Films shot on S16 with 500T

[Boris Kalaidjiev]

Hello, 

Can anyone suggest film that are entirely shot on 500T with day time scenes and it was afterwards corrected for in post?

 

Thanks!

[Tyler Purcell]

I mean there are lots of samples online. Here is one I found with a 2 second google search: 

 

[David Mullen ASC]

“Heat” — but that was 35mm anamorphic. 

[Chance Shirley]

Not sure if you're going for the tungsten-film-color-corrected-in-post look, but an alternative is you can throw a filter (an 85B, I think) on the lens and save yourself some time in post. Plus it will reduce exposure by like 2/3 of a stop, which will be helpful for most daylight shooting situations.

[Boris Kalaidjiev]

@David Mullen ASC you're saying they Dante Spinotti shot Heat on 500T without correcting the daytime scenes with an 85B?

 

What I am trying to figure out is if you're shooting daytime interiors can you get away with shooting on 500T without correcting for it in camera (because you lose 2/3 of a stop). Is it possible to just shoot with a tungsten stock and then shift the WB later on in post?

[Boris Kalaidjiev]

@Tyler Purcell I meant if anyone knew any feature films that were shot on 500T without using in camera correction filter. I know that Hélène Louvart AFC shot Never Rarely Sometimes Always entirely on 500T but I am not sure if she corrected the daytime scenes in camera or in post.

[David Sekanina]

not a feature, but uncorrected 500T: