Aaron Solomon Posted November 14, 2010 Share Posted November 14, 2010 Does high key vs. low key lighting refer to the intensity of the lights in general, or the angle at which the key light is placed? Link to comment Share on other sites More sharing options...
Premium Member Adrian Sierkowski Posted November 14, 2010 Premium Member Share Posted November 14, 2010 Refers to the ratio of Key light to Fill Light. For example a High Key Lighting has a smaller ratio of key to fill (they are closer in terms of luminance) than does Low Key. For High Key, you might be at a 2:1 ratio, wherein the Key Light is 2x as bright as the Fill (or 1 stop brighter). With Low Key, you may be at 8:1 or far higher! It has naught to do with height. Link to comment Share on other sites More sharing options...
Premium Member David Mullen ASC Posted November 14, 2010 Premium Member Share Posted November 14, 2010 I don't think it's specifically about key-to-fill ratio, it's more about the overall effect. "Low Key" means that the scene has a predominance of dark areas with very small amounts of highlights. "High Key" means that the scene has a predominance of midtones and highlights with few dark areas. Now of course often that means that a low key scene is high in contrast and a high key scene is low in contrast, but there are exceptions. You could have a light-toned set with with a single hard frontal key light, no fill, which would look high key and be high in contrast... and you could have a soft-lit, low-contrast scene that is very underexposed and dim and be considered low key. Link to comment Share on other sites More sharing options...
Premium Member Adrian Sierkowski Posted November 14, 2010 Premium Member Share Posted November 14, 2010 Quite true, but I would still say that on the whole, it's closely related to contrast ratios. That's just me though. Link to comment Share on other sites More sharing options...
Aaron Solomon Posted November 14, 2010 Author Share Posted November 14, 2010 Thanks! So a high key image would have more bright spots? Link to comment Share on other sites More sharing options...
Premium Member David Mullen ASC Posted November 14, 2010 Premium Member Share Posted November 14, 2010 Thanks! So a high key image would have more bright spots? Yes and no -- a night exterior could be low-key but have a number of bright spots in the frame surrounded by darkness. It's really more of an impression of the overall light quality, is the frame mostly well-illuminated at full exposure or does it feel on the dark side? Link to comment Share on other sites More sharing options...
Aaron Solomon Posted November 14, 2010 Author Share Posted November 14, 2010 And "well illuminated" = high key and "dark" = low key? Link to comment Share on other sites More sharing options...
Brian Drysdale Posted November 14, 2010 Share Posted November 14, 2010 And "well illuminated" = high key and "dark" = low key? Traditionally comedy was high key and thrillers were low key. Link to comment Share on other sites More sharing options...
Aaron Solomon Posted November 14, 2010 Author Share Posted November 14, 2010 Traditionally comedy was high key and thrillers were low key. Like the darkness and stark contrasts create suspense? Link to comment Share on other sites More sharing options...
Premium Member David Mullen ASC Posted November 15, 2010 Premium Member Share Posted November 15, 2010 I think you're trying too hard to nail down a vague term. It's more of an general impression of the scene as to whether it is low key or high key. A Hollywood musical like "Singin' in the Rain" would be considered high key whereas a movie like "Seven" would be considered low key. The issue is whether there is a pervasive feeling of lightness versus darkness in the imagery. Link to comment Share on other sites More sharing options...
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