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victor huey

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Everything posted by victor huey

  1. I am looking for OEM kevlar main belts for the ARRI BL4 The part numbers are K5.35055.0
  2. Hi, I h ave several Russian KINOR 35 2 perf cameras for sale
  3. I am looking for OEM main belts for the ARRI BL4 The part numbers are K5.35055. If anyone knows where I can find these belts, arri is out of stock.
  4. Hi I am looking for 50mm Optika Elite super speed lens. I have some lomo super speed lens I can trade if anyone is intersted?I hae a 18,20,35,75 elite so i am looking for additonal lens to round out the set.
  5. I have several two perf KInor for sale , I am also based in NYC
  6. Any one selling single optika elite super speed lens?
  7. I have several Russian Kinor 35h two perf cameras for sale!
  8. additional pictures, the camera was totally rebuilt by Bruce, new paint, new electronics, two perf gate and movement
  9. bruce retired and sold off all his equipment! I have four two perf Kinor bodies if you are interested!
  10. I'd say the biggest mental changeup, is how to fit in with a large crew you are new too. Most of the time if you are brought in as a day player, the regular crew has probably worked together for years, and have a routine. NO two crews are alike, and one has to observe and figure out how you can fit in to the flow. First thing is that you have to observe the lighting set up, the rigging crew has already done a lot of the work setting up, and you have to size up what the shooting crews task at hand. Usually the most deceptive simple setups are the most complicated. Read the call sheet study how production has planned the day, how much they plan to do before lunch, most importantly especially if you are outside, observe the weather conditions, where the sun is. Almost think like the DP, who has a job to do , within a limited time. That way you can anticipate what is going to happen before the DP tells the gaffer and the key grip what he needs. Being observant and in position, is alike a basket ball game, where you know where to be on court during a fast break. Eventually you will figure out how to work with different crews and you will find you phone ringing for more days on set.
  11. do you have picture of OPF7 25-250MM.3.5 can be equipped with anmorphic adapter. OCT-19/PL 1500/ 2850
  12. Thanks for your reply,yah i have seen these cameras come up form time to time, but why bother, too much work to get it working, and finding spare parts is impossible. More like a museum piece , sad because i really wonder if this camera actually worked in a production?
  13. ANyone familiar with this KINOR 35PII camera
  14. two perf GG , PL mount KOnvas camera
  15. I have a Konvas camera converted to two perf. nice run and gun camera, MOS though
  16. Hi all, I have several two perf project cameras , on was a converted Konvas, and I am hoping to convert a flying eye camera body to two perf!
  17. Hi all, I think that many of the issues of shooting two perf will be resolved: Problem: Sync two perf camera's. Instead of hoping for it, you have them made. I have had four KINOR 35 2 perf camera's converted or found on ebay, and now two ARRI BL4's and one Arri III from the camera rental houses that have went out of business. I had my bl4 converted to two perf by the great ANdree Martin at AM Camera! Workflow: the cost of digital scanning has come down with the emergence of scanners from black magic or moviestuff retro scanner, and Kodak opening new labs was big. Raw stock:Kodak has emerged from bankruptcy and films rumored death has been greatly exaggerated.
  18. So finall testing all those short ends i have been saving for years off shoots! lol
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