Igor Trajkovski

Here is couple of seconds later on the opening shot...

@Mark Dunn - your night shot with the ambulances and firefighters looks to me like some British WW2 thing... BTW, i watched today "Red Desert". Mainly i liked it, however some of the sentiment/acting of that period didn't resonate enough with me. The images were interesting - fog, gray, overcast, machinery, steam, smoke, wetness, at moments post-apocalyptic... If you don't mind, can you share your take, what you like in this movie?

No, it's not a glitch in the file or while screen capture. :)

"The Wicker Man" (1973)? This looks like the arrival of the policeman on the island. Yes I've seen the movie long time ago in segments, and some months ago decided to watch it whole. Started, and some 15-20min in it didn't have the mood/patience to go through it... Need to give it another go.

No not an image search. That's lazy. I used your hints, i confess. Have not seen the movie. None of the sample images from the movie were your grab, however some stylistically suggested that might be the film. I think just one image hints of your shot, the trees here: You got me intrigued with the movie. It's on my list now. ... If i don't know the shot, i enjoy finding out what movie it might be. But NOT by image search engine. The hints, shot description, etc... Quite educational and a lot of intriguing films pop up! :) Rules of Engagement spelled out please if the above is not valid.

Yes David, that it is. :) ... @Gregg MacPherson - No not during image search. Just by holding my cursor over your posted image after a sec. the file name appeared "The Turin Horse 2.jpg" But i knew that was the film coz the day before i bumped upon it while searching italian cinema and watched some pix & trailer of it. This image with the horse stuck with me.

The cult director of this one was well on its way to make an unforgettable trippy, epic, 1st ever "DUNE". Recent documentary showed it all - the process , the gathering of talent, the concept art, the storyboards, all on its way... As the unfolding continues you say "WTF?! How did this not happen!?" :) PS: Sorry the language.

"The Turin Horse" ... BTW, to all participants, do rename the file name of the pictures you post, coz its visible = easy "guess".

@Mark - is it this one?

I won't be surprised if we see the last year cinematography, director and best film (the director) winners be the same people. :)

@Justin - Yes, it is a GOOD one. :) For the others: hint needed? ... Since nobody got a clue, can we please have the title? :)

Tough one, Richard... It might be this one: :)

"Le orme" (1975) (aka "Footprints on the Moon") And the shot on the proper time on YT - LINK. Cinematography by Storaro.

Some questions: - Are the numbers you are all mentioning here already TAX free? - Per week means how many days? 5? 6? - Is the prep days rate the same as the shooting days rate? Thanks. Igor

I don't hablo español, but Spain here i come! :) Just kidding (for now), but who knows... PS: Google translate said "hablo". I though it should be "habla".

I had also a Hitchcock period a year ago or so. After starting reading and listening the “Hitchcock/Truffaut” book/tapes i got exited about the concept of pure cinema - "show, don't tell" and become interested to see Hitchcock's first silent movies. To see his solutions, "line of thought", storytelling with images, etc.... Thanks to this instant information age i managed to see a lot of them on YT. There was a channel with a lot of oldies. It might have been CiNENET According to their channel info: "And that's totally legal and free of charge." From "The Pleasure Garden" 1925, "The Lodger" 1927, ... up to "The Manxman" 1929. (minus the "The Mountain Eagle" 1926 which wasn't online or was even not released or something.) It was fun to watch. :) Then i started to watch the other films in semi random order with the idea to see them all. Just less than a half left... :) Best Igor

I just yesterday saw this on your credits on IMDb and really wondered how come David hasn't posted anything about it yet. Usually you always write something about every project you are on. Then i looked it up via the search. I am amazed at the old-schoolness of it. Great looking. :) Now by re-watching the trailer on YT, i feel the cheesiness of it all. I mean that in the most positive way. Tarantino should hire you and you do some new Grindhouse or other wicked movie reflecting that hard lit era. :) Best Igor

"Narcos" To any with Spanish as native language, how is Wagner Moura (Pablo Escobar) with it, since he's Brazilian? Here and there, i might be imagining things, like i hear some Portuguese "moments" in the way he speaks... :)

Education? Some great workshop/seminar, say ASC Masterclass. I think aside the technical&artistic knowledge benefits, something like that can be a great morale and confidence booster. Not to mention the networking. ... Between the two mentioned choices i'll go Light and Grip too.

In which way? Were you working with them? ... Seeing The Revenant on a normal Tv (like a 56" tv) MIGHT produce the same effect as if seen on a super big screen if you sit closer to the TV. (?) :)

"Headhunters" was a nice ride. :)

I remember being mentioned here and after searching through the forum it came out it is in the above linked thread. It LOL'd me then, and surely now. :) I'll just quote K Borowski: "Some things you don't WANT to see in that sharp of clarity. Just like "Panorama Blue", the only porno shot on 5-perf. 65mm; some things just shouldn't be projected 20- feet wide on the big screen like that " ... Someone on that team was forward thinking. Can you imagine all those subtleties of acting & action, the richness of skin color, the high-res detail depicting the era's features like setting, wardrobe and grooming, scanned in stunning 16k, 24bit per channel HDR for the digital remaster? A "masterpiece" preserved because shot on film. Now beat that, you "digital" unbelievers! :)

For very in-depth useful info on the FS5 and some about FS7 when the differences are pointed out, I'll recommend you this video: Vocas Sony PXW-FS5 Introduction days presented by Alister Chapman Not just great infos about the camera(s) but also a ton about the gamma curves, the Sony sLog curves, what does it mean data/codec and exposure wise. ... I agree with the above about keeping it simple and light. Good hunting. Regards Igor

I may re-watch it soon, to remember Vilmos... and Laszlo. Was very sad when i read the news about his departure. Weird sadness came over me when i was watching "No Subtitles...". As i started to see the lifelong friendship between Laszlo and Vilmos, then the birthday (i think) telephone call from Vilmos to Kovacs, and the fact that at the time of watching the later was already gone... ... On the lighter side, through a post of THE ASC, on facebook i think, there was an article about Vilmos being guest on Anthony Bourdain's: Parts Unknown - Budapest. I watched later the episode and Anthony said ~ "He created a whole new palette, took crazy risks, changed film language in ways people still try to imitate. And he's making our camera crew very nervous, I can tell you." :) Best Igor