marcelo kron Posted April 6, 2009 Share Posted April 6, 2009 Hi guys! soon I will be shooting at this location with sony EX3 camcorder... do you guys have any idea how to deal with the differences of the lights... Indoor and out door... should i change all indoor lights to 5600k?? thanks for any suggestion! kron Link to comment Share on other sites More sharing options...
Premium Member Adrian Sierkowski Posted April 6, 2009 Premium Member Share Posted April 6, 2009 It would probably be easier and cheaper to just gel the window with full CTO, or maybe just 1/2 or 3/4 for a little bit of chromatic seperation (a little blue outside) and balance the EX3 to around 2700-3000K to deal with the indoor incandescent, which probably aren't a full/real 3200K. That's how I'd deal with it. Link to comment Share on other sites More sharing options...
marcelo kron Posted April 7, 2009 Author Share Posted April 7, 2009 thank you Adrian for the fast reply i just ask for the producer if its possible to do that regards kron It would probably be easier and cheaper to just gel the window with full CTO, or maybe just 1/2 or 3/4 for a little bit of chromatic seperation (a little blue outside) and balance the EX3 to around 2700-3000K to deal with the indoor incandescent, which probably aren't a full/real 3200K.That's how I'd deal with it. Link to comment Share on other sites More sharing options...
Shubham Kasera Posted April 7, 2009 Share Posted April 7, 2009 i feel that flv lights will be cheaper and then having a section of the house lit with tungsten lights will add the warm tones which might look good just keep a minus green handy if u use flv try making soft boxes and hanging them in the house Link to comment Share on other sites More sharing options...
Steve McBride Posted April 7, 2009 Share Posted April 7, 2009 Don't change all the fixtures to daylight. Keep your practicals tungsten and just keep some minus orange ready to cut down on the temp. Link to comment Share on other sites More sharing options...
DS Williams Posted April 8, 2009 Share Posted April 8, 2009 It would probably be easier and cheaper to just gel the window with full CTO, or maybe just 1/2 or 3/4 for a little bit of chromatic seperation (a little blue outside) and balance the EX3 to around 2700-3000K to deal with the indoor incandescent, which probably aren't a full/real 3200K.That's how I'd deal with it. I agree with this approach, but balancing the EX as low as 2700k will introduce considerable noise in the blue channel. To be a bit more forgiving, I'd use daylight photofloods or high CRI CFLS, like the <95CRI lamps made by Lowel. Link to comment Share on other sites More sharing options...
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