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Sam Martin

Basic Member
  • Posts

    33
  • Joined

  • Last visited

Profile Information

  • Occupation
    Director
  • Location
    London, UK
  • My Gear
    Alexa,Epic X, F5/F55,C300,1DC,and many more

Contact Methods

  • Website URL
    http://www.decodeuk.com
  1. Check out our new reel video gallery. A lot of interesting MoVi M10 work! http://decodeuk.com/information/recent-work/
  2. http://<iframe width="560" height="315" src="//www.youtube.com/embed/y_rOdK3aiVM" frameborder="0" allowfullscreen></iframe>
  3. ​HI there. MoVI M10 rigs available from London based rental facility, DECODE, in UK. Operators or technicians provided with all rentals. Please call or email to discuss requirements. http://decodeuk.com/kit-hire/grip/stabiliser/freefly-movi-m10-rig-with-one-technician/ http://decodeuk.com/kit-hire/grip/stabiliser/freefly-movi-m10-rig-with-2-technicians/ Samuel Martin DECODE 3D, HD, camera, grip, lighting, studio, edit suites hire.. London, UK Email: sam.martin@decodeuk.com Web: www.decodeuk.com Tel: +44 (0) 2087359170 Fax: +44 (0) 2087418952
  4. ​HI there. MoVI M10 available at DECODE, based in London, UK. Operators provided with all rentals. Please call or email to discuss requirements. http://decodeuk.com/kit-hire/grip/stabiliser/freefly-movi-m10-rig-with-one-technician/ http://decodeuk.com/kit-hire/grip/stabiliser/freefly-movi-m10-rig-with-2-technicians/ Contact details: Samuel Martin DECODE 3D, RED, HD, broadcast camera, grip and lighting rental services. London, UK Email: sam.martin@decodeuk.com Web: www.decodeuk.com Tel: +44 (0) 2087359170 Fax: +44 (0) 2087418952
  5. And don't forget the insurance implications. Whatever way you decide to do it, make sure you have public liability, employers liability, equipment insurance in place and cover for accidents. If you go through the proper and recommended channels you will be asked to produce one anyway. If you decide to go guerrilla style, well, you can get into major trouble if anything happens.... And running around with expensive gear while being chased is something prone to falls and injuries...
  6. Yes you can but it is like going onto a race track with a F1 car or a Ford Fiesta. 35mm being the F1 car and the Canon 5D MKII a Ford Fiesta. You must expect the results to be miles apart in all senses. Have you considered something in the middle? Possibly getting a quote on a RED camera? But again, if the budget is tight and you have to go with the 5D, please ensure you spend the money in a really good DP that is willing to be flexible and work with that camera. He is the one person in your crew that will get the best out of that camera and will inspire everyone around him. And trust me, if what you shoot is good nobody will care what you shot it on (audiences I mean)
  7. I wish things like that actually happen.. Wouldn't it be nice..
  8. EX3 if you can afford it. Canon 5D is also really cool. Those would be my 2 recommendations...
  9. Do you need anything in the UK? We can help you if that is the case...
  10. Magliners are the way to go. We have many of them, always reliable and never had any problems!! They are a piece of kit I never have to worry about...
  11. The HD/SDI recording, bypassing the HDV/ P2 encoding, will render much better images. Go down this route if you have the right tools to do it for your job. You'll be impressed with the results, just as Phil's test footage shows....
  12. I would choose the HVX200 any time. Older camera, just as good, but because it is an older camera you'll be able to get a better deal from the rental house....
  13. I have to totally agree with you on this....
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