Premium Member Phil Rhodes Posted October 23, 2018 Premium Member Share Posted October 23, 2018 Hi folks I have to cut some stuff together which includes stuff that's been shot on various Red cameras. Is there some straightforward commandline tool I can use to batch process it all into something more normal? I've no interest in getting bogged down in camera-specific workflows for this, nor do I want to deal with 8K material on a timeline. Ffmpeg was able to do it at one point and could have gone directly R3D to ProRes .mov, which would be great, but of course Red started encrypting their files specifically to prevent this from being done. I hate to take this platform to complain, but good grief: something that's trying to be a professional digital cinema camera that produces deliberately-obfuscated data? Madness. I try to avoid all things Red, so I've almost no experience dealing with it. Low-con HD ProRes quicktimes would be fine. P Link to comment Share on other sites More sharing options...
Premium Member Phil Rhodes Posted October 24, 2018 Author Premium Member Share Posted October 24, 2018 Ugh. I can't believe there isn't a solution to this. Red Cine X it is, then. Link to comment Share on other sites More sharing options...
Premium Member Adrian Sierkowski Posted October 24, 2018 Premium Member Share Posted October 24, 2018 Normally I'd just run them through Resolve to DnX or ProRes if you can. Link to comment Share on other sites More sharing options...
Premium Member Phil Rhodes Posted October 24, 2018 Author Premium Member Share Posted October 24, 2018 Mutter grumble Red complain whine stupid file formats bitch gripe. "But like dude it's got like skulls on it, dude." Sunglasses salesmen, Dude. 1 Link to comment Share on other sites More sharing options...
Premium Member Adrian Sierkowski Posted October 24, 2018 Premium Member Share Posted October 24, 2018 indeed. Link to comment Share on other sites More sharing options...
Premium Member Keith Walters Posted December 5, 2018 Premium Member Share Posted December 5, 2018 It was the classic case of the Tail Trying To Wag The Dog™.With virtually every other camera format you'd just shoot and present your files to the production house.You didn't have waste time trying to establish whether your editor-of-choice (or purveyor of facilities for same) could be arsed installing the Red bloatware on their systems, or updating their existing editing software for the benefit of a clientele who probably couldn't afford them anyway, and/or were potentially more trouble than they were worth.This was particularly so a decade ago when the necessary download bandwidth and hard drive real estate were considerably more costly than they are now.I suppose the main reason Red started encrypting the R3D files was that FFMPEG conversion spat out what was actually there, rather than letting Red's proprietary "Turd Polishing"™ software get its hands on it :rolleyes: Link to comment Share on other sites More sharing options...
Premium Member Aapo Lettinen Posted December 5, 2018 Premium Member Share Posted December 5, 2018 (edited) With virtually every other camera format you'd just shoot and present your files to the production house except when someone shoots Prores RAW and wants to go with the "normal" workflow with it :lol: anyway, it is quite easy to get prores out of r3d files by running them through Resolve for example. if it's some of the newer sensors it may look quite nice even without extensive raw adjustments... by my experience the MX generation for example (epix-x etc) needed much more adjustments and the redcine was handy at times when other software did not have all the needed controls available Edited December 5, 2018 by aapo lettinen Link to comment Share on other sites More sharing options...
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