. I am getting yellow lines on my film, I checked the wheels they seem fine they spin, is it the gate ? is it because i shot in expired film ? i hate it i shoot a 400ft roll and the yellow line is present in the whole film. i wanna know whats wrong with my CP-16r, has anyone experienced with this problem before? video:
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