J. Lamar King IMPOSTOR Posted July 25, 2006 Share Posted July 25, 2006 (edited) GARRISON is the title of a feature I've been shooting in San Antonio, TX. We started July 5th and end July 30th. It's loosely based on some killings that were committed at Fort Bragg by soldiers returning from Iraq. We're shooting with the Canon XL-2 and 20x lens in 24p mode. Because this is a DV feature and because of the nature of the content we decided to embrace the format we are shooting on and play to its strengths. It's not film so we are not treating it like film. After looking at various movies for reference, most notably 'Traffic' we decided to set some guidelines as to the style of coverage. We are always hand-held but very steady, no walking hand-held, no zooming and minimal panning. We have a Glidecam with vest if we need to travel with the characters. We only shoot the top of the scene as a master because the meat is in the close-ups on DV where we can back up and get good depth of field. For the visual scheme I am playing off of the military camouflage uniforms. Using greens, browns and yellows wherever I can. All DAY EXT. is shot through a Chocolate 2 usually combined with an Ultra-Pol. DAY INT. is no filter with lighting pushed through windows and pumped up practicals. NIGHT INT. and EXT. is a mix of 1/2 CTB+Pale Green for moonlight effect and Rosco Storaro 2003 Yellow as a sodium vapor effect. The Chocolate filter lays a nice yellow on the lighter areas of the camo uniform and any specular highlights in the frame. It echoes the VS yellow used at night. We have been trying some ambitious things for the budget size of this film like using a 2,000 gallon pumper truck for rain effects and wet downs. It worked out pretty good that the director?s father happens to own said truck. I wasn't sure if we had the crew or time to use it but it has worked well so far and I'll post about "the monster" later. I'm using the Custom Preset 1 on the XL-2 pushing Master Ped down 3, Black Press On and Knee High. I've mostly used the 5600 and 3200 white balance presets. Only white balancing a few times when we were using practicals as the main source of light. Exposure is set via 100% Zebras with an eye toward exposing for the highlight. Kinda like you do with reversal stock. I only have an 8 inch monitor for reference. I've played around using SpeedGrade On-Set to see if my final grade is what I'm looking for. I plan to use it as a guide for a grade on Lustre or something in post. Edited July 25, 2006 by J. Lamar King Quote Link to comment Share on other sites More sharing options...
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