Jasper Granderath Posted February 24, 2007 Share Posted February 24, 2007 Hey fellas, i want to get in contact with Roberto Schaefer, the DP of "STAY". I would like to ask him some questions about his work in "STAY". Does anyone know his agency or another chance to contact him? Thanks a lot. Regards, Jasper Granderath Link to comment Share on other sites More sharing options...
Camillo Foramitti Posted February 24, 2007 Share Posted February 24, 2007 He is a member of CML. You might be able to contact him there. Link to comment Share on other sites More sharing options...
Jasper Granderath Posted February 25, 2007 Author Share Posted February 25, 2007 Thanks for your help. I'll try it this way. Best, Jasper Link to comment Share on other sites More sharing options...
Jasper Granderath Posted March 16, 2007 Author Share Posted March 16, 2007 Hi again, I've tried it over different cml lists. With no result. Any hints what to do? Gracias. Jasper Granderath Zurich Link to comment Share on other sites More sharing options...
Premium Member David Mullen ASC Posted March 16, 2007 Premium Member Share Posted March 16, 2007 I can't give you any personal contact info, but the union phonebook gives his agents' phone numbers: Debbie Haeusler/Heather Parker, (310)656-0400 I've gotten correspondence through my agent before, so going to them should be fine. Link to comment Share on other sites More sharing options...
Jasper Granderath Posted March 19, 2007 Author Share Posted March 19, 2007 Hello David/Mr. Mullen, thank you for this information. I'm on a set these days, but i will call his agents as soon as possible. Cheers, Jasper Granderath Zurich Link to comment Share on other sites More sharing options...
Jasper Granderath Posted March 27, 2007 Author Share Posted March 27, 2007 I can't give you any personal contact info, but the union phonebook gives his agents' phone numbers:Debbie Haeusler/Heather Parker, (310)656-0400 I've gotten correspondence through my agent before, so going to them should be fine. Hi David, Thanks a lot. It worked fine. btw: Roberto Schaefer is represented now by Endeavor. Jasper Granderath Zurich Link to comment Share on other sites More sharing options...
victor huey Posted May 31, 2007 Share Posted May 31, 2007 hi, i worked as a grip on stay, so what questions do you have? Maybe i can tell you how it was done. Link to comment Share on other sites More sharing options...
Arni Heimir Posted May 31, 2007 Share Posted May 31, 2007 Hi David, Thanks a lot. It worked fine. btw: Roberto Schaefer is represented now by Endeavor. Jasper Granderath Zurich Does endeavor have a technical department? Link to comment Share on other sites More sharing options...
Premium Member David Mullen ASC Posted June 1, 2007 Premium Member Share Posted June 1, 2007 Does endeavor have a technical department? I believe it reps below-the-line people like DP's, probably editors, production designers, etc. -- as well as above-the-line folks like directors, screenwriters. Link to comment Share on other sites More sharing options...
Premium Member Dan Goulder Posted June 1, 2007 Premium Member Share Posted June 1, 2007 hi, i worked as a grip on stay, so what questions do you have? Maybe i can tell you how it was done. Any info you'd care to share would be most appreciated. Stay was an interesting and creative movie. Do you know if the morph-style edits were designed and planned for on set, and if so, how the shots going into and coming out of these edits were calculated and blocked? Thanks. Link to comment Share on other sites More sharing options...
Matthew Buick Posted June 2, 2007 Share Posted June 2, 2007 Would you believe it! He has a user here. :) Roberto Schaefer, ASC. Link to comment Share on other sites More sharing options...
victor huey Posted June 20, 2007 Share Posted June 20, 2007 The film was constructed to convey a dream like state, so the stunts on the bridge were duplicated on a sound stage, with green screen, to match the action, locations were chosen for their unique dream like spaces...the film was totally planned to edit seamlessly from one frame to the next. Any info you'd care to share would be most appreciated. Stay was an interesting and creative movie. Do you know if the morph-style edits were designed and planned for on set, and if so, how the shots going into and coming out of these edits were calculated and blocked? Thanks. Link to comment Share on other sites More sharing options...
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