Jordan Raabe Posted September 14, 2013 Share Posted September 14, 2013 Can anyone suggest affordable solutions to achieve a direct overhead angle in a room on location? Our ceilings are only about 9 ft high, but we're looking to get several high, down-angle wides. We're on a 100mm Ball head tripod head, but can rent the necessary equipment to get the job done. Here is an example of what we're looking for: http://www.dvdtimes.co.uk/protectedimage.php?image=NatTunbridge/abovebart.jpg Thanks for your help! Link to comment Share on other sites More sharing options...
JD Hartman Posted September 14, 2013 Share Posted September 14, 2013 Low hat and head clamped to top of stepladder. Two step ladders, two lengths of speedrail between them, camera mounted to right angle cheese plate, cheese plate underhung from speedrail. Link to comment Share on other sites More sharing options...
Kurtis Myers Posted October 13, 2013 Share Posted October 13, 2013 Swap those step ladders for something designed to hold speed rail, like clamps and sturdy stands. Link to comment Share on other sites More sharing options...
Rob Vogt Posted November 2, 2013 Share Posted November 2, 2013 Use a tilt wedge. Or if you're shooting on a go pro just use a suction cup. ;) Link to comment Share on other sites More sharing options...
Premium Member Phil Rhodes Posted November 2, 2013 Premium Member Share Posted November 2, 2013 First-surface mirror, then you can mount the camera horizontally? Might need a flip or flop as required, but that's trivial. Link to comment Share on other sites More sharing options...
Gregg MacPherson Posted November 2, 2013 Share Posted November 2, 2013 Can anyone suggest affordable solutions to achieve a direct overhead angle in a room on location? ...... http://www.dvdtimes.co.uk/protectedimage.php?image=NatTunbridge/abovebart.jpg Is there a reason why you don't immediately think of a jib arm? If you don't need much reach then the arm doesn't need to be very big. I used to own a crappy old arm on a rough pedestal with a 1.5m reach that was pefect for setting up these shots. An arm is a nicer way to quickly fine tune your compositions. With a short reach there is a good chance you can directly operate the camera and arm, introducing some potentially subtle and organic movement. Link to comment Share on other sites More sharing options...
Premium Member Mark Kenfield Posted November 5, 2013 Premium Member Share Posted November 5, 2013 (edited) Yeah, I just pull out the jib and whack a wide-angle lens on for these sorts of shots. Also allows you to very easily do a gentle 'push in' towards the subject, and the setup time is only 5 minutes. Edited November 5, 2013 by Mark Kenfield Link to comment Share on other sites More sharing options...
John David Miller Posted November 26, 2013 Share Posted November 26, 2013 Build a goal post with pipe and put a ball leveler on it, or a cheese plate with a dovetail. If they get a periscope you can get even closer to the ceiling. Link to comment Share on other sites More sharing options...
John David Miller Posted November 26, 2013 Share Posted November 26, 2013 And remember to safety off that camera!! I've seen them fall... Link to comment Share on other sites More sharing options...
Sanjay Sami Posted December 14, 2013 Share Posted December 14, 2013 GF-Jib or equivalent ... its the right tool for the job and as Gregg MacPherson says - you can very quickly adjust position and height. As you say you have several shots to get through, this would certainly be my choice. Link to comment Share on other sites More sharing options...
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