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janusz sikora

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About janusz sikora

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Profile Information

  • Occupation
    Cinematographer
  • Location
    Los Angeles
  • Specialties
    Light/Camera

Contact Methods

  • Website URL
    http://www.lightextreme.com
  1. abandoned office... world that janitor lives in... jazz club wish you come up with logic in your lighting
  2. one way to do it with two lights... 1200 bounced from the top for general ambiance which is to be kept at proper zone - lets say 2 or 3 (doesn't need to be HMI for required level)... and the other light as 3/4 back for edge on the face. If not for glasses you could add sonething from the front for eyes janusz www.lightextreme.com
  3. I am not sure if you are interested in Cinematography Workshops ... www.lightextreme.com offers workshops in Cinematic Expression in Los Angeles and in Italy (Florence)
  4. I am not sure if you are interested in Cinematography Workshops ... www.lightextreme.com offers workshops in Cinematic Expression in Los Angeles and in Italy (Florence)
  5. I am not sure if you are interested in Cinematography Workshops ... www.lightextreme.com offers workshops in Cinematic Expression in Los Angeles and in Italy (Florence)
  6. I am not sure if you are interested in Cinematography Workshops ... www.lightextreme.com offers workshops in Cinematic Expression in Los Angeles and in Italy (Florence)
  7. I am not sure if you are interested in workshops in Cinematography ... in any case www.lightextreme.com offers workshops in Cinematic Expression in Los Angeles and in Italy
  8. what do you mean "with just Natural Light" ?! :) all that you do with articial light is only infantile approximation of what god gives you
  9. Here is the link :) http://www.filmmakinghollywood.com/Firenze...l?1205640875234 http://www.lightextreme.com
  10. http://www.filmmakinghollywood.com/Firenze...l?1205640875234 Aug 18 - Aug 30, 2008 Technique is the Tool. It has no value, unless suported by an Idea. Two Weeks of Cinematography and Advanced Lighting Techniques in Film Studio in Florence. Combination of Film and Digital Video. Taught by award cinematographer who teaches filmmaking at University of Southern California and Dreamworks Studios. After successful Workshop last summer, we extend our cooperation with Movie and Sound Studios in Florence. "Dancing with Light" Technique is a comprehensive approach to visual expression where Cinematic Eloquence is of primary concern. Workshop is designed for Directors and Directors of photography as it deals with esthetics of cinematic interpretation. Students are encouraged to bring their own ideas as they will have chance to try their execution in professional environment of Film Studio. Program is unique in that it covers both Technical and Artistic aspects of cinematic expression. lx@lightextreme.com
  11. ... is cool, jonathan thanks
  12. If you shooting at daylight location then I would just forget the background and left it unlit having it play with existing ambiance. I would light the subject close to what the Ambiance is (little more) just for separation. I would try not to have Subject's Light spill on Background. In Night Location... You can come up with some bounce of the ceiling for ambiance and to keep the walls white and continue in similar manner as for daylight location.... sure you will need more lights as will need to create that workable Ambiance. For standing subject it is good to have the subject at least 6 feet from the wall just to avoid shadows.
  13. Natalie... it is going to be very difficult to create Low Key in tight location with white walls.. Simply not much room for all those light control accessories. You can still do it easy if you don't mind going "hard"... Hard Light... Just pin spot your action areas with fresnells... you will not have to deal with light leak like you would had you gone "soft". You will still have to use Flags (but not as many) and Black Wrap... wrap the instrument's Barndoors with Black Wrap where they leak light.
  14. There is no reason for skin tone to be at VI... you are right.... I never thought it had to be.
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