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Daniel Meier

Basic Member
  • Content Count

    109
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About Daniel Meier

  • Rank

Profile Information

  • Occupation
    Cinematographer
  • Location
    Leipzig, Germany
  • My Gear
    BMPCC4K, BMPCC, Bolex Rex5, Canon 814-E
  • Specialties
    Lighting, Gaffing, Cinematography

Contact Methods

  • Website URL
    www.framefive.de

Recent Profile Visitors

6428 profile views
  1. I want to power a couple of my LED Panels (https://www.bhphotovideo.com/c/product/1316114-REG/yongnuo_yn1200w_yn1200_led_video_light.html) for filming skateboarding outdoors. Would you recommend using an inverter generator for that purpose or can I use a regular (cheaper) standard generator for that matter? I am pretty new to the world of gennys. So I have no idea if a simple LED light such as the Yn-1200 falls under the category of voltage-sensitive electronic devices such as laptops or computers, that obviously should only be powered with inverter generators, to avoid damage. I
  2. That makes perfect sense. Thank you Jean-Louis! Wouldn't have thought that they'd use the metric system.
  3. I am still pretty new to this camera. And I was wondering what the footage counter indicates. So I took a look in the manual. The lower left indicator shows, how much feet have advanced through the camera, right? So if I have a 100ft roll in the camera it should advance up to 100ft. I shot 24fps all the way so far. According to this photo, I already exposed 6ft of film, right? But then again, the frame counter indicates roughly 730 frames. Does this make sense? I put these figures through a calculator and it actually should read something around 18ft. Which makes more sense,
  4. Tried both lenses on my BMPCC4K today using the Metabones C-Mount to MFT adaptor. Both worked great. The 18-86mm was nearly 100% parfocal on the BMPCC4k. And I could focus even past infinity on the 10mm. Must be a misalignment in the Camera then, right?
  5. Like I said, I already checked the diopter settings multiple times.
  6. That's a good idea. Although I think the lenses are ok. But they might make a good fit on my BMPCC4K.
  7. Dear community. I recently got me a Bolex Rex5 camera. The set included two lenses. The Kern Vario-Switar 18-86mm/f2.5 zoom and a Schneider Cinegon 10mm/f1.8 prime lens. It seems like the focus of the 10mm won't reach to infinity. Here is a video demonstrating that: https://vimeo.com/426998946/3241902a4f The zoom lens also gives me trouble keeping focus throughout the zoom range. A Bolex user (Ben Ericson on this forum) told me that his 18-86mm is parfocal. On my camera it doesn't work as a parfocal lens. Here is also a video demonstrating that: https://vimeo.
  8. Me and two of my colleagues want to dive into new cinematography fields: I was mainly responsible for the lighting and DPing and did all the color grading. Please feel free to comment.
  9. Great and informative thread! I would really appreciate looking into any moving picutes. Can you give us a trailer or excerpt of the film?
  10. Just found an interesting article on the ASC Blog: https://ascmag.com/blog/shot-craft/diffusion-confusion
  11. I want to dive more into narrative books again. I've always been a very audiovisual person, when it comes to perceiving and consuming storys. So I'd like to come back to the written storys, after heaving read so many non-fictional books about lighting, photography and cinematography. Can you give me some recommendations? I know it's rather subjective. But I thought, I'd meet some like-minded people, since we are all filmmakers and visual storytellers. Maybe I can give you a little help with my favourite films and directors, that I enjoy watching: - Kitano, Fincher, Tarantino, Dan
  12. You guys know any good websites where I can learn about diffusion materials and their distinguish looks and effects? After all I want to be able to distinguish between Frost, White Diffusion, Grid Cloth, Tough Spun and the like. Some best practices or examples of usage on real lighting setups would also be warmly welcomed. Or maybe even you guys can talk about your own experiences. Cheers, Daniel
  13. Thanks Tyler and Vlad for sharing your knowledge. Here are two sample frames from a Prores BMPCC shot to illustrate my green-tint-issue. https://www.dropbox.com/sh/8t78zdu3g6yhzl2/AADYjqNzZeLcfgnqP6aPaM9_a/Boz_BMDFilm_to_Rec709%20%282%29.jpg?dl=0 https://www.dropbox.com/sh/8t78zdu3g6yhzl2/AAAXq3Gsv0S8TKkkhG_PfV0pa/EOS-HD_SLOG_2_SGAMUT%20%282%29.jpg?dl=0 https://www.dropbox.com/sh/8t78zdu3g6yhzl2/AADbkFl7eQgOR9D8ie1jX9rQa/Boz_BMDFilm_to_Rec709%20%2812%29.jpg?dl=0 https://www.dropbox.com/sh/8t78zdu3g6yhzl2/AABwdT8-TPdr5mEvOje_JCgta/EOS-HD_SLOG_2_SGAMUT%20%2812%29.jpg?dl=0 I named t
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